Leonardo Villar

Leonardo Villar

Nacimiento : 1923-07-25, Piracicaba, São Paulo, Brazil

Muerte : 2020-07-03

Historia

Leonardo Villar (born as Leonardo Motta in Piracicaba, São Paulo, on July 25, 1923 - São Paulo, July 3, 2020) was a Brazilian actor. He became internationally known for his performance as Zé do Burro in Anselmo Duarte's O Pagador de Promessas, the only Brazilian film so far awarded with a Palme d'Or at the Cannes Film Festival. He started his career at the theater, but later also started acting in film and television. Villar debuted at the theater on the 1950 play Os Pássaros. His first film role only came in 1962 as Zé do Burro in Anselmo Duarte's O Pagador de Promessas. He received international exposure for the role after the film won the Palme d'Or and became the first Brazilian and South American feature nominated for the Academy Award for Best Foreign Language Film. In 1965 he debuted on television in the TV Tupi telenovela A Cor de Sua Pele, which tells the story of an interracial relationship. In 1972, he moved to Rede Globo, where he starred in successful shows such as Escalada and Estúpido Cupido. In 2001, after almost 20 years without acting in the theater, he starred in the play A Moratória. In 2008, after eight years without acting in a film, he starred in the critically acclaimed Chega de Saudade. From Wikipedia, the free encyclopedia

Perfil

Leonardo Villar
Leonardo Villar
Leonardo Villar
Leonardo Villar

Películas

The Ballroom
Álvaro
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
Brava Gente Brasileira
Comandante
Encargado de delimitar el territorio entre España y Portugal, un cartógrafo es escoltado por un grupo de soldados a través de la selva del mato grosso. Un sendero inagotable que, entre flechas y acosos, disputa los verdaderos límites de la paz. (FILMAFFINITY)
Friendly Fire
Correia
Brazil in the early 70s. Miguel, Eloi, Osvaldo and Paolo take part in armed attacks against the military dictatorship. They pay a heavy price with torture and arrest. Today the four friends still see each other. Only Miguel is politically active. On a photograph from a political meeting in Sao Paolo he recognises the policeman who tortured them 25 years ago and who was responsible for the death of Miguel's girlfriend. The policeman has been officially dead for a few years. On one of their fishing trips together, Miguel tells his friends of his discovery. When they hunt down and confront their nemesis they come into conflict with both themselves and each other.
Celebração - 100 Anos do Cinema Nacional
Self
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Enigma de um Dia
A museum worker - the watchman - motivated by the homonymous painting by Giorgio De Chirico, is introduced, through everyday life, into the metaphysical universe of the Italian painter.
Amor de Perversão
Chick Fowle, Faixa Preta de Cinema
About English photographer Chick Fowle. Statements by Anselmo Duarte, Leonardo Vilar, Marlene França, Vanja Orico. A film about directors, actors and teams that Chick Fowle worked and works with, also showing the possibility of renewal that Brazilian cinema can and must have.
A Madona de Cedro
Delfino Montiel
Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.
Juego peligroso
Homero Olmos
Two dark-comedy stories involving blackmail, murder and love triangles in Rio de Janeiro
Improvised and Purposeful: Cinema Novo
Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
Amor e Desamor
An existentialist drama that narrates one night in the life of a couple formed by an architect and university professor who has just left his job and a modern married woman, interested in a casual love affair.
O Santo Milagroso
Pastor Raimundo
A pastor and a priest compete for the religious leadership of the population of a small town. When the pastor tries to prevent his sister's involvement with the sacristan, he accidentally starts the rumor that the church houses a miraculous statue of St. Francis.
The Big City
Jasão
In search of a better life, Luzia leaves the Northeast of Brazil and goes to Rio de Janeiro, looking for her fiance who went first to pave their way. Alone in the Marvelous City, she is forced to accept the friendship and protection of Calunga and, later, the company of Inácio.
The Hour and Turn of Augusto Matraga
Augusto Matraga
Augusto Matraga is a violent agressive farmer who, after being betrayed by his wife and trapped by several enemies, is bitten up and left for dead, being rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple, Matraga starts a long penitent life while waiting for his hour and chance to payback, starting a fight between his violent nature, his hidden desire of vengeance and the mysticism and goodness which is also part of him.
Procura-se Uma Rosa
Lampião, King of the Badlands
Lampião
El pagador de promesas
Zé do Burro / Donkey Jack
Zé es un pobre hombre que vive en una región rural de Brasil y que únicamente tiene a su burro. Cuando éste enferma, Zé reza por su recuperación y promete a Dios que irá a la capital del estado si se recupera.