Kateřina Krutská-Vrbová

A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?

Inner view to the social bubble of those who are running our society without being any part of it. Mixture of shots taken on unspecified VIP event and records from artist’s performative piece which he realized in Prague, is a though reflexion of bitter reality of our lives: No matter how many plastic straws we won’t use, it is not us, who sets the limits.

How incomprehensible would a higher intelligence find the plodding human species and the way it treats the Earth? And do Czechs differ in the way they care for nature?

The film follows the 21st Century formation of WITCH (We Intend To Cause Havoc), Zambia's most popular rock band of the 1970s, and documents the life of its lead singer, Jagari, whose name is an Africanisation of Mick Jagger's. Through the resurrection of a music that was forgotten by many and unheard by most, the film explores the life of a former African rock-star, and the excitement around the rediscovery of his music by Western fans, many of whom had yet to be born when his last album was released.

Working conditions in the worst-paid jobs in the Czech Republic were examined by journalist Saša Uhlová during six months. She spent several weeks in a hospital laundrette, poultry house, cash register or waste sorting facility. Her experience became the basis of a lived and very personal report of invisible employees working in appalling conditions. Uhlová wrote a series of reports on her project that were published on the Alarm website. Apolena Rychlíková made them into a documentary film consisting of scenes shot at Uhlová's home and video footage taken during her work. Uhlová accompanies the picture with read commentary.

A struggling writer believes a secret from his past has come back to haunt him. Paranoia and guilt take over as he tries to figure out who or what has been plaguing him with increasingly violent attacks.

A threefold portrait, presenting the reality within the limits of a subjective view, puts together the lives of an increasingly more remote writer and musician; a hacker, dreaming his dream of transformation into a purely virtual existence in the depths of technology; and an undertaker, unrealistic raconteur, living on the history of half-mythical Sudetenland.

Jan Hus - A Mass for Three Dead Men tries to recover the legacy of the medieval reformist priest Jan Hus who was burnt to death by inquisition for his criticism and calling for reformation of the Catholic Church in 1415. The story takes place in the late 20th Century and relates to history of territory recently known as the Eastern Block. Jan Hus introduces three individuals - Ryszard Siwiec, Oskar Brüsewitz, and Graham Bamford, who set themselves on fire to protest against the political regimes in which they lived, and against which they had struggled.