Editor
François, un joven poeta, participa en las revueltas de Mayo del 68, en París. Entre la bruma y la confusión, ve a la bella Lilie, a la que conocerá, un año después, en una fiesta en casa de un amigo. Entre ellos nacerá un amor intenso y tierno que hará revivir la ilusión tras el desencanto de la revolución perdida. El sexo, la poesía, el opio, la pintura y la escultura, serán los nuevos territorios frecuentados por el grupo de jóvenes revolucionarios que verán cómo el mundo que habían querido construir se irá desmoronando poco a poco.
Editor
A movie director does a new film against heroin consumption, and the producers are heroin dealers.
Editor
A housewife's affair with a younger man goes nowhere.
Editor
Lisa drives Marie home but Marie doesn't want to end the night. Lisa suggests they go for a drive. Lisa tries to keep her distance from Marie, because she has a secret. However, Marie wants to be close to Lisa.
Editor
Mado is followed in the street by an unknown man. He offers her to go the hotel. She accepts, they sleep together and then split. Mado does not want to see him again, because she is married with Jean, and has a teenager son, Stephane. But Yves gave her his phone number. One day, Mado calls him.... An unusual love story.
Editor
In Paris, unhappy movie actress Catherine Crachat becomes infatuated with the mathematician Pierre Indemini, but then breaks up with him. After a film shoot in Vienna, Catherine stays with a rich admirer, Fanny Hohenstein. Fanny has a history of many lovers of both sexes, two of whom killed themselves over her.
Editor
About the Swedish writer Stig Dagerman (1923-1954). More than a style, there is a Dagerman voice. This simple voice speaks softly, without emphasis, of simple people, of children, of old men, of his native Sweden. She is friendly to the humble, the solitary, the victims.
Editor
France is a haughty, bourgeoise wife who is abandoned at the side of the road by her husband after a vicious quarrel. She meets Charles, a doctor. The meeting of the two strangers is the focus of the film, along with their encounters with characters at a truck stop.
Editor
On april 24 1982 when Orson Welles was invited to Paris to receive the Légion d'honneur from François Mitterand a lively filmed interview took place in the french Cinémathèque.
Editor
Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.
Editor
The body of a young woman falls on the terrace of Martha, who intrigued, meets her neighbor. In contact with this strange man, she learns to have a different look about her own life and her marital problems.
Editor
A stodgy, married schoolteacher has a chance encounter with a free spirited young woman who loosens him up and introduces him to a hippie lifestyle.
Editor
An otherwise perfect family find themselves in an abnormal situation.
Editor
Serge Morgan is a killer working for the American Mafia. After performing a contract in New York for his employers, he takes the plane back to Paris and, during the flight, he gets to know Jane, the rich daughter of an ambassador. Once in Orly Airport he gets seriously wounded by the men of French drug kingpin Henri Emery. He manages to escape them though and takes refuge at Jane's. Passion sets in between the killer and the young lady. As of then, sex will be intertwined with blood and death. For better or worse...
Editor
Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.
Editor
Tomando como punto central las vivencias de Juliette, una mujer casada y con dos hijos que trabaja como ama de casa de día y prostituta por la noche, Godard realiza una especie de documental dramatizado sobre las vidas, las sensaciones, los personajes y los caracteres que pueblan el llamado nuevo París de los años 60.
Editor
Paula Nelson deberá investigar en Atlantic City (Francia) la muerte de su amante, investigación que se presentará peligrosa debido a la atención que ésta consigue despertar entre los mafiosos de la ciudad. Inspirada en el cine negro americano, Godard realiza un ejercicio de intriga de deliberada incoherencia narrativa.
Editor
Ferdinand Griffon, alias 'Pierrot', huye de París con Marianne, la niñera que ha contratado su esposa. La pareja se dirige al sur de Francia, pero el viaje se torna muy peligroso cuando una banda de gángsters con los que Marianne está implicada, les va pisando los talones.
Editor
Narra la vida durante 24 horas de Charlotte (Macha Méril), una mujer casada de París que tiene una aventura con otro hombre (Bernard Noël). Al quedarse embarazada, Charlotte desconoce quién es el padre de su hijo, por lo que tendrá que decidirse entre su marido (Philippe Leroy) o su amante... Narración a cargo del propio Jean-Luc Godard, que contó como asistente en la dirección con Jean-Pierre Léaud.
Editor
Tres jóvenes (Odile, Arthur y Franz) se conocen en clase de inglés e inmediatamente se hacen amigos. Los tres comparten su interés por la literatura criminal.
Script Supervisor
Ruan, Normandía, 1431, durante la guerra de los Cien Años. Después de ser capturada por soldados franceses pertenecientes a una facción contraria, Juana de Arco, la Doncella de Orleans, es juzgada injustamente por un tribunal eclesiástico supervisado por sus enemigos ingleses.
Editor
París, verano de 1960. El antropólogo y cineasta Jean Rouch, acompañado por el sociólogo y crítico de cine Edgar Morin, y asistidos por Marceline y Nadine, deambulan por las calles abarrotadas preguntando a la gente común y corriente cómo afrontan las desgracias de la vida. ¿Eres feliz? Pero su verdadero propósito es averiguar si las personas normales pueden hablar sinceramente frente a una cámara y cómo reaccionan cuando se les invita a analizar el significado de sus respuestas.
