Jiří Polák

Ludvik Jahn, director de un instituto científico, descubre que Helena, una periodista de radio, es la esposa de Pavel, un ex compañero de estudios responsable de su expulsión de la universidad y de las Juventudes Comunistas. Debido a una broma trivial, es obligado a incorporase a un batallón militar de castigo durante dos años y medio, pasar dos años en una prisión militar, y tres años trabajando en las minas. 15 años después, la oportunidad de vengarse parece asomar... El guion de Jaromil Jires y Milan Kundera está basado en la novela de este último, la primera de sus novelas de éxito mundial. Este guion, en donde no dudaron en cortar o cambiar algunas escenas, es considerado como la mejor adaptación de una obra de Kundera. La película se comenzó a rodar en 1967, incluso antes de la aparición del libro, y se terminó de rodar después de la llegada de los tanques soviéticos en 1968.

Jirina, de quince años, está pasando sus vacaciones de verano con su padre en la cabaña familiar. El padre tiene que ir a Praga por negocios y, tras unos momentos de vacilación, decide dejar a Jirina sola en la cabaña. Las vacaciones junto al río son agradables y la pandilla de niños a la que pertenece Jirina las disfruta debidamente. Jirina es cortejada por Roman, pero ella está más interesada en Franta de la orilla opuesta del río. Franta invita a la niña a su cabaña, pero cuando el joven más experimentado quiere besarla, Jirina se escapa. Al mismo tiempo, se entera para su pesar de que Franta todavía está saliendo con su amor de las vacaciones del año pasado, Bláza.

Five Girls Around the Neck, in 1967, set out to explore that critical age of adolescence when a person's character is formed for good or evil. Schorm examined a girl's problems of being giving too much. She tries to buy the goodwill of her less fortunate friends; her intentions are pure, but in the difficulty of communicating she learns envy and deceit, and must decide if she will submit to double dealing or steel her life against self-deception and mediocrity. In addition to the relationship between the girl and her friends, Schorm introduces a teenage romance and the broader relationship between the girl's parents - neatly tied together with segments of Weber's opera "Der Freischütz". He reveals himself as a skilled psychological director with a wide range of knowledge about people.

Michal's father and his friends are stigmatized by their war experience and the post-war social deformations in which they took part either directly, or watched them cowardly and in silence. They are trying to repress their feelings of guilt and justify their behavior to the young generation with memories of their heroic war feats. Michal, however, does not want to have anything to do with their problems. He subconsciously perceives the unpleasant atmosphere in the family as well as his father's hypocrisy. After one of many quarrels with his father, he runs away from home, determined to go his own way.

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

A modern fairy tale that takes place in the present.

A modern fairy tale that takes place in the present.