Amir-Hossein Ghasemi

Beitollah is a religious man who has been dreaming about a box of gold coins appearing at the end of a cave. He believes these coins are a miracle and wants to find them. But since he does not consider the coins to be halal, he wants to find a non-religious assistant to accompany him on the search. With the help of a job advertisement printed on the back of counterfeit dollar bills that Beitollah distributes on the streets of Tehran, he recruits the young Shoja and the two set off together to search for the coins. They discover several caves in the north of Iran but none is the right one. They move on to the central deserts of Iran and spend the night at a Caravanserai roadside inn. The inn’s owner suspects that the two might be looking for treasure and decides to follow them on his motorcycle…

The path of love seemed easy at first...

In 1978, the inhabitants of Zalava, a small village in Iran, claim that there is a demon among them. While investigating the strange case, Massoud, a young police sergeant, crosses paths with an exorcist.

In 1978, the inhabitants of Zalava, a small village in Iran, claim that there is a demon among them. While investigating the strange case, Massoud, a young police sergeant, crosses paths with an exorcist.

Roya is a young girl with a yellow spot on her face. One day she feels the signs of a real giraffe in her life. And her normal life is slowly changing.

What's your problem now ?! Do you mean it's not legal ?! Does this mean everything is always legal here ?! Are we all right ?! No one has done anything wrong so far ?!

Reza is a divorced author who is trying to adopt to his new life after divorce while he finds a new romance.

Since Iran opened its borders to refugees of the Soviet–Afghan War in 1979, it has become home to as many as 2.5 million Afghans, half of whom are undocumented. When renewed US sanctions in 2018 caused a currency collapse in Iran, the vulnerable population of migrants—often working as low-paid labourers in harsh conditions—was severely affected by the recession. Now, large numbers of them want to return home. Bahman Kiarostami (the son of late acclaimed director Abbas Kiarostami) sets up his camera in a Tehran-based facility processing thousands of illegals leaving the country. The migrants are asked surprising personal questions about everything from religion to drugs to family issues. With a Wiseman-esque fly-on-the-wall observation of these surprising interrogation sessions, Kiarostami paints a kaleidoscopic, empathetic and often humorous picture of the Afghans' place in Iranian society and their reasons for leaving it.

En Irán, la pena por posesión de drogas es la misma tanto si llevas 30g como 50kg: la pena de muerte. En estas condiciones, los narcotraficantes no tienen reparos en jugar a lo grande y la venta de crack se ha disparado. Como resultado, 6,5 millones de personas son toxicómanos. Después de varios años de seguir la pista al narcotraficante Nasser K. Samad, un policía persistente y expeditivo consigue por fin echarle el guante. Aunque creía que el caso estaba cerrado, el enfrentamiento con el cerebro de la red toma un giro completamente inesperado.

Crude Oil comes out of a middle aged woman's body is on one hand empowering her and on the other hand bringing uncertainty and paranoia to her life and when a male paranoia is build up against her body's malfunction and oil is gradually trivialized and just there to solve some small family issues, the condition gets exacerbated with her body.

Una joven acude a renovar su carnet de conducir. Cuando los funcionarios se dan cuenta de que tiene un tatuaje, la envían a la policía. Ellos decidirán si está capacitada para conducir.

The secret of the worldview of dignity is revealed? This mystery of sleep will spit Marsh, Mahro, Goodarz, Bahram, Jahangir Major Pushis. Jahanbakhsh begins a long journey to prove his innocence and the return of tranquility. A journey that will end the life of many of them.

Cuando la guerra entre Iraq e Irán está a punto de finalizar, los soldados de tres generaciones distintas ponen rumbo a sus respectivos hogares. Sin embargo, la noticia de que se ha producido un importante ataque iraquí en un punto estratégico de la frontera les obliga a tomar una difícil decisión: regresar a su hogar o seguir luchando por su patria.

Touran Mirhadi (Khomarloo) is the founder of Farhad School, the Children's Book Council, and the Encyclopedia for Young People. She was also actively involved with close to 20 other institutions dealing with child development and education and supported the formation of dozens of others. She is known as the preeminent architect of childhood institution and the mother of modern education in Iran. This film follows the efforts and preoccupations of Ms. Touran Mirhadi in the last four years of her life. It shows how she strove to enrich the field of child education in Iran to the age of 89, always maintaining that peace was to be cultivated at childhood.

Un Chevrolet Impala naranja, conduce a través de un cementerio hacia un naufragio en mitad del desierto. Es 22 de enero de 1965. El día antes, el Primer Ministro iraní es asesinado frente al Parlamento. En su interior, un prisionero político desterrado se acaba de ahorcar, dejando la paredes de su celda llenas de simbolos extraños y citas literarias. El inspector Babak Hafizi se hace cargo de la investigación, ayudado por un ingeniero de sonido y un geólogo en un caso que se prolongará sin resolver, cincuenta años después.

A woman comes back from Paris to her country after a long time. She meets a man that she hardly knows, but he knows a lot about her life.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

The story of Imam Hossein's battle in Karbala, an unfair war which made one the most important effects in Islam history.

Bahman Mohassess was a celebrated artist at the time of the Shah. Trained in Italy, he created sculptures and paintings in his homeland. But audiences often took offence at the pronounced phalli on his mostly naked bronze figures and his work was regularly censored. All traces of him were lost after the revolution. It was said he destroyed his remaining paintings and disappeared.

Una vez más, Rahmat es asignado para un trabajo que le lleva a viajar a varias islas, algo que lleva muchos años haciendo. Se le pide que recoja las lágrimas de los habitantes de esas islas. Aunque hace tiempo que esa gente entrega sus lágrimas a Rahmat, nadie sabe concretamente qué ha estado haciendo con esas lágrimas.

The struggle to survive, for a generation, torn between wanting to leave its country, yet bound by blood to home.

Durante la guerra entre Irán e Iraq, la vispera del Año Nuevo, Teherán está siendo fuertemente bombardeada por misiles. Gilaneh, una solitaria campesina de mediana edad, debe mandar a su hijo a la guerra. También tiene que acompañar a su hija a la capital para tratar de encontrar a su yerno, que ha desertado… 15 años después: Otra víspera de Año Nuevo, y Gilaneh (agotada por la vida que lleva) está cuidando de su hijo herido por armas químicas y hoy lejos de su hija. Incapaz de ocuparse de su hijo como ella desearía, espera una mujer del sur que ha perdido a su marido en la guerra y le prometió casarse con su hijo… El film muestra a personas cuyos amores y destinos han sido violados y cruelmente alterados por la guerra.

Infidels (Koffar) is a film about the Godars—artist-Gypsies living in Northern Iran. The film recounts the four ways which the Godars make their living: dancing, acting, hunting and music, and showcases their dedication to preserve their art and age-old rituals. In this film the Godars sing songs, play music, and tell the ancient tales of their heritage which often deal with their problems with God.

An original account of the 2015 Paris’ terror attack, Cyclothymia of a Land echoes the deep reasons of physical and psychological displacement. Emergencies, iniquity, propaganda, terrorism, war to terror, all inhabit an unusual journey into Tehran’s contemporary and precarious cityscape and an eerie and non-reassuring vegetation.

An original account of the 2015 Paris’ terror attack, Cyclothymia of a Land echoes the deep reasons of physical and psychological displacement. Emergencies, iniquity, propaganda, terrorism, war to terror, all inhabit an unusual journey into Tehran’s contemporary and precarious cityscape and an eerie and non-reassuring vegetation.