Producer
Rosemay, 16, lives in a foster home and only joins her biological family for the vacations. One day, her father is not there to welcome her as planned. Moreover, he does not reappear and seems to have evaporated. Her questions are met with lies, and Rosemay can only rely on her intuition.
Producer
Just vagabundea por las calles de París, recogiendo el último recuerdo de algunas personas antes de que pasen a otro mundo. Un día, se cruza con una chica de cabellera pelirroja y ojos azulados, que dice conocerle. ¿Podrían amarse? No será fácil, pues ella está viva, y él es un fantasma.
Producer
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
