Researcher
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Producer
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Writer
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Director
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Producer
The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.
Director
The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.
Director
It tells the biography of Carlos Fuentealba, an argentinian teacher and leftist militant, murdered in 2007 in Neuquén.
