Françoise Collin

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

A movie director does a new film against heroin consumption, and the producers are heroin dealers.

A housewife's affair with a younger man goes nowhere.

Lisa drives Marie home but Marie doesn't want to end the night. Lisa suggests they go for a drive. Lisa tries to keep her distance from Marie, because she has a secret. However, Marie wants to be close to Lisa.

Mado is followed in the street by an unknown man. He offers her to go the hotel. She accepts, they sleep together and then split. Mado does not want to see him again, because she is married with Jean, and has a teenager son, Stephane. But Yves gave her his phone number. One day, Mado calls him.... An unusual love story.

In Paris, unhappy movie actress Catherine Crachat becomes infatuated with the mathematician Pierre Indemini, but then breaks up with him. After a film shoot in Vienna, Catherine stays with a rich admirer, Fanny Hohenstein. Fanny has a history of many lovers of both sexes, two of whom killed themselves over her.

About the Swedish writer Stig Dagerman (1923-1954). More than a style, there is a Dagerman voice. This simple voice speaks softly, without emphasis, of simple people, of children, of old men, of his native Sweden. She is friendly to the humble, the solitary, the victims.

France is a haughty, bourgeoise wife who is abandoned at the side of the road by her husband after a vicious quarrel. She meets Charles, a doctor. The meeting of the two strangers is the focus of the film, along with their encounters with characters at a truck stop.

On april 24 1982 when Orson Welles was invited to Paris to receive the Légion d'honneur from François Mitterand a lively filmed interview took place in the french Cinémathèque.

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

The body of a young woman falls on the terrace of Martha, who intrigued, meets her neighbor. In contact with this strange man, she learns to have a different look about her own life and her marital problems.

A stodgy, married schoolteacher has a chance encounter with a free spirited young woman who loosens him up and introduces him to a hippie lifestyle.

An otherwise perfect family find themselves in an abnormal situation.

Serge Morgan is a killer working for the American Mafia. After performing a contract in New York for his employers, he takes the plane back to Paris and, during the flight, he gets to know Jane, the rich daughter of an ambassador. Once in Orly Airport he gets seriously wounded by the men of French drug kingpin Henri Emery. He manages to escape them though and takes refuge at Jane's. Passion sets in between the killer and the young lady. As of then, sex will be intertwined with blood and death. For better or worse...

Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.

1966年のパリ。政府から首都圏整備拡張計画が交付され、至る箇所に新興団地や道路が建設されていく。パリ郊外の公団住宅に住む人妻ジュリエットは、ガソリンスタンドに勤める夫の稼ぎが悪いため、昼間に売春を行っていた。幼い娘を託児所に預けてからカフェで客を待ち、今日も若い男を安ホテルに連れ込んで一仕事する。そして彼女の行きつけの美容院で働くマリアンヌも、あるアメリカ人に電話で誘われてホテルへと向かう。

Paula Nelson goes to Atlantic City to meet her lover, Richard Politzer, but finds him dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis, a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.

金持ちの妻と結婚して退屈な毎日を送っていたフェルナンドは、再会した昔の愛人マリアンヌと一晩を過ごす。翌朝、部屋には首に鋏を突き立てられた男の死体があった。

シャルロットは小型機のパイロット、ピエールと再婚しており、前夫との間にできた息子ニコラと３人で暮らしている。そんな彼女は、３ヵ月前から地方巡業劇団員ロベールと不倫している。ピエールは疑念を抱いて、私立探偵を雇い、妻を尾行させていた。対するシャルロットも尾行を警戒して、ロベールとの情事の前後にはタクシーを何台も乗り換えている。ある日、彼女は医師から妊娠３ヵ月と知らされる。しかし、父親はピエールなのかロベールなのか分からない。シャルロットはロベールとホテルで密会し、ある問いをする。

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

1431年、百年戦争の最中、ノルマンディーのルーアン（Rouen）。オルレアンの乙女 "ジョーン・オブ・アークは、敵対するフランス軍に捕らえられ、敵であるイギリス軍が監督する教会裁判所で不当な裁判にかけられる。

Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, roam the crowded streets asking ordinary people how they deal with the misfortunes of life. Are you happy? But their real purpose is to find out if people can speak sincerely in front of a camera and how they react when they are later invited to analyze the meaning of their answers.