Director of Photography
Cuatro directores tailandeses narran, en este filme omnibus, cómo ven el futuro de su país. Así, vemos sendas piezas en las que el futuro se mezcla con la crítica a la situación política de Tailandia. Aditya Assarat filma a un joven soldado en una galería de arte, y transmite de forma sutil el estado de represión actual. Wisit Sasanatieng firma una fábula futurista poblada de hombres-gato. El artista visual Chulayarnnon Siriphol llena la pantalla de colores en una distopía animada. Y el maestro Apichatpong Weerasethakul filma con sosiego a un hombre que habla de máquinas del sueño en una plaza presidida por un monumento patrio.
Cinematography
Three stories which each focus on one of three types of relationships: family, friendship, and love. The first story is about conflicted manager on a business trip who is intrigued by an elderly worker and investigates his life. The second story is about a young father who receives a letter that brings him to a foreign land, where old emotions come unburied. The last story is about a visiting professor from overseas who sets a student's heart fluttering, while having to deal with his own.
Cinematography
Still Photographer
Lek is a locksmith and Kong is a writer. When Kong comes up with a plan to put Leks lock picking skills to good use, the two start breaking into other peoples homes, not to steal anything but just to bask temporarily in the lives of others. Kong pries too deeply into someone elses life, and things grow rather complicated.
