Antoine Lacomblez

Fifteen-year-old Éva escapes from the open-air workshop organized by an education center for under-age delinquents. When she arrives at the village port, she hides under a tarpaulin in a fishing boat anchored by the quay. But she quickly finds herself out in the open sea with the male crew.

Arnaud, es un hombre que ama los objetos; le gusta tener , poseer todo lo que se le antoja, lo que ama. Le gusta la sensación y emoción que conlleva la posesión de algo...

En el Kurdistán, cerca de la frontera entre Irán, Iraq y Turquía, nadie parece querer ya la ley y el orden, excepto el comandante Baran. Este hombre, que pasó la mitad de su vida luchando en la guerra, conoce a la bella Govend, la nueva profesora del colegio recientemente abierto. (FILMAFFINITY)

Betty desaparece un domingo por la mañana y su desaparición es tan enigmática como misteriosa. ¿Se escapó? Betty nunca habría abandonado a sus dos hijos. ¿Fue asesinada? No hay rastro de lucha.

La historia abre el telón en abril de 1986, en Prypiat, una ciudad soviética cercana a la central nuclear de Chernóbil, algunos días antes de la explosión. Un niño, Valery, y su padre, físico de la central, plantan un árbol. Joshia, guardabosques, efectúa su ronda diaria. En medio de un claro, Anya y Piotr celebran su matrimonio. La fiesta se interrumpe brutalmente y Piotr, un bombero voluntario, debe ir a apagar un incendio…

In this French crime film, set during the time of the Gulf War, an elderly German tourist is murdered in Paris by junk dealer Joseph Katz (Pinkas Braun), a friend of Paris detective Sam Bellamy (singer Patrick Bruel). Romantically involved with the victim's daughter Emma Guter (Isabella Ferrari), Bellamy covers up the crime he witnessed. Joseph then mysteriously vanishes, and Bellamy heads for Berlin where the victim's possessions are auctioned. After Bellamy finds the source of the well-hidden traffic in art stolen by Nazis from French Jews, he discovers a Nazi war criminal is blackmailing past associates. Incorporating background from journalist Hector Feliciano's Lost Museum, the film is adapted from Guy Konopnicki's novel, Pas de Kaddish pour Sylberstein (No Kaddish for Sylberstein).

Zac is a well-respected French filmmaker who creates a major uproar when for no apparent reason he suddenly vanishes from his posh Parisian apartment leaving behind his lover Helene, a popular star. Marcus, his producer searches for eight months before locating Zac who has since become a homeless street bum in an expensive neighborhood. Marcus sends Zac to a posh hotel. He then sends Daisy, an ambitious secretary and aspiring screenwriter to learn what happened to the great director. It takes a lot of mutual verbal sparring and false turns (which are presented as creatively filmed vignettes that are done using a variety of techniques) from Zac before he finally tells her the truth. The two then decide to turn the story into a film. As they write, Daisy and Zac slowly fall in love. At the same time, Marcus has his hands full trying to avoid some tough Russian Mafiosos who want the money they invested back.

Handsome pediatric doctor feels unfulfilled, until his affection for a 12-year-old opens him to a romantic view of the world. When she falls ill, he must get closer to her, and a conflict of interests and ethics arise. His medical reputation is at stake.

Alice y Elsa son dos hermanas marcadas por la infancia, un tiempo en el que la fuerte relación sentimental entre ellas las mantenía atrapadas en un mundo de crueles juegos. Después de dos años sin verse, Elsa deja a su marido y sus hijas para encontrarse de nuevo con Alice.

In this erstwhile comedy, Penelope (Isabelle Adjani) is already sufficiently unsettled by the fact that she is no longer a top model, and must cast around for another occupation. When her boyfriend leaves her, she becomes quite hysterical, conjuring up schemes for revenge, contemplating suicide, and so on. These dramatics eventually exasperate her best friend Sophie (Clementine Celarie) so much that she contemplates killing Penelope, her ex-boyfriend, or the two of them together, just to stop the whining.

Morasseix, a village hidden away in the remote depths of the French countryside, presents a gallery of astonishing portraits, characters by turn violent, absurd, occasionally touching in their innocence. “All of them cracked”, according to Lili, the hairdresser’s daughter, who dreams of leaving for America.César, however, has no desire to leave. He’s greedy for life, a jovial fellow. He loves the locals. Loves them so much that he happily pushes them around, provoking them for the sake of it. To him, despite their individual quirks, they all lack a sense of insolence. Particularly his friend Twelve, named for the calibre of his shotgun.

Lola is an independent woman, a professional writer with 2 men on a string. Both men are married with children. When the men, and Lola, face having to make choices, Lola's comfortable life becomes less appealing.

Israel, 1967. Sacha and Laura have been living in a kibbutz near the Syrian border for two years. They are visited by Simon, Michel and Paul, three friends from Paris who have come to celebrate Laura's twentieth birthday. Simon is obsessed by the death of the girl he loved and during the birthday evening, attempts to find someone to blame amongst his friends. Laura alone knows that the young girl died of a broken heart. She also loved Sacha.

A Chilean returning to Santiago to find out what has happened to his native country while he has been away, discovers much about himself.

A Chilean returning to Santiago to find out what has happened to his native country while he has been away, discovers much about himself.

This visually striking drama is taken from the classic Japanese novel Tales Of Genji by Marasaki Shikibu. Set in modern Portugal, Joao (Luis Miguel Cintra) is a left-wing political leader and ladies man with a bright future. His ex-wife Isabel (Manuela de Freitas) both loves and hates him as Joao plays on her wavering emotional state. He is sent to Italy to retrieve wayward family member Antonia (Caroline Chaniolleau), the beautiful young woman with a terrorist boyfriend. Joao is forced to recognize his feelings as the political and amorous climate changes around him.

A young girl is sent to a South American hacienda, where she learns about the life of her reclusive aunt, Oriana.