Amir-Hossein Ghasemi

Beitollah is a religious man who has been dreaming about a box of gold coins appearing at the end of a cave. He believes these coins are a miracle and wants to find them. But since he does not consider the coins to be halal, he wants to find a non-religious assistant to accompany him on the search. With the help of a job advertisement printed on the back of counterfeit dollar bills that Beitollah distributes on the streets of Tehran, he recruits the young Shoja and the two set off together to search for the coins. They discover several caves in the north of Iran but none is the right one. They move on to the central deserts of Iran and spend the night at a Caravanserai roadside inn. The inn’s owner suspects that the two might be looking for treasure and decides to follow them on his motorcycle…

The path of love seemed easy at first...

In 1978, the inhabitants of Zalava, a small village in Iran, claim that there is a demon among them. While investigating the strange case, Massoud, a young police sergeant, crosses paths with an exorcist.

In 1978, the inhabitants of Zalava, a small village in Iran, claim that there is a demon among them. While investigating the strange case, Massoud, a young police sergeant, crosses paths with an exorcist.

Roya is a young girl with a yellow spot on her face. One day she feels the signs of a real giraffe in her life. And her normal life is slowly changing.

What's your problem now ?! Do you mean it's not legal ?! Does this mean everything is always legal here ?! Are we all right ?! No one has done anything wrong so far ?!

Reza is a divorced author who is trying to adopt to his new life after divorce while he finds a new romance.

Since Iran opened its borders to refugees of the Soviet–Afghan War in 1979, it has become home to as many as 2.5 million Afghans, half of whom are undocumented. When renewed US sanctions in 2018 caused a currency collapse in Iran, the vulnerable population of migrants—often working as low-paid labourers in harsh conditions—was severely affected by the recession. Now, large numbers of them want to return home. Bahman Kiarostami (the son of late acclaimed director Abbas Kiarostami) sets up his camera in a Tehran-based facility processing thousands of illegals leaving the country. The migrants are asked surprising personal questions about everything from religion to drugs to family issues. With a Wiseman-esque fly-on-the-wall observation of these surprising interrogation sessions, Kiarostami paints a kaleidoscopic, empathetic and often humorous picture of the Afghans' place in Iranian society and their reasons for leaving it.

Samad is nobody’s fool. The narcotics officer has seen his share of a drug dealer’s lies and games, and his patience has come to run thin. While searching for the infamous drug baron Nasser Khakzad, he and his colleague Hamid scour the streets of Tehran, turning an overcrowded prison on its head. With his rough and dubious approach, Samad finally manages to find the criminal’s whereabouts – but things do not quite go according to plan...

Crude Oil comes out of a middle aged woman's body is on one hand empowering her and on the other hand bringing uncertainty and paranoia to her life and when a male paranoia is build up against her body's malfunction and oil is gradually trivialized and just there to solve some small family issues, the condition gets exacerbated with her body.

The young Iranian woman had not been expecting this kind of examination. She only wanted to renew her driver’s license, but when the officials noticed a scar on her wrist and her tattoo, they began looking at her with suspicion. Suddenly she is trapped, forced to answer personal questions and exposed to insinuations. The camera captures the growing uneasiness with clinical precision.

The secret of the worldview of dignity is revealed? This mystery of sleep will spit Marsh, Mahro, Goodarz, Bahram, Jahangir Major Pushis. Jahanbakhsh begins a long journey to prove his innocence and the return of tranquility. A journey that will end the life of many of them.

The resistance of Ammar battalion in Abughoraib strait at the last days of Iran-Iraq war.

Touran Mirhadi (Khomarloo) is the founder of Farhad School, the Children's Book Council, and the Encyclopedia for Young People. She was also actively involved with close to 20 other institutions dealing with child development and education and supported the formation of dozens of others. She is known as the preeminent architect of childhood institution and the mother of modern education in Iran. This film follows the efforts and preoccupations of Ms. Touran Mirhadi in the last four years of her life. It shows how she strove to enrich the field of child education in Iran to the age of 89, always maintaining that peace was to be cultivated at childhood.

An orange Chevrolet Impala drives across a cemetery towards an abandoned shipwreck in the middle of a desert landscape. It is the 22nd of January, 1965. The day before, the Iranian prime minister was shot dead in front of the parliament building. Inside the wreck, a banished political prisoner has hung himself. The walls are covered in diary entries, literary quotes and strange symbols. Can they help Police Inspector Babak Hafizi in his investigations? Will they shed any light on why there is always an earthquake whenever somebody is buried in this desert cemetery?

A woman comes back from Paris to her country after a long time. She meets a man that she hardly knows, but he knows a lot about her life.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

The story of Imam Hossein's battle in Karbala, an unfair war which made one the most important effects in Islam history.

Bahman Mohassess was a celebrated artist at the time of the Shah. Trained in Italy, he created sculptures and paintings in his homeland. But audiences often took offence at the pronounced phalli on his mostly naked bronze figures and his work was regularly censored. All traces of him were lost after the revolution. It was said he destroyed his remaining paintings and disappeared.

Rahmat travels to a host of islands in a vast salt pan in order to collect the inhabitant's tears for an unknown purpose. He is joined on his mysterious journey by a young boy searching for his father. As their travel nears its end, a potent critique of the Iran's political leadership emerges.

The struggle to survive, for a generation, torn between wanting to leave its country, yet bound by blood to home.

A mother's courage, hardship, and love, in times of war. In 1988, during the Iran-Iraq war, Gilane escorts her pregnant daughter, Maygol, from the relative calm of their village, Espili, into war-torn Tehran to search for Maygol's husband, Rahman. The journey is arduous and what they find when they reach the capital is dismaying and frightening. Fifteen years later, as another war begins in Iraq, Gillane is at home caring for her son Ismael, who suffers from epilepsy, a byproduct of war. As she cares for him, she hopes for a visit from the doctor and from another daughter, Atefah. "Better be a dog than a mother," she says.

Infidels (Koffar) is a film about the Godars—artist-Gypsies living in Northern Iran. The film recounts the four ways which the Godars make their living: dancing, acting, hunting and music, and showcases their dedication to preserve their art and age-old rituals. In this film the Godars sing songs, play music, and tell the ancient tales of their heritage which often deal with their problems with God.

An original account of the 2015 Paris’ terror attack, Cyclothymia of a Land echoes the deep reasons of physical and psychological displacement. Emergencies, iniquity, propaganda, terrorism, war to terror, all inhabit an unusual journey into Tehran’s contemporary and precarious cityscape and an eerie and non-reassuring vegetation.

An original account of the 2015 Paris’ terror attack, Cyclothymia of a Land echoes the deep reasons of physical and psychological displacement. Emergencies, iniquity, propaganda, terrorism, war to terror, all inhabit an unusual journey into Tehran’s contemporary and precarious cityscape and an eerie and non-reassuring vegetation.