Writer
Anthology of four gay-themed stories centered around the idea of first-time crushes.
4 Shorts: Bugcrush (2006), Davy and Stu (2006), Doorman (2006), Heartland (2007).
Director
Anthology of four gay-themed stories centered around the idea of first-time crushes.
4 Shorts: Bugcrush (2006), Davy and Stu (2006), Doorman (2006), Heartland (2007).
Writer
H.G. (Corey Sorenson) living a happy and openly gay life in New York must return to Iowa to help his alcoholic father save the family farm. He no longer feels he is a member of his family tribe but digs into the work along side his father and a hired hand, Ryan (Lachlan Neiboer), who has his own set of problems raising his younger brothers and sisters following the death of their parents. He comes out to his high school sweetheart, Dawn (Taylor Gwynn) who raises a ruckus at the nrews and outs him to the whole town, forcing his father to take to his bed with a bottle. Alone one night in the most desolate part of town he runs into Ryan and discover the farm hand is not exactly the ladies man people think he is.
Director
H.G. (Corey Sorenson) living a happy and openly gay life in New York must return to Iowa to help his alcoholic father save the family farm. He no longer feels he is a member of his family tribe but digs into the work along side his father and a hired hand, Ryan (Lachlan Neiboer), who has his own set of problems raising his younger brothers and sisters following the death of their parents. He comes out to his high school sweetheart, Dawn (Taylor Gwynn) who raises a ruckus at the nrews and outs him to the whole town, forcing his father to take to his bed with a bottle. Alone one night in the most desolate part of town he runs into Ryan and discover the farm hand is not exactly the ladies man people think he is.
Director
En la víspera de su cumpleaños número 18, Cara es invitada a acompañar a un repartidor de pizza, Matt, en sus rondas. Es una noche de primeras veces para ella; el primer trabajo, la primera cerveza, primer cigarrillo, primer baile. ¿Cómo va a manejar? Y, ¿qué pasa con Matt; guapo, soltero, sin ataduras, y 30 años? ¿Por qué iba a querer incluir Cara? El es intrusivo y vulnerable, que está subempleado y protector. ¿Hay vida después de la pizza?
Writer
Nueva York, 1979. Shane O'Shea, un chico de 19 años, guapo y que lleva una vida monótona y anodina, sueña con poder entrar una noche en la discoteca Studio 54 de Manhattan. Se trata de un local muy exclusivo, donde sólo admiten a famosos. Una noche, el propietario del negocio, ve a Shane en la cola y ordena al portero que lo deje entrar. Le gusta y le ofrece un trabajo en el local. Allí, se iniciará Shane en el mundo de las drogas, el sexo y la música disco. Como otros muchos jóvenes aspira a codearse con la gente del mundo del espectáculo, con la esperanza de poder hacer realidad sus sueños.
Director
Nueva York, 1979. Shane O'Shea, un chico de 19 años, guapo y que lleva una vida monótona y anodina, sueña con poder entrar una noche en la discoteca Studio 54 de Manhattan. Se trata de un local muy exclusivo, donde sólo admiten a famosos. Una noche, el propietario del negocio, ve a Shane en la cola y ordena al portero que lo deje entrar. Le gusta y le ofrece un trabajo en el local. Allí, se iniciará Shane en el mundo de las drogas, el sexo y la música disco. Como otros muchos jóvenes aspira a codearse con la gente del mundo del espectáculo, con la esperanza de poder hacer realidad sus sueños.
Writer
Compilation of four short films, "Must Be the Music", "Nunzio's Second Cousin", "Alkali, Iowa", and "The Dadshuttle", of gay interest.
Director
Compilation of four short films, "Must Be the Music", "Nunzio's Second Cousin", "Alkali, Iowa", and "The Dadshuttle", of gay interest.
Writer
On his family's farm in rural Iowa, young Jack Gudmanson is wrestling with his sexual identity, not an easy thing to do in the macho world of the Midwest. But things become clearer for him when he discovers via a rusty old lunch box filled with gay magazines that his father, killed in Vietnam, led a double life down on the farm. But as liberating as the discovery is for Jack, it is painful for his grandfather and mother, who have tried for years to keep it a family secret. Now Jack must decide whether to share this new information with his younger sister or allow it to remain buried a while longer.
Director
On his family's farm in rural Iowa, young Jack Gudmanson is wrestling with his sexual identity, not an easy thing to do in the macho world of the Midwest. But things become clearer for him when he discovers via a rusty old lunch box filled with gay magazines that his father, killed in Vietnam, led a double life down on the farm. But as liberating as the discovery is for Jack, it is painful for his grandfather and mother, who have tried for years to keep it a family secret. Now Jack must decide whether to share this new information with his younger sister or allow it to remain buried a while longer.
Director
In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.
Screenplay
It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is shy, the openly-gay society around him makes him nervous. Packard gives Toby a pair of John R.'s shoes; when Toby puts them on, he has powerful visions of the pre-AIDS scene in the 1970s, as if he's there. He also takes on a different personality when he wears the shoes, more sure of himself, able to express his interest in men. Wearing the shoes, Toby goes to a bar, hooks up with Dick, and wakes up in Dick's bed. How will he handle it? And what will happen to the shoes?
Director
It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is shy, the openly-gay society around him makes him nervous. Packard gives Toby a pair of John R.'s shoes; when Toby puts them on, he has powerful visions of the pre-AIDS scene in the 1970s, as if he's there. He also takes on a different personality when he wears the shoes, more sure of himself, able to express his interest in men. Wearing the shoes, Toby goes to a bar, hooks up with Dick, and wakes up in Dick's bed. How will he handle it? And what will happen to the shoes?
