William Lubtchansky

'El último de los injustos' cuenta la historia de Benjamin Murmelstein, el último presidente del Consejo Judío en Theresienstadt, "el gueto modelo", un campo de concentración utilizado por Adolf Eichmann para engañar al mundo con una imagen de ciudad tranquila donde los ancianos judíos podían retirarse. Pero la realidad era muy distinta, Theresienstadt era centro de paso para la posterior deportación de los judíos a otros campos de exterminio. Murmelstein luchó contra Eichmann durante más de siete años, llegando a conseguir que 121.000 judíos emigrasen y la liquidación total del guetto.

A wonderful documentary that sheds additional light on the fascinating project ‘Inferno’ was, as well as how those who were involved with it reacted to it during the shooting process. A riveting adjunct to the main feature, offering a glut of interviews with various people associated with the production, and presenting quite a bit more production data, as well as some unseen footage from Clouzot's shoot.

A powerful new film about Jan Karski, the Polish resistance figure who attempted to expose the Warsaw Ghetto and Belzec, and met with President Franklin D. Roosevelt and Supreme Court Justice Felix Frankfurter.

Documental sobre la vida y obra de Henri-George Clouzot. "L'enfer" (1964) es el título de la película que el director galo no pudo acabar: en primer lugar, el protagonista, Serge Reggiani, enfermó, y fue sustituido por Jean-Louis Trintignant; después, Clouzot sufrió un ataque al corazón que impidió que el proyecto siguiera adelante. En 1992 la viuda de Clouzot vendió el guión a Claude Chabrol, que hizo la película "El infierno" (L'enfer, 1994).

A celebrity is caught by her husband with a young lover.

Durante el período de la Restauración en una sociedad dominada por la hipocresía, por el peso de las apariencias y el dinero, la intriga relata los sobresaltos de una historia de amor sin esperanza, mezcla de pasión y rencor entre el general de Montriveau y la duquesa de Langeais. Adaptación de la novela "La Duchesse de Langeais" de Honoré de Balzac.

When he loses his position as a powerful government minister, Vincent is dropped by his pretty mistress and must begin life anew, without the privileges of power. As he gradually becomes acquainted with milieus which he d either forgotten or never known and a host of sometimes eccentric, often remarkable everyday people, Vincent really begins to start living again.

François, un joven poeta, participa en las revueltas de Mayo del 68, en París. Entre la bruma y la confusión, ve a la bella Lilie, a la que conocerá, un año después, en una fiesta en casa de un amigo. Entre ellos nacerá un amor intenso y tierno que hará revivir la ilusión tras el desencanto de la revolución perdida. El sexo, la poesía, el opio, la pintura y la escultura, serán los nuevos territorios frecuentados por el grupo de jóvenes revolucionarios que verán cómo el mundo que habían querido construir se irá desmoronando poco a poco.

A visit to the Louvre in Paris commentated by an actor reading Cézanne.

Julien, un relojero de unos cuarenta años, dominado por impulsos destructivos, decide chantajear a Madame X, una rica y atractiva mujer que trafica con antigüedades robadas. Lo que Julien no sabe es que Madame X guarda un secreto aún más peligroso, que lo llevará hasta Marie, la mujer de la que Julien se enamoró hace un año y que ha reaparecido misteriosamente. Marie tiene un comportamiento enigmático y, a pesar de que el amor entre ambos no deja de crecer parece incapaz de cualquier sentimiento físico. Julien, que ha recuperado la alegría de vivir, está dispuesto a desvelar el misterio y a ayudar a Marie a liberarse. Juntos irán todo lo lejos que un hombre y una mujer pueden ir, a un lugar donde las preguntas sobre la vida y la muerte, sobre el miedo y la esperanza, ya no existen. Un lugar regido por el amor sin límites.

Bruno, a communist newspaper journalist, is suffering a mid-life crisis. Torn between his wife Gaëlle and his young girlfriend Nathalie, his political beliefs battered by the wind of history, Bruno seems to have lost his bearings.

