Writer
Anthology of four gay-themed stories centered around the idea of first-time crushes.
4 Shorts: Bugcrush (2006), Davy and Stu (2006), Doorman (2006), Heartland (2007).
Director
Anthology of four gay-themed stories centered around the idea of first-time crushes.
4 Shorts: Bugcrush (2006), Davy and Stu (2006), Doorman (2006), Heartland (2007).
Writer
H.G. (Corey Sorenson) living a happy and openly gay life in New York must return to Iowa to help his alcoholic father save the family farm. He no longer feels he is a member of his family tribe but digs into the work along side his father and a hired hand, Ryan (Lachlan Neiboer), who has his own set of problems raising his younger brothers and sisters following the death of their parents. He comes out to his high school sweetheart, Dawn (Taylor Gwynn) who raises a ruckus at the nrews and outs him to the whole town, forcing his father to take to his bed with a bottle. Alone one night in the most desolate part of town he runs into Ryan and discover the farm hand is not exactly the ladies man people think he is.
Director
H.G. (Corey Sorenson) living a happy and openly gay life in New York must return to Iowa to help his alcoholic father save the family farm. He no longer feels he is a member of his family tribe but digs into the work along side his father and a hired hand, Ryan (Lachlan Neiboer), who has his own set of problems raising his younger brothers and sisters following the death of their parents. He comes out to his high school sweetheart, Dawn (Taylor Gwynn) who raises a ruckus at the nrews and outs him to the whole town, forcing his father to take to his bed with a bottle. Alone one night in the most desolate part of town he runs into Ryan and discover the farm hand is not exactly the ladies man people think he is.
Director
A pizza deliveryman develops a bond with a girl nearly half his age.
Writer
70년대 뉴욕 멘허튼의 유명한 디스코 클럽이었던 스튜디오 54에 출입하는 다양한 인간 군상의 이야기.
Director
70년대 뉴욕 멘허튼의 유명한 디스코 클럽이었던 스튜디오 54에 출입하는 다양한 인간 군상의 이야기.
Writer
Compilation of four short films, "Must Be the Music", "Nunzio's Second Cousin", "Alkali, Iowa", and "The Dadshuttle", of gay interest.
Director
Compilation of four short films, "Must Be the Music", "Nunzio's Second Cousin", "Alkali, Iowa", and "The Dadshuttle", of gay interest.
Writer
On his family's farm in rural Iowa, young Jack Gudmanson is wrestling with his sexual identity, not an easy thing to do in the macho world of the Midwest. But things become clearer for him when he discovers via a rusty old lunch box filled with gay magazines that his father, killed in Vietnam, led a double life down on the farm. But as liberating as the discovery is for Jack, it is painful for his grandfather and mother, who have tried for years to keep it a family secret. Now Jack must decide whether to share this new information with his younger sister or allow it to remain buried a while longer.
Director
On his family's farm in rural Iowa, young Jack Gudmanson is wrestling with his sexual identity, not an easy thing to do in the macho world of the Midwest. But things become clearer for him when he discovers via a rusty old lunch box filled with gay magazines that his father, killed in Vietnam, led a double life down on the farm. But as liberating as the discovery is for Jack, it is painful for his grandfather and mother, who have tried for years to keep it a family secret. Now Jack must decide whether to share this new information with his younger sister or allow it to remain buried a while longer.
Director
In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.
Screenplay
It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is shy, the openly-gay society around him makes him nervous. Packard gives Toby a pair of John R.'s shoes; when Toby puts them on, he has powerful visions of the pre-AIDS scene in the 1970s, as if he's there. He also takes on a different personality when he wears the shoes, more sure of himself, able to express his interest in men. Wearing the shoes, Toby goes to a bar, hooks up with Dick, and wakes up in Dick's bed. How will he handle it? And what will happen to the shoes?
Director
It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is shy, the openly-gay society around him makes him nervous. Packard gives Toby a pair of John R.'s shoes; when Toby puts them on, he has powerful visions of the pre-AIDS scene in the 1970s, as if he's there. He also takes on a different personality when he wears the shoes, more sure of himself, able to express his interest in men. Wearing the shoes, Toby goes to a bar, hooks up with Dick, and wakes up in Dick's bed. How will he handle it? And what will happen to the shoes?
