Namkoong Sun

Mirae, a twentysomething game engineer feels nauseous one day. To her horror, she finds out that the hangover was actually her body being pregnant. Denial, panic and mixed messages from friends, family and the law push Mirae into a frenzy of ambivalence. But time does not spare her to sort out her mind. Suddenly, Mirae is in the middle of a strange new world.

Mirae, a twentysomething game engineer feels nauseous one day. To her horror, she finds out that the hangover was actually her body being pregnant. Denial, panic and mixed messages from friends, family and the law push Mirae into a frenzy of ambivalence. But time does not spare her to sort out her mind. Suddenly, Mirae is in the middle of a strange new world.

Mirae, a twentysomething game engineer feels nauseous one day. To her horror, she finds out that the hangover was actually her body being pregnant. Denial, panic and mixed messages from friends, family and the law push Mirae into a frenzy of ambivalence. But time does not spare her to sort out her mind. Suddenly, Mirae is in the middle of a strange new world.

Hwijong loses his job as a parking attendant because a brand-new building will be built on the parking lot he used to work for. Yeun unexpectedly loses her lover. She wants to go back to her old job only to find the office building completely empty. For Yeun, the street that she has been walking for years does not feel the same as before. On the contrary, Hwijong is trapped in a repeated sequence of experience even in his dreams. The daily lives of the two dance with each other to Chopin’s Waltz—they are sometimes tangled, sometimes crossed on the road. This film is intended to go through the high rise building in downtown Seoul like capillary vessels. Little snippets of live sometimes go through the little roads or change directions to create life.

Hwijong loses his job as a parking attendant because a brand-new building will be built on the parking lot he used to work for. Yeun unexpectedly loses her lover. She wants to go back to her old job only to find the office building completely empty. For Yeun, the street that she has been walking for years does not feel the same as before. On the contrary, Hwijong is trapped in a repeated sequence of experience even in his dreams. The daily lives of the two dance with each other to Chopin’s Waltz—they are sometimes tangled, sometimes crossed on the road. This film is intended to go through the high rise building in downtown Seoul like capillary vessels. Little snippets of live sometimes go through the little roads or change directions to create life.

Hwijong loses his job as a parking attendant because a brand-new building will be built on the parking lot he used to work for. Yeun unexpectedly loses her lover. She wants to go back to her old job only to find the office building completely empty. For Yeun, the street that she has been walking for years does not feel the same as before. On the contrary, Hwijong is trapped in a repeated sequence of experience even in his dreams. The daily lives of the two dance with each other to Chopin’s Waltz—they are sometimes tangled, sometimes crossed on the road. This film is intended to go through the high rise building in downtown Seoul like capillary vessels. Little snippets of live sometimes go through the little roads or change directions to create life.

La historia gira en torno a la relación entre una criada y el marido de la familia que la ha contratado, creando un ambiente malsano en la casa. Remake de la considerada una de las mejores películas surcoreanas de la historia, aclamada por críticos y cineastas como Martin Scorsese, "The Housemaid" (Kim Ki-young, 1960).

A boy returns to Korea after an unsuccessful American educational trip and meets the girl he deflowered.

A boy returns to Korea after an unsuccessful American educational trip and meets the girl he deflowered.

A boy returns to Korea after an unsuccessful American educational trip and meets the girl he deflowered.

The story of three friends from an idol group that disbanded after being active vaguely, going on a trip to Jeju out of regret for a school trip they couldn't go to when they were trainees.