Todos los lunes por la mañana Vincent empieza la misma monótona rutina. Una hora y media de viaje sin fumar a un trabajo nada estimulante en una fábrica. De vuelta a casa, las obligaciones familiares interrumpen siempre su pasión por la pintura. ¡Vincent ya no puede con otros lunes por la mañana! Está harto de la fábrica, de la mujer y de los hijos, de las incomprensibles contradicciones y de un pueblo con inesperadas excentricidades... El viejo Albert hace el mismo camino cada día. El cartero lee el correo de todo el mundo. El cura no aparta los ojos de las mujeres del pueblo. Un avaro granjero instala un sistema de alarma más. Los jóvenes andan de acá para allá en bici, charlando de lo primero que les viene a la cabeza, simplemente para que la vida sea más interesante... Un día Vincent decide ver un poco de mundo y viaja a Venecia. Quizás encuentre exactamente lo que falta en su vida...

After finding love and success in Italy, French actress Camille returns to Paris, the city she fled 3 years ago. She secretly dreads confronting her ex-boyfriend Pierre. Her new lover Ugo also has a secret, he’s meeting with the intriguing Dominique while on his quest for an unpublished manuscript.

Nicolás (Nico Tarielashvili) es un joven de clase alta que prefiere pasar los días deambulando de aquí para allá por los barrios de la ciudad, apartado de la lujosa casa de campo de sus padres y en compañía de sus amigos gamberros, vagabundos, etc. Sin embargo, en uno de sus escarceos termina en la cárcel, episodio tras el cual será recogido por su familia y devuelto a su verdadero ambiente, un destino que deberá finalmente ir aceptando tras su paseo por el lado menos amable de la vida.

A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow train passengers, his mother, and a knife-sharpener.

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

An interview with a WWII Red Cross official who wrote a glowing report on a Jewish ghetto-cum-death camp.

This French romantic comedy-drama concerns Claude Langmann, a middle-aged auctioneer, who is in a loving marriage with his second wife of 15 years. Though he is deeply in love with his wife and has remained faithful to her, he finds himself unable to perform in bed. His wife says she is satisfied with Claude's love and tenderness, but he visits a sex specialist anyway. There he learns of Viagra, which is not yet approved in France, though it is available in Switzerland over the counter. Soon Claude is on his way to Geneva, and eager to prove his manhood, tries to bed Agnes, his very attractive and very available assistant. His daughter, who also comes along for the trip, interferes with her own problems.

Silvie Rousseau (Sandrine Bonnaire), una investigadora que busca una terapia contra el cáncer, descubre, gracias a su hermano, que su padre no murió en un accidente, sino que fue víctima de un asesinato presuntamente cometido por Walser (Jerzy Radziwilowicz), el hombre que heredó la dirección de la empresa de sistemas de defensa que dirigía su progenitor. Para evitar la determinación vengadora de su hermano, Sylvie se lanza ella misma, convertida en una moderna Electra, a la búsqueda de la verdad...

Tristán Romeo está a punto de cumplir quince años. Disfruta de la buena vida que sus padres han construido para él. Y sin embargo, no falta demasiado para que su entorno de protección, cariño y comodidades se desmorone. A partir de ahí aprenderá lo que es el sabor de la soledad, de la tristeza y que sobrevivir tiene, muchas veces, más importancia que vivir.

A witty, despairing French-Russian-Italian-Swiss art movie set in 16th-century Georgia, Stalinist Georgia, contemporary Georgia, and contemporary Paris, featuring the same set of actors in all four settings.

A young boy who worships all things American comes of age in Orleans, where over 14,000 American GIs were stationed.

Continuación de "Juana de Arco I - Las batallas". Después de la derrota francesa en la batalla de Orleáns, Juana de Arco (1412-1431) es arrestada y enviada a prisión. En dos procesos separados, es acusada de herejía y condenada a morir en la hoguera.

Jeanne the Maid leaves her childhood home in Domremy after hearing what she is sure was the voice of God. She believes that she can help lead France to victory on the battlefield, and she persuades Charles, dauphin of France to allow her to guide his troops.

This series, assembled in a film, presents the singular view of contemporary artists on major works of art history. The words of these free spirits make each work see each work as a dynamic form, in the process of becoming, crossed by multiple energies. The artists' voice-over narration frees the creative possibilities of the image - sound and image playing with each other, animated by the same spring: what is seeing?

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.

