Mariana Delgado

Juanjo, Mario and Lucía go into a Qom community in the middle of the Impenetrable Chaqueño to make a television program that portrays the misery and desolation in which they live and how this affects their daily life. Upon arrival they discover that the Qom community has mysteriously disappeared. Lost, without food and water, they must find their way out of the mountain before the terrifying secrets that the Impenetrable hides trap them.

After two years separated, unexpected circumstances reunite a married couple.

A day like any other Robert's earthly existence comes abruptly to an end. In his way to eternal life he discovers that there is no promised paradise but a cold and impersonal bureaucratic organism: his arrival comes during a system's failure and is forcefully assigned to share his new existence with "Coquito" -a misfit who attends against his eager for tranquility-, in the midst of the corseted mechanisms of the heavenly bureaucracy.

In 1972, Carlos Mathus's provocative play 'La lección de anatomía' opened in Buenos Aires. He thus became a renowned author and director, and the play had an international uninterrupted run of thirty years. More than forty years later the author asks himself about the current relevance of the play and embarks on the adventure of a revival, an odyssey that will take a definite toll on his spirit, his health, and the work itself.

Mirta Regina Satz worked as chief of treasury of AMIA (Mutual Association Israelita Argentina), interspersing her love for art, until July 18, 1994. In the middle of the working day, a bomb completely destroyed the building. Mirta survived the catastrophe and left the AMIA to reinvent herself at work with her own artistic work. She got engaged and decided a new course, uncertain, but true. There she began his construction work for another life.