Dima
Yekaterinburg of the 90s. A company of young poets, including the most talented — a junior researcher at the Institute of Geophysics Boris Ryzhy, wanders through the cold and dangerous streets of the city from party to party. Ironic and friendly, he can negotiate with local brothers with equal ease, drive to Moscow for the "Anti-Booker" award, fight at the stall and crash into the department.
The Osipovs are a very ordinary family from Ulyanovsk. Father, mother and son. They are no different from thousands and thousands of other families, except that they are happy. They love each other. The sudden illness of the son drives through them with an asphalt roller. Parents are ready for anything, they lose their home, and sometimes their human form, trying to save their child. At some point, even the mother breaks down. But not the father. The most ordinary person. A provincial carpenter.
Chernóbil: Abyss es el primer gran largometraje ruso sobre las consecuencias de la explosión de la central nuclear de Chernóbil, cuando cientos de personas sacrificaron sus vidas para limpiar el lugar de la catástrofe y evitar con éxito un desastre aún mayor que podría haber convertido una gran parte del continente europeo en una zona de exclusión inhabitable.
doctor
A simple guy from Podolsk ends up in the Moscow Police Department and morally prepares for all sorts of humiliations. But the representatives of the law suddenly turn out to be exacting intellectuals…
Makhnovets
In the not-so-distant future the computer game industry reaches its fullest flower. Virtual reality is indistinguishable from real life. The government launches Department C to control the game space. Censors secretly delve into games. Their mission is to take sex and violence beyond the forbidden level. A game that would let them do that must be banned. One of the Censors is a good guy who hates his bloody job. The other one is a creep. But even the Censors lose their ability to tell the game from the real world.