Châtelaine Marie-Agnès de Bayonnette lives in her family home with her cousin Solange. The lives of the two old ladies are governed by the traditional codes of aristocracy. When Marie-Agnès died, the heirs from Russia had to fight over the estate with a Japanese company that wanted to buy the property.

A fearless Antigone, refusing to allow the dishonored body of her murdered brother Polynices to be devoured by vultures and dogs, defies the Thebian tyrant Creon by burying him.

Edouard Frenhofer es un artista famoso y muy respetado, que vive cómodamente en la campiña francesa. A la edad de 60 años, considera que su carrera como pintor ha terminado, porque no siente ninguna inspiración para crear. Pero le queda por terminar un cuadro que lleva parado más de 10 años, el retrato desnudo de su musa, su mujer Liz. El problema es que ya no siente ningún tipo de entusiasmo por su mujer. La solución la encontrará en Marianne, la novia de su protegido Nicolás, que posará para él. Lejos de ser una mera versión acortada de 'La belle noiseuse' (1991), Rivette ofrece un nuevo montaje del mismo material con importantes diferencias de punto de vista. Aquí se trata más bien de la perspectiva de Marianne.

Nicholas, un joven artista parisino, viaja con su novia Marianne a un pequeño pueblo de provincias para visitar a Edouard Frenhofer, un famoso pintor que vive allí aislado del mundo. Nicholas intenta persuadirlo para que pinte su último gran cuadro: "La bella mentirosa", con su novia como modelo.

Marcel Spadice is a famous writer with a criminal background and a penchant for handsome men. From time to time, he induces an attractive female admirer to arrange for him to be introduced to nice, talented young men who happen to be sufficiently handsome to interest him. At other times, the endless effort to woo these men (who are most often heterosexual) grows wearying, and he goes to the train station to pick up soldiers looking for some easy money and a night's lodging. In this film, the writer has grown enamored with a young circus laborer who wants to move up in the world, literally, by becoming a tightrope walker. Marcel cadges an introduction, and for a time sponsors the young man's training. However, when the boy suffers an accident which renders him unfit for his chosen vocation, Marcel loses interest in him and takes up with another young man.

Marc, a troubled teenager, is bored in his native, depressing city of Sete. One day, a simple phone call makes him aware of the existence of Stephanie, a sister he has never met. Armed with a pistol his mother found, he goes out to find her. He steals money from a perfume shop, and is then stopped by a policeman who wants to search him. In the car, Marc threatens the policeman with his gun, demanding that he helps him find his sister...

Composed entirely of literary quotations from many different sources and from several historical periods, the loose narrative concerns a drifter found by a rich woman who soon falls in love with him. A drowning accident takes place and the drifter dies, but some time later he reappears in the woman’s life looking for a job. Or could it be the man’s twin brother?

One of the great masterpieces of world literature comes to vivid life in an elaborate production from acclaimed theater and film innovator Peter Brook. This collection of ancient Sanskrit stories (composed into the longest book ever written) comprises a series of enlightened fables at the heart of countless beliefs, legends, and teachings; indeed, its very title means "the great story of mankind." Brook and writer Jean-Claude Carriere worked for eight years to develop this epic concerning two sides of a royal family, the Pandavas and the Kauravas, whose struggle leads to a fascinating voyage of emotions, passion and vision of glory. Briefly, the Mahabharata is a tale of two rival sets of brothers, cousins to eachother, each born into royalty and with divinely guided paths in life. The result, however, is a great war, death, destruction - a vast epic.

A companion piece to the earlier film ‘The Death of Empedocles’, 'Black Sin' is an adaptation of the third version of Friedrich Hölderlin’s play ‘Der Tod Des Empedokles’.

During a ceremony in an orthodox church in Paris, a 40-year-old writer and journalist is seduced by a young man, whom with she will live an extraordinary story of love and passion that will drive them to madness.

Jeanne Quester is a psychologist-on-the-airwaves in a radio station. She got a raw deal when she was a child.

Amanda Weber is a museum employee. Her nephew, Victorien, who feels that wild animals should not be kept in zoos, while hitchhiking saw a mysterious bus with 50 dead tourists that later was found by autorities at the bottom of a lake. When Victorien gets in very serious problems due to what he saw Amanda seeks to find out what happened and soon also becomes a target.

Emmanuel, 37, lives in Paris with his wife, Irene, and his daughter Anne, 14 years old. He accidentally discovers that Irene is receiving mail in the remaining mail. She refuses to follow Emmanuel to Italy where he has to write a biography of Filippo Lippi. Distraught, Emmanuel decided to leave immediately for Florence.

Pierre is the artistic director of a theater, and when his daughter Manon lets him know that she is coming to see him after a year's absence, Pierre decides to prepare for the meeting. He goes to the theater with his girlfriend Ariane and has the actresses in his troupe act out different aspects of his daughter's character. Unfortunately, this is not adequate preparation, for when Manon does show up, nothing goes quite as he imagined...

In a port city, a youth plays a computer game that determines the fate of a woman (whose interracial romance is threatened by white punks) and other residents.

Mise-en-scène of the classic tragedy of Sofocles, carried out by Antoine Vitez in the National Theatre of Chaillot

Rodada entre los años 1970 y 1980, investiga las causas y motivos del genocidio desde el nivel de la experiencia: los paisajes de los campos de exterminio y los guetos, las rutinas diarias de los encarcelados, el inexorable trauma de la humillación, el castigo y el exterminio, y los fascinantes y escalofriantes testimonios de aquellos que lo experimentaron de primera mano, salvaguardando para siempre en el tiempo las palabras de aquellos que sobrevivieron. Las imágenes de archivo están desterradas en la obra de Lanzmann y son estas mismas palabras las que ejercen como vehículo y alma de la narración. La obra de un genio, un esfuerzo heróico por humanizar lo inhumano, por narrar lo inarrable y explorar con un detalle sin precedentes los horrores del pasado.

To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase "Do I stand before the king?" It is the elder brother that seems doomed to lose himself in his brother's insanity.

Edouard es el patriarca de una gran familia: su segunda mujer, Jeanne, acaba de tener un bebé. Su hija mayor, Dina, vive con Paul, un dramaturgo; la suya es una apasionada relación bloqueada, sin embargo, por las insatisfacciones de la vida diaria. Otra hija Sidonie se enamora de Jude. Ambos son músicos, excepto que ella tiene fobia a actuar en público.

Tras la representación en formato teatro de apartamento de una de sus obras, el autor teatral Clément Roquemaure (Jean-Pierre Kalfon) propone a los actores, Charlotte (Géraldine Chaplin), Emily (Jane Birkin) y Silvano (Facundo Bo), participar en la representación de su siguiente obra. Para ello deberán trasladarse a la casa de Roquemaure, en las afueras y ensayar durante una semana la obra, de la que sólo conocerán el final en el momento de su representación. En la misma casa viven Paul (André Dussollier), mago de profesión, que mantiene con Roquemaure una relación entre la amistad y la rivalidad, y Virgil (Laszlo Szabo), el mayordomo. En el curso de la semana se suceden los ensayos, al tiempo que las actrices van descubriendo los secretos de una casa en la que se oyen extraños sonidos y en la que existe una habitación prohibida. El espectro de una mujer desaparecida, Béatrice (Isabelle Linnartz), flota tanto sobre la obra como en las relaciones de los personajes...

Un científico obsesionado construye un ser vivo a base de partes de cadáveres exhumados.

Karl Rossmann, un joven burgués alemán de 17 años, es enviado a los Estados Unidos para evitar un escándalo familiar... Adaptación de la novela inacabada "Amerika", de Franz Kafka.

Directors Jean-Henri Roger and Juliet Berto begin this thriller with sequences on the contemporary politics of southern France and the infiltration of organised crime into real estate development there: crime bosses were torching forest tracts to make way for their development schemes in the early 1980s. In the fictionalised story, Paula Barretto is caught in this underworld because her father was involved in the drug business, her brother is in the real estate scam, and her lover is an armed thief. Although she tries to get out of her corrupt and dangerous environment, it is not an easy task when even the police officers cannot be trusted, and the underworld has informants everywhere.

Alain Tescique trabaja en una plataforma petrolera en el Mar del Norte. De regreso en París, alquila un apartamento para pasar las vacaciones y escucha en la radio la conversación entre un hombre y una mujer que resultan ser sus vecinos. Algunos días después, esa pareja aparece asesinada. Poco a poco, Alain se ve implicado en una extraña historia, en la que también participan otros vecinos y una hermosa mujer.

