Yeon-hee always had dreams of becoming a heroine. Now in her late 20s, she is transported from a movie set to a parallel world where she gets the chance to live her dream.
Yeon-hee always had dreams of becoming a heroine. Now in her late 20s, she is transported from a movie set to a parallel world where she gets the chance to live her dream.
Yeon-hee always had dreams of becoming a heroine. Now in her late 20s, she is transported from a movie set to a parallel world where she gets the chance to live her dream.
Choi Jihoon es asignado a la Escuela Secundaria Daehun, la peor escuela secundaria en Corea. Se compromete a ser el "Jjang (Top gangster)" aquí, pero la realidad es bastante dura.
Choi Jihoon es asignado a la Escuela Secundaria Daehun, la peor escuela secundaria en Corea. Se compromete a ser el "Jjang (Top gangster)" aquí, pero la realidad es bastante dura.
Do Ho Suh's panoramic film is both site-specific and time-specific—a document of Alison and Peter Smithson's modular interiors as they were adapted, decorated, and furnished by residents, as well as a wider meditation about home, memory, and displacement within a physical structure that is about to disappear. [Overview Courtesy of Lehmann Maupin Gallery NYC]
