Karen Shakhnazarov

Karen Shakhnazarov

Nacimiento : 1952-07-08, Krasnodar, Krasnodarskiy kray, RSFSR, USSR [now Russia]

Perfil

Karen Shakhnazarov

Películas

Vladivostok
Producer
Having accidentally committed a crime, Victor tries to evade responsibility and flees. He meets Nika and falls in love with her. The young people are trying to arrange Victor's illegal escape abroad, but events take an unexpected turn.
Vladivostok
Screenplay
Having accidentally committed a crime, Victor tries to evade responsibility and flees. He meets Nika and falls in love with her. The young people are trying to arrange Victor's illegal escape abroad, but events take an unexpected turn.
Decision: Liquidation
Producer
The ruthless extremist Bazgaev responsible for terrorist attacks which lead to deaths of hundreds of civilians, among them school children, is planning new actions. A group of security officers is to track and destroy him. Based on a true story.
Mot Ne
Producer
Based on a real case in Siberia, a woman lost in the taiga is forced to wander with several families engaged in hunting.
Anna Karenina. La venganza es el perdón
Producer
Año 1904. Han pasado treinta años desde la muerte de Anna Karenina (Elizaveta Boyarskaya), mujer que en su juventud tomó la difícil decisión de abandonar a su marido y a su hijo para entregarse a su amante, el Conde Vronsky (Maksim Matveev). Ahora, el Conde y Serguei Karenin (Kirill Grebenshchikov), el hijo de Anna ya adulto convertido en doctor militar, son oficiales del ejército al mando de una pequeña posición rusa en Manchuria, a punto de ser derrotada por las fuerzas japonesas. En los pocos días que comparten, y pese a la mutua desconfianza, Serguei y Vronsky tendrán la oportunidad de revisitar su pasado para, finalmente, encontrar las respuestas que ambos han buscado durante tanto tiempo.
Anna Karenina. La venganza es el perdón
Writer
Año 1904. Han pasado treinta años desde la muerte de Anna Karenina (Elizaveta Boyarskaya), mujer que en su juventud tomó la difícil decisión de abandonar a su marido y a su hijo para entregarse a su amante, el Conde Vronsky (Maksim Matveev). Ahora, el Conde y Serguei Karenin (Kirill Grebenshchikov), el hijo de Anna ya adulto convertido en doctor militar, son oficiales del ejército al mando de una pequeña posición rusa en Manchuria, a punto de ser derrotada por las fuerzas japonesas. En los pocos días que comparten, y pese a la mutua desconfianza, Serguei y Vronsky tendrán la oportunidad de revisitar su pasado para, finalmente, encontrar las respuestas que ambos han buscado durante tanto tiempo.
Anna Karenina. La venganza es el perdón
Director
Año 1904. Han pasado treinta años desde la muerte de Anna Karenina (Elizaveta Boyarskaya), mujer que en su juventud tomó la difícil decisión de abandonar a su marido y a su hijo para entregarse a su amante, el Conde Vronsky (Maksim Matveev). Ahora, el Conde y Serguei Karenin (Kirill Grebenshchikov), el hijo de Anna ya adulto convertido en doctor militar, son oficiales del ejército al mando de una pequeña posición rusa en Manchuria, a punto de ser derrotada por las fuerzas japonesas. En los pocos días que comparten, y pese a la mutua desconfianza, Serguei y Vronsky tendrán la oportunidad de revisitar su pasado para, finalmente, encontrar las respuestas que ambos han buscado durante tanto tiempo.
A House ‎for Rent with All the Inconveniences‎
Producer
Russian comedy drama
Camino a Berlín
Producer
El film retrata el cruce de los ríos Oder y Neisse y los esfuerzos por dispersar al ejército alemán a apenas 60 kilómetros de Berlín.
Camino a Berlín
Writer
El film retrata el cruce de los ríos Oder y Neisse y los esfuerzos por dispersar al ejército alemán a apenas 60 kilómetros de Berlín.
Do svidaniya mama (Goodbye Mom)
Co-Producer
Goodbye Mom (Do svidaniya mama) trata la historia sobre un encuentro fortuito que destruyó momentáneamente una vida familiar exitosa y feliz. Por un momento, la mujer encontró la pasión y el deseo como algo más importante que su esposo enamorado y su querido hijo. El padre y el hijo sufren por la constatación de que ya no son necesarios, sino que tratan de comprender y perdonar. La mujer, que no pudo llegar a ser feliz, está en crisis.
In the Encirclement
Director
Short film created from footage that has not been incorporated in the final cut of the film "The White Tiger" In June 1944 the Soviet arm encircled 53 army corps of General Gollwitzer in the Vitebsk area. The Germans fiercely defended themselves, and the Soviet army tightened the rina...
She
Producer
A young Tajik girl, Maija (Nilufar Faizieva), flies to Russia following her fiancé, Khamid(Makhsum Abdullaev), where he works as a guest worker and lives in the slums with other workers like him. He promises to marry her, but eventually leaves her with barely known people and returns back toTajikistan for a marriage arranged by his parents.
White Tiger
Producer
La Gran Guerra Patriota durante la década de 1940. Después de sobrevivir milagrosamente a una batalla contra un tanque fantasma, el Sargento del Ejército Rojo, Ivan Naydenov, se obsesiona con su destrucción.
White Tiger
Writer
La Gran Guerra Patriota durante la década de 1940. Después de sobrevivir milagrosamente a una batalla contra un tanque fantasma, el Sargento del Ejército Rojo, Ivan Naydenov, se obsesiona con su destrucción.
