Urs Althaus

In a not-too-distant future only a few homo sapiens are left. Struggling for survival they are forced to live from hunting the last remaining animals in the peripheral ruins of an advanced human civilization. But they are unaware of being stalked themselves by a mysterious scanner. A science-fiction story about hunting and being hunted, about extinction and survival, about dogs – and men.

A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.

Em 1327, William de Baskerville, um monge franciscano, e Adso von Melk, um noviço que o acompanha, chegam a um remoto mosteiro no norte da Itália. William de Baskerville pretende participar de um conclave para decidir se a Igreja deve doar parte de suas riquezas, mas a atenção é desviada por vários assassinatos que acontecem no mosteiro. William de Baskerville começa a investigar o caso, que se mostra bastante intrincando, além dos mais religiosos acreditarem que é obra do Demônio. William de Baskerville não partilha desta opinião, mas antes que ele conclua as investigações Bernardo Gui (F. Murray Abraham), o Grão-Inquisidor, chega no local e está pronto para torturar qualquer suspeito de heresia que tenha cometido assassinatos em nome do Diabo. Considerando que ele não gosta de Baskerville, ele é inclinado a colocá-lo no topo da lista dos que são diabolicamente influenciados.

The plot concerns a small group of people who are forced to flee from their base (which happens to be a Mission) in an old school bus when the VC launch a vicious assault upon it. Along the way they are joined by a group of three battle hardened American Special Forces soldiers and together they desperately fight to make it to safety.

Trainer Oronzo Canà is called to manage Longobarda, the team of a small town of Northern Italy, when it's promoted to the First Division. His only task is not to go back to the Second Division, but even the team's owner plays against Longobarda since the First Division is too expensive, and the young Brazilian player bought for the team is affected by deep 'saudade'. Written by Alessio F. Bragadini

Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.

Scella Pezzata, daughter of the Indian chief Heavy Ball of the Cefaloni tribe, is betrothed to Cavallo Pazzo, but is in love with Arrapaho, son of the Indian chief Mazza Nera of the Arrapaho tribe, who is in turn the object of Luna Caprese's wishes of the Froceyenne tribe.

A nomad mercenary on a high-tech motorcycle helps bring about the downfall of the evil Orwellian government, the Omega.

A burned-out New York police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city.