Mariana Delgado

Juanjo, Mario y Lucía se internan en una comunidad Qom en el medio del Impenetrable Chaqueño para realizar un programa de televisión que retrate la miseria y la desolación en la que viven y cómo eso afecta a su vida cotidiana. Al arribar descubren que, misteriosamente, la comunidad Qom ha desaparecido. Perdidos, sin comida y agua, deben encontrar la salida del monte antes que los aterradores secretos que esconde el Impenetrable, los atrape a ellos.

Las diferentes miradas que tiene el matrimonio entre Sonia y Roberto sobre estereotipos, machismo vs feminismo, y cómo quieren vivir sus vidas, los lleva a tomar la decisión de separarse. Luego de dos años se reencuentran para dividir sus bienes. Cada uno con una vida nueva. Sin embargo, un accidente hará que Sonia tenga que ocuparse de cuidar a Roberto, volviendo a convivir en el departamento en el que vivían y viajar juntos al viñedo de sus sueños que tenían en La Rioja.

Un documental sobre los fanáticos de "Esperando la carroza", el clásico del cine argentino dirigido por Alejandro Doria, y que indaga sobre las razones obvias y ocultas de este fenómeno.

A day like any other Robert's earthly existence comes abruptly to an end. In his way to eternal life he discovers that there is no promised paradise but a cold and impersonal bureaucratic organism: his arrival comes during a system's failure and is forcefully assigned to share his new existence with "Coquito" -a misfit who attends against his eager for tranquility-, in the midst of the corseted mechanisms of the heavenly bureaucracy.

In 1972, Carlos Mathus's provocative play 'La lección de anatomía' opened in Buenos Aires. He thus became a renowned author and director, and the play had an international uninterrupted run of thirty years. More than forty years later the author asks himself about the current relevance of the play and embarks on the adventure of a revival, an odyssey that will take a definite toll on his spirit, his health, and the work itself.

Mirta Regina Satz worked as chief of treasury of AMIA (Mutual Association Israelita Argentina), interspersing her love for art, until July 18, 1994. In the middle of the working day, a bomb completely destroyed the building. Mirta survived the catastrophe and left the AMIA to reinvent herself at work with her own artistic work. She got engaged and decided a new course, uncertain, but true. There she began his construction work for another life.