Giuseppe Caracciolo

Películas

¡Dios mío, como he caído tan bajo!
Eugenia, una hermosa joven de la nobleza siciliana, acaba de casarse con un hombre rico también siciliano. Pero, durante la noche de bodas, cuando están a punto de consumar el matrimonio, reciben un telegrama en el que se dice que son hermanos.
El divorcio es cosa de tres
Alfredo, un tímido joven italiano, suspira por la excitante y coqueta Maria Rosa. Inesperadamente, ella toma la iniciativa y decide casarse con él. Pero la pasión inicial desaparece rápidamente, y el desencanto y el odio se apoderan de ambos, de modo que deciden divorciarse; pero entonces comienza un largo peregrinar por los juzgados que da lugar a cómicas situaciones.
Dappled Mare
Cinematography
Ruggero Pascoli, the father of poet Giovanni Pascoli, is killed by a corrupt officer. His body is brought back home by a mare that will, several years later, reveal the one responsible for the murder.
The Emperor of Capri
Director of Photography
Sonia, una cazafortunas, confunde a Antonio, un camarero de un hotel napolitano, con un príncipe árabe y queda con él en Capri. Antonio acude a la cita a espaldas de su mujer y suegra. Debido a una serie de casualidades, el camarero es confundido también por toda la isla.
Totò busca piso
Director of Photography
Bernardino se ha acomodado con la familia en el aula de una escuela cerrada durante las vacaciones, después de que su casa fue destruida por los bombardeos. Al comienzo del nuevo año escolar se ve obligado a buscar un nuevo hogar y esta vez será dentro de un cementerio. (FILMAFFINITY)
Sailors Without Stars
Cinematography
The story of two boys, who enrol in a navy academy for boys.
Rocambole
Director of Photography
In the 19th century, a thug from the slums of Paris pretends to be a young aristocrat, but is unmasked by a demi-mondaine, from the same background as him.
Sangue a Ca' Foscari
Director of Photography
The Simple Life
Cinematography
Marco and his son Toto work in a Venetian gondola yard and maintain the old traditions of gondoliers. When a newly-arrived businessman decides he wants to buy the yard and demolish it, Marco and company want to fight to preserve their way of life. The businessman, however, knows Marco is badly in debt and uses this to try to leverage Marco out of business. Can tradition win out in the face of naked commercialism?
Lettere al sottotenente
Director of Photography
Trent'anni di servizio
Director of Photography
Rosalba
Director of Photography
I bambini ci guardano
Director of Photography
El protagonista es Prico, un niño de cuatro años, que vive angustiado al ver cómo su madre abandona a su padre para irse con su amante. Su padre lo envía a vivir con su tía y después con su abuela, pero el niño cae enfermo; su madre vuelve entonces con él y le promete que todo volverá a ser como antes. (FILMAFFINITY)
We the Living
Cinematography
The second part (Part One released the same year was Noi vivi) of the adaptation of Ayn Rand’s debut novel We the Living , a story of life in post-revolutionary Russia and Rand's first statement against communism.
Giarabub
Director of Photography
The Italian troops at Giarabub defend themselves against the British.
The White Ship
Director of Photography
Although released anonymously, as was the custom with all films produced by the Italian Navy, La Nave Bianca is the first feature-length effort directed by Roberto Rossellini; it is also very much the work of its co-writer and supervisor Francesco De Robertis. The film combines a documentary look at the Italian Navy during World War II with newsreel combat footage and a scripted love story performed by non-professional actors.
Sole!
Camera Operator
Sole is the first film by the great Alessandro Blasetti and bears a complex relationship to the reclamation of the Pontine Marshes, a seminal event in Fascist political history.
The Mysterious Flyer
Cinematography
Early Italian film