White Tiger
Director
La Gran Guerra Patriota durante la década de 1940. Después de sobrevivir milagrosamente a una batalla contra un tanque fantasma, el Sargento del Ejército Rojo, Ivan Naydenov, se obsesiona con su destrucción.
El pabellón Nº 6
Producer
Adaptación de una historia de Antón Chéjov en forma de falso documental a cargo del mítico cineasta ruso Karen Shakhnazarov seleccionada por Rusia como candidata a los Oscar. Basada en hechos reales; se centra en el médico jefe de un manicomio que acaba convirtiéndose en paciente del mismo. Respetando el relato original, los autores trasladaron deliberadamente la acción al presente, rodando la película en un manicomio real de una manera semi-documental.
El pabellón Nº 6
Writer
Adaptación de una historia de Antón Chéjov en forma de falso documental a cargo del mítico cineasta ruso Karen Shakhnazarov seleccionada por Rusia como candidata a los Oscar. Basada en hechos reales; se centra en el médico jefe de un manicomio que acaba convirtiéndose en paciente del mismo. Respetando el relato original, los autores trasladaron deliberadamente la acción al presente, rodando la película en un manicomio real de una manera semi-documental.
El pabellón Nº 6
Director
Adaptación de una historia de Antón Chéjov en forma de falso documental a cargo del mítico cineasta ruso Karen Shakhnazarov seleccionada por Rusia como candidata a los Oscar. Basada en hechos reales; se centra en el médico jefe de un manicomio que acaba convirtiéndose en paciente del mismo. Respetando el relato original, los autores trasladaron deliberadamente la acción al presente, rodando la película en un manicomio real de una manera semi-documental.
Vanished Empire
Producer
This story take place in Moscow during the 1970s and unfolds around the love triangle between two young men and a girl who study at the same university. They argue, make up, and face their first disappointments and victories. While busy with personal lives and loves, they miss foreseeing that the country in which they were born and live will soon disappear from the map.
Vanished Empire
Director
This story take place in Moscow during the 1970s and unfolds around the love triangle between two young men and a girl who study at the same university. They argue, make up, and face their first disappointments and victories. While busy with personal lives and loves, they miss foreseeing that the country in which they were born and live will soon disappear from the map.
The Rider Named Death
Producer
In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.
The Rider Named Death
Director
In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.
Estrella: señal de socorro
Producer
Segunda Guerra Mundial, verano de 1944. Frente ruso. Tras prolongadas y sangrientas batallas, el Ejército Rojo ha hecho retroceder a los invasores alemanes hasta la frontera oeste de Rusia. Sin embargo, los alemanes se preparan para llevar a cabo un gran contraataque. El Cuartel General del Ejército Rojo envía a un grupo de jóvenes soldados, con edades comprendidas entre los 23 y los 25 años, detrás de las líneas enemigas, para informar sobre los movimientos del enemigo. Su señal de llamada será "Estrella".
Poisons or the World History of Poisoning
Writer
A story of an actor named Oleg whose wife has been seduced by his neighbor. As he is thoroughly convinced of her infidelity, he would like to poison her. An old man named Prokhorov helps him to get rid of his wife by lecturing about famous deaths caused by poisoning. It is from Prokhorov we learn that many famous and not so famous like Cesare Borgia and Caligula were killed as they were poisoned.
Poisons or the World History of Poisoning
Director
A story of an actor named Oleg whose wife has been seduced by his neighbor. As he is thoroughly convinced of her infidelity, he would like to poison her. An old man named Prokhorov helps him to get rid of his wife by lecturing about famous deaths caused by poisoning. It is from Prokhorov we learn that many famous and not so famous like Cesare Borgia and Caligula were killed as they were poisoned.
Day of the Full Moon
Writer
Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.
Day of the Full Moon
Director
Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.
Who, If Not Us
Producer
This movie deals with two friends, 13-14 year old boys. One comes from a more or less stable home (although he is growing up with single mom) and another comes from a broken up family. One day the kids break into a store to pretty much have fun and get something to eat, short time after they get caught and one kid is sent to juvenile prison (14 year old) and another one is released to his being too young to be tried (13 years old). The younger kid feels bad about such decision, feels guilty and tries to help his friend in any way possible. While trying to help he is meeting a guy, who is ex-cop and now down-on-his-luck drunk(played by Priyomykhov himself)... the two become friends. In the finale, the ex-cop has to go one of the PTA meeting at school (his mother could not get away from work and knows nothing about the ex-cop) where suddenly his mother appears and meets the "father"...
Привет от Чарли-трубача
Producer
American Daughter
Writer
A lonely Russian man is trying to see his daughter, who lives with her mother far away in the USA.
American Daughter
Director
A lonely Russian man is trying to see his daughter, who lives with her mother far away in the USA.
Dreams
Producer
Russian countess in 1893 has strange dreams about herself living a life as a dishwasher in 1993' Moscow after dissolution of the USSR.
Dreams
Writer
Russian countess in 1893 has strange dreams about herself living a life as a dishwasher in 1993' Moscow after dissolution of the USSR.
Dreams
Director
Russian countess in 1893 has strange dreams about herself living a life as a dishwasher in 1993' Moscow after dissolution of the USSR.
The Children of Iron Gods
Producer
The films hero is a metal worker named Ignat who is as strong and tough as the steel that his sprawling factory produces in the Ural Mountains. Its a great cheerless environment; life is arduous and dangerous; conditions at the plant are nearly subhuman. The only excitement in the grimy industrial town is provided by robbing a train at gunpoint or stealing sheep from the Bashkiri tribe. The most renowned diversion, however, is the annual fist fight between the strongest metal worker and the strongest miner from the region. Against his better judgment, but with the support of his co-workers, Ignat decides to take part in this perilous venture.
White King, Red Queen
Producer
White King, Red Queen is a Russian film. The composer Isaak Schwarz won a Nika Award from the Russian Academy of Cinema Arts and Sciences for the film's music.
El asesino del zar
Writer
Timofeyev es un paciente de un hospital psiquiátrico, aquejado de esquizofrenia, que cree haber sido el asesino del zar Nicolás II y su familia en Yekaterimburgo en 1918. Su relación con su médico adquiere una dimensión peligrosa cuando éste decide hacerse pasar por el propio zar para curarlo.
El asesino del zar
Director
Timofeyev es un paciente de un hospital psiquiátrico, aquejado de esquizofrenia, que cree haber sido el asesino del zar Nicolás II y su familia en Yekaterimburgo en 1918. Su relación con su médico adquiere una dimensión peligrosa cuando éste decide hacerse pasar por el propio zar para curarlo.
Ciudad cero
Writer
Un ingeniero moscovita se encuentra atrapado en una remota ciudad que aún conserva una exposición de Stalin en su museo local.
Ciudad cero
Director
Un ingeniero moscovita se encuentra atrapado en una remota ciudad que aún conserva una exposición de Stalin en su museo local.
Courier
Writer
Ivan Mirosnikov, a cheeky young man in the Gorbachev era, is trying to figure out what to do with his life (he's not in college, and the 2-year mandatory military service is looming large ahead of him). Meanwhile, he lives with his divorced mother, and works as a courier at a Russian newspaper. Through his job, he meets patronizing Professor Kuznetzov and his rebellious daughter Katya. To annoy the professor, Ivan claims to have an affair with Katya. To his surprise, Katya backs his story up.
Courier
Director
Ivan Mirosnikov, a cheeky young man in the Gorbachev era, is trying to figure out what to do with his life (he's not in college, and the 2-year mandatory military service is looming large ahead of him). Meanwhile, he lives with his divorced mother, and works as a courier at a Russian newspaper. Through his job, he meets patronizing Professor Kuznetzov and his rebellious daughter Katya. To annoy the professor, Ivan claims to have an affair with Katya. To his surprise, Katya backs his story up.
Winter Evening in Gagry
Writer
A young romantic loves step dance but there is only one person who knows this forgotten art. Beglov was a step dance super star back in 50s but as step became unpopular he lost everything. He hates even this word - 'chechotka' (step dance). But somehow the young man convinces him to become his coach and manager.
Winter Evening in Gagry
Director
A young romantic loves step dance but there is only one person who knows this forgotten art. Beglov was a step dance super star back in 50s but as step became unpopular he lost everything. He hates even this word - 'chechotka' (step dance). But somehow the young man convinces him to become his coach and manager.
We're from Jazz
Writer
A music student is expeled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.
We're from Jazz
Director
A music student is expeled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.
Ladies Invite Gentlemen
Writer
Anna Pozdnyakova is already over 30 years old and, despite the fact that she is kind and pretty, she cannot find herself a man with whom she could find family happiness. Already it seems like a suitable candidate in the person of a prominent military man, Viktor, has taken a liking, but at first sight he falls in love with Anna's friend Raisa and marries her. Then Anya takes out a vacation at her own expense and goes south to Sochi.
Kind Men
Director
Based on the play of the same name by Leonid Zorin. Gordei Kabachkov, a professional con man, decided to pursue a career in science and was very successful. Having settled in a certain Institute of Ancient Culture, he easily wraps his finger around the numerous "kind men" - members of the academic council - and defends his thesis. Using his "talents" and the kindness of the staff of the Institute of Ancient Culture, Kabachkov makes a rapid take-off on the career ladder...
Шире шаг, маэстро!
Director
One day in the life of doctor.