Por sugerencia de su editor, el escritor Daniel Salmon, falto de inspiración, va a relajarse a la costa Mediterránea...

En este irreal paseo por las calles de París, Marie (Bulle Ogier), una mujer acusada de robar un banco que acaba de salir de la cárcel, se encuentra con Baptiste (Pascale Ogier), una joven paranoica que necesita compañía. Ambas deambularán juntas unos días...

Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Engels as well as the pioneering nonfiction film Workers Leaving the Lumière Factory (1895).

The time is the 1930s and two Soviet spies (both Frenchmen by nationality) have been helping Communist factions during the Civil War in Spain. It is the time of Stalin's iron rule in the USSR, and the two agents are suddenly called to Moscow by the KGB. Knowing that they are in trouble for no fault of their own, fear drives one of them to suicide while the other gets his lover and her child and begins a run for his life, knowing that the KGB will never let him go free.

New Yorker Ben Phillips and mysterious Léo Hoffmann are strangers who are summoned to Paris by a mutual acquaintance. Upon arrival, they meet and soon find themselves tangled in a complex mystery.

En una pequeña población, cerca de Grenoble, Mathilde Bauchard (Fanny Ardant) se encuentra a Bernard Coudray (Gérard Depardieu), un hombre con el que mantuvo una relación años atrás. A pesar de que ambos están casados, no pueden evitar volver a vivir un romance.

In this eerie, atmospheric tale, a young woman is on a train when she sees some people she thinks she knows from her childhood. On arriving home, her husband tells her that a certain countess has died. At that point, the film cuts to a scene of the countess singing in a mausoleum while the visual image of the graveyard's many tombstones passes before one's eyes. Back home, the husband -- also a "father-figure" -- is looking over his collection of wooden angels. Some time elapses, and he surreptitiously sees a thief come down through the chimney, steal some things, and then leave. To combat any recurrence, he builds an iron, escape-proof cage around the fireplace, and then goes away on a trip. When he comes back, he finds the thief dead in the cage. Thus far, the camera has only shown the husband in profile or from the back. Then there is another story about a young girl, with a spiteful, nasty mother, who is trying to cope with her own attraction to a man.

This drama about a barmaid caught up in events beyond her control is the first film directed by Juliet Berto, and was also based on her own concept for the story. The barmaid, played by Berto, has been trying to take care of Bobby, a teenage drug pusher who is in over his head. Before she can put him back on track and get him out of the drug underworld, the young man is killed while being chased by a narcotics agent. Depressed by his death but not derailed, she finds herself trying to help out a gay user who depended on Bobby for his supply of drugs. She decides to procure some drugs for the desperate addict, and is trapped in the bathroom of a bar - with the drugs - when narcotics agents burst upon the scene. Her boyfriend rushes to help her but is killed by an agent who shoots first and thinks later. The barmaid does not face a very optimistic future as the narc arrests her - but releases a parish minister who had been helping her find a source for the drugs.

A short film that can act as a companion piece to Le Pont du Nord.

Una reflexión sobre las relaciones sexuales a través de tres personajes. Denise Rimbaud (Baye) es una editora descontenta con su trabajo que un día decide abandonar a su amante, Paul Godard (Dutronc) e irse a vivir al campo. Paul no quiere abandonar la ciudad, pero no puede vivir sin Denise. El tercer personaje es Isabelle (Huppert), una prostituta que lucha por sobrevivir en la ciudad.

When her mother dies, a teenage girl decides to find her long-absent sailor father. Together with her five-year-old brother, she begins a long and dangerous quest, which will finally be rewarded.

In this thriller, a UNESCO translator stumbles across a group which is hiding and supporting Nazis and facilitating their travel around the world. She had been given an assignment to study the work of a writer who recently had died, and the conspiracy is revealed in materials he left behind. She comes upon a young man who is going through the writer's papers, and she immediately assumes he must be one of the conspirators. However, he soon convinces her of his innocence in that regard, and the two together begin a search for the ringleader.

