Urs Althaus

In a not-too-distant future only a few homo sapiens are left. Struggling for survival they are forced to live from hunting the last remaining animals in the peripheral ruins of an advanced human civilization. But they are unaware of being stalked themselves by a mysterious scanner. A science-fiction story about hunting and being hunted, about extinction and survival, about dogs – and men.

A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.

Siglo XIV. Todo comienza una hermosa mañana de finales de noviembre de 1327, cuando un monje franciscano y antiguo inquisidor, acompañado de su novicio discípulo –quien relata la historia– acuden a una abadía benedictina situada en el norte de Italia para intentar resolver un crimen. Durante su estancia van desapareciendo misteriosamente más religiosos, a quienes después hallan muertos. Poco a poco, gracias a la información aportada por algunos monjes, Guillermo va esclareciendo los hechos. El móvil de los crímenes parecen ser unos antiguos tratados que se custodian en la biblioteca del complejo, de la cual se dice que es la mayor del mundo cristiano. ¿Quién es el asesino? ¿Qué motivó la muerte de sus víctimas? Nadie lo sabe…

Tres marines americanos perdidos en la selva secuestran un autobús para tratar de alcanzar un puesto americano. El autobús lo componen civiles y misioneros que acaban de escapar de un ataque Enemigo. Juntos tratan de salir sanos y salvos del Vietnam.

Trainer Oronzo Canà is called to manage Longobarda, the team of a small town of Northern Italy, when it's promoted to the First Division. His only task is not to go back to the Second Division, but even the team's owner plays against Longobarda since the First Division is too expensive, and the young Brazilian player bought for the team is affected by deep 'saudade'. Written by Alessio F. Bragadini

Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.

Scella Pezzata, daughter of the Indian chief Heavy Ball of the Cefaloni tribe, is betrothed to Cavallo Pazzo, but is in love with Arrapaho, son of the Indian chief Mazza Nera of the Arrapaho tribe, who is in turn the object of Luna Caprese's wishes of the Froceyenne tribe.

En un futuro apocalíptico, la sociedad ha quedado alienada por el sistema. Un grupo de ancianos sabios conforman la resistencia que planea derrocar al régimen del tirano Prossor. Con la llegada de un guerrero motorista de espíritu libre, en el que creen ver al esperado mesías, intentarán lograr su objetivo, uniéndose también con distintas pandillas.

Un asesino que habla como un pato, ronda por Nueva York asesinando mujeres en forma grotesca. El detective Jack Headly se empleará a fondo para intentar cazarlo.