Antoine Lacomblez

Fifteen-year-old Éva escapes from the open-air workshop organized by an education center for under-age delinquents. When she arrives at the village port, she hides under a tarpaulin in a fishing boat anchored by the quay. But she quickly finds herself out in the open sea with the male crew.

Arnaud Marescot has a penchant to steal small objects. When his compulsive fixation targets Emilie, and he thinks he's in control over her, it's already too late to realize he's fallen into a deadly trap.

척박한 땅에서 선과 악이 대립하는 코믹한 ‘쿠르드 웨스턴’. 사담 후세인의 몰락 후, 쿠드르족의 전쟁 영웅이자 경찰인 바란과 초등학교 교사 고벤드는 부패한 부족장이 지배하는 터키 국경의 무법지대로 파견된다. 그곳에서 그들은 환영 받지 못하는 이방인일 뿐이다.

A mother of two mysteriously disappears one morning. Her husband isn't worried as they've had rough patches; his wife just wanted to give him a scare and will come home soon. But her lover is convinced she has been murdered by her husband.

Tchernobyl, 1986, a few hours before the disaster. Piotr and Anya's wedding is interrupted by a fire at the power station.

In this French crime film, set during the time of the Gulf War, an elderly German tourist is murdered in Paris by junk dealer Joseph Katz (Pinkas Braun), a friend of Paris detective Sam Bellamy (singer Patrick Bruel). Romantically involved with the victim's daughter Emma Guter (Isabella Ferrari), Bellamy covers up the crime he witnessed. Joseph then mysteriously vanishes, and Bellamy heads for Berlin where the victim's possessions are auctioned. After Bellamy finds the source of the well-hidden traffic in art stolen by Nazis from French Jews, he discovers a Nazi war criminal is blackmailing past associates. Incorporating background from journalist Hector Feliciano's Lost Museum, the film is adapted from Guy Konopnicki's novel, Pas de Kaddish pour Sylberstein (No Kaddish for Sylberstein).

Zac is a well-respected French filmmaker who creates a major uproar when for no apparent reason he suddenly vanishes from his posh Parisian apartment leaving behind his lover Helene, a popular star. Marcus, his producer searches for eight months before locating Zac who has since become a homeless street bum in an expensive neighborhood. Marcus sends Zac to a posh hotel. He then sends Daisy, an ambitious secretary and aspiring screenwriter to learn what happened to the great director. It takes a lot of mutual verbal sparring and false turns (which are presented as creatively filmed vignettes that are done using a variety of techniques) from Zac before he finally tells her the truth. The two then decide to turn the story into a film. As they write, Daisy and Zac slowly fall in love. At the same time, Marcus has his hands full trying to avoid some tough Russian Mafiosos who want the money they invested back.

Handsome pediatric doctor feels unfulfilled, until his affection for a 12-year-old opens him to a romantic view of the world. When she falls ill, he must get closer to her, and a conflict of interests and ethics arise. His medical reputation is at stake.

Alice is a promising young artist in Paris. Her boyfriend Franck, a boxer, has just moved in to her attic flat. Then her sister Elsa, a bored housewife, leaves her unfaithful husband Thomas and turns up unannounced to stay with Alice and Franck. Elsa disrupts their life by playing psychological games with them, but they cannot bring themselves to throw her out.

In this erstwhile comedy, Penelope (Isabelle Adjani) is already sufficiently unsettled by the fact that she is no longer a top model, and must cast around for another occupation. When her boyfriend leaves her, she becomes quite hysterical, conjuring up schemes for revenge, contemplating suicide, and so on. These dramatics eventually exasperate her best friend Sophie (Clementine Celarie) so much that she contemplates killing Penelope, her ex-boyfriend, or the two of them together, just to stop the whining.

Morasseix, a village hidden away in the remote depths of the French countryside, presents a gallery of astonishing portraits, characters by turn violent, absurd, occasionally touching in their innocence. “All of them cracked”, according to Lili, the hairdresser’s daughter, who dreams of leaving for America.César, however, has no desire to leave. He’s greedy for life, a jovial fellow. He loves the locals. Loves them so much that he happily pushes them around, provoking them for the sake of it. To him, despite their individual quirks, they all lack a sense of insolence. Particularly his friend Twelve, named for the calibre of his shotgun.

Lola is an independent woman, a professional writer with 2 men on a string. Both men are married with children. When the men, and Lola, face having to make choices, Lola's comfortable life becomes less appealing.

Israel, 1967. Sacha and Laura have been living in a kibbutz near the Syrian border for two years. They are visited by Simon, Michel and Paul, three friends from Paris who have come to celebrate Laura's twentieth birthday. Simon is obsessed by the death of the girl he loved and during the birthday evening, attempts to find someone to blame amongst his friends. Laura alone knows that the young girl died of a broken heart. She also loved Sacha.

A Chilean returning to Santiago to find out what has happened to his native country while he has been away, discovers much about himself.

A Chilean returning to Santiago to find out what has happened to his native country while he has been away, discovers much about himself.

This visually striking drama is taken from the classic Japanese novel Tales Of Genji by Marasaki Shikibu. Set in modern Portugal, Joao (Luis Miguel Cintra) is a left-wing political leader and ladies man with a bright future. His ex-wife Isabel (Manuela de Freitas) both loves and hates him as Joao plays on her wavering emotional state. He is sent to Italy to retrieve wayward family member Antonia (Caroline Chaniolleau), the beautiful young woman with a terrorist boyfriend. Joao is forced to recognize his feelings as the political and amorous climate changes around him.

A young girl is sent to a South American hacienda, where she learns about the life of her reclusive aunt, Oriana.