Executive Producer
A drama set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.
Writer
A drama set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.
Writer
El mundo es un lugar misterioso cuando se ve a través de los ojos de un animal. EO, un burro gris de ojos melancólicos, se encuentra con personas buenas y malas en el camino de su vida, experimenta alegría y dolor, soporta la rueda de la fortuna al azar y convierte su suerte en desastre y su desesperación en dicha inesperada. Pero ni por un momento pierde su inocencia.
Producer
El mundo es un lugar misterioso cuando se ve a través de los ojos de un