Basado en el poema "Una tirada de dados jamás abolirá el azar", escrito por Stéphane Mallarmé en 1897. Fue rodado en el cementerio Père Lachaise de París en mayo de 1977. (FILMAFFINITY)

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

Dos hechiceras inmortales, Leni y Viva mantienen un enfrentamiento en París. Una cree en la noche, la otra en la luz. Ambas ambicionan hacerse con un anillo que les ha de permitir permanecer para siempre sobre la faz de la Tierra, el cual está en posesión de un grupo de mortales.

A film about politics and the media, in which two workers in a newspaper plant attempt to make a film.

Prevista en origen como la tercera parte de la tetralogía de películas que exploran la mujer y la mitología, "Noroît" propone un modo inverosímil de entender las películas de piratas, al considerar estos temas. Geraldine Chaplin interpreta a una mujer resuelta a vengar la muerte de su hermano a manos de una banda de espadachinas capitaneada por la veterana actriz de la Nouvelle Vague Bernadette Lafont. Basada en el drama de Cyril Tourneur "The Revenger’s Tragedy", "Viento del Noroeste" explora además los límites de la reflexividad en la asombrosa secuencia culmen de la película. La producción de la película resultó tan agotadora que Rivette aplazó el proyecto durante más de veinte años.

Emerging from a lengthy dinner where his mother was exhibited without restraint for the favor of a man, Daniel returns alone, sickened. Without imagining the trap closes on him, he later agrees to have a drink with a neighbor he just help carry packages. She "vamp" and keeps her house without a very fierce resistance opposes too happy to escape his solitude. Taking advantage of the absence of his mother, Daniel finally leaves the high school and moved to the neighbor who, having close to her more often, gets him a place in the clinic where she is employed.

Jean-Luc Godard mixes video and film in his Grenoble studio, discussing how he secured funding for the film. The action unfolds on two monitors, as a young working-class couple lives in a claustrophobic, high-rise apartment complex and marital discord is set off by the wife’s infidelity.

Agnès Varda filma la calle Daguerre, en el distrito 14º de París, donde ella vivía. Filma a los comerciantes, al carnicero, a la panadera, al tendero de ultramarinos, al peluquero, a sus vecinos. Trasciende la vida apacible del francés medio. Hace un homenaje a lo cotidiano. (FILMAFFINITY)

Using interviews and other footage shot especially for this documentary, French director Claude Lanzmann investigates the state of Israel in 1972. This movie concentrates on Israelis going about their business of everyday living.

When the police find Simone seated near her husband's corpse it is predictable that she is charged with the murder. Jean-Pierre Laubray is appointed counsel for the defence. He begins an inquiry into the case and he finds out that the murdered man had killed a barman in a robbery the night before. He finds out as well he was a leg-man of Cristiani's for his election campaign. He tries to contact Juliette, Cristiani's daughter, and he discovers that Bruno, Juliette's brother, also died that same night in a car accident...

A father plans to kill in the same day the nine members of the jury who condemned his son to death.

Francia se para. Todo el mundo deja de trabajar y cada uno reflexiona. Se trata de construir una nueva sociedad basada en otros valores y estructurada de un modo diferente. Pero, ¿es posible?

Catherine y Marcello perdieron a su hija. Solo de 9 meses por una rara enfermedad. Tratan de lidiar sobre ello y recordar momentos felices cuando la bebe esta viva

This is rural France. It's the summer of 1943, the weather is fine and sunny and life is sweet. On one of these beautiful days, Nanette, a fourteen-year-old peasant girl, meets a slightly injured young man near the farm she lives on. Her life is about to change forever.

An analysis of the social upheaval of May 1968, made in the immediate wake of the workers’ and students’ protests. The picture consists of two parts, each with with identical image tracks, and differing narration.

Images and poems of the celebrated couple Louis Aragon and Elsa Triolet. Elsa’s youth as recalled by Aragon, with commentary by Elsa.

Tras un accidente de coche, un novelista termina en una curiosa nave y descubre que ha adquirido el poder de actuar sobre los demás

Gaston Berrien y su primo, que regentan una sombrerería, parecen personas normales. Un día llega a la tienda un cliente más interesado por conocer las cifras del negocio que por encontrar un sombrero adecuado, lo que pone en guardia a Gastón, pues el negocio es sólo una tapadera. Por las noches se transforma en una salón de juego clandestino.