Kim Su-Jin

Jeong-eun is embarrassed that her mother, who is suffering from dementia, wants to meet and call her sister from who was separated with due to the Korean War. However, Jeongeun accidentally receives a wrong call from a North Korean woman and is asked a favor.

Ji-young, a new employee of a small company, is devoted to her work, but ironically enough, she is given the task of evading taxes, thanks to that loyalty. Working late with Hee-jin, a co-worker who has dealt with tax evasion for many years, she feels a discreet hostility between Hee-jin and herself. While she moves toward the injustice of her company and society, a fire breaks out in the company building.

A chain of harshness. Brother’s divorce brings ceaseless conflict to the family. Disputes over custody of his kid and alimony constantly plague him, but I can neither help him nor ignore his troubles. Boyfriend seems to be selfish and makes me nervous. There are always anxieties lurking below the surface of any human relationships. This anxiety becomes incarnated in the shadowy face of a pervert hiding in the alley, and darkness has its metaphorical meaning in the entire film.

"I'll Be Seeing HER" is an approach to images of women in Korean cinema with a new genre, ‘Fanta Docu’, which shows beautiful and adventurous Korean actresses in the 1950s. The director, Kim Soyoung stated that “studying and teaching Korean cinema history, I felt sorry that most documentaries on Korean cinema had been made from the male perspective,” which led her to make a documentary on Korean cinema through women’s eyes. Kim So young directed ‘Women's History Trilogy’ (Koryu: Southern Women, South Korea, I'll Be Seeing Her: Women in Korean Cinema, New Woman: Her First Song) which was screened at many international film festivals including Yamagata International Documentary Film Festival.