Véra Clouzot

Véra Clouzot

Nacimiento : 1913-12-30, Rio de Janeiro, Rio de Janeiro, Brazil

Muerte : 1960-12-15

Historia

Véra Gibson-Amado, known professionally as Véra Clouzot, (30 December 1913 – 15 December 1960) was a Brazilian-French film actress and screenwriter. She is known for playing Linda in The Wages of Fear (1953), Christina Delassalle in Les Diaboliques (1955), and Lucie in Les Espions (1957). Clouzot also co-wrote the screenplay for La Vérité (1960). Her husband, director Henri-Georges Clouzot, named his production company after her, Véra Films. Clouzot was born Véra Gibson-Amado in Rio de Janeiro, Brazil, to Alice do Rego Barros and Gilberto Amado, a Brazilian congressman, writer, journalist, lawyer and ex-President of the United Nations' International Law Committee. Writer Jorge Amado was her second cousin. In 1941, Véra met French actor Léo Lapara, a member of the theater company of Louis Jouvet who toured in Brazil during World War II. Vera married the actor, taking part in the company's South American tour that lasted almost four years. After World War II, Vera settled in Paris. Louis Jouvet took over the direction of the Athenée Theater, while she continued to do small roles. Véra met film director Henri-Georges Clouzot through her then-husband, Léo Lapara, who had minor parts in Quai des Orfèvres (1947) and Return to Life (1949), in the segment directed by Clouzot, "Le Retour de Jean". Véra worked as a continuity assistant on Clouzot's Miquette (1950), and they married in 1950. Clouzot named his production company, Véra Films, after his wife. She made only three films, all directed by her husband. The sole female role in The Wages of Fear (1953), Linda, is played by Véra. Clouzot wrote the role specifically for his wife, as the character does not exist in the original novel. The Wages of Fear is about a South American town where a group of desperate men are offered money to drive trucks carrying nitroglycerin through rough terrain to put out an oil well fire. The Wages of Fear was the 4th highest-grossing film in France in 1953, and was seen by nearly 7 million spectators. The most notable of Clouzot's films starring Véra was the classic thriller, Les Diaboliques (1955), co-starring Simone Signoret. She also starred in Les Espions (1957), and co-wrote the screenplay for the film La Vérité (1960), which was also directed by her husband. Clouzot and Véra took a film crew with them to Véra's homeland in Brazil for their honeymoon, where Clouzot made his first attempt at directing a documentary film. The Brazilian government took issue with Clouzot filming the poverty of people in the favelas rather than the more picturesque parts of Brazil. The film was never finished because the costs became too high. Clouzot became fascinated with the region and wrote a book, Le cheval des dieux, recounting his trip. Véra died in Paris in 1960, aged 46, from a heart attack, shortly after the filming of La Vérité. Henri-Georges Clouzot fell into a depression over her death. After her funeral, he moved to Tahiti, but returned to France in December 1961. She is buried in the Montmartre Cemetery in Paris. Source: Article "Véra Clouzot" from Wikipedia in english, licensed under CC-BY-SA 3.0.

Perfil

Véra Clouzot

Películas

La verdad
Screenplay
Dominique Marceau es juzgada por el asesinato de Gilbert Tellier, un músico lleno de talento recién salido del Conservatorio. Los abogados intentan encontrar un móvil que explique su conducta. ¿Pasión, venganza o accidente? Entre los testigos están los conocidos de Gilbert, los antiguos amantes de Dominique y, además, su hermana Anne, estudiante de violín y prometida de Gilbert. Los datos que van proporcionando los testigos permiten reconstruir las personalidades de Dominique y Gilbert y son más útiles que las elocuentes alegaciones de los abogados.
Los espias
Lucie
Un psiquiatra acoge en su clínica a un agente secreto sin reparar en las nefastas consecuencias que ello va a ocasionarle.
Las diabólicas
Christina Delassalle
El director de un colegio, el señor Delasalle, convive con su esposa y su amante, la profesora Horner. Pero las dos mujeres, cansadas de sufrir la constante tiranía y malos tratos del hombre que comparten, deciden que esa situación no puede continuar.
El salario del miedo
Linda
La tensión entre cuatro trabajadores de una compañía petrolífera estallará durante un peligroso viaje durante el cual transportan nitroglicerina.
Brasil
Self
Primeros minutos de un documental autobiográfico inacabado que Clouzot tenía previsto rodar en Brasil durante su viaje de bodas con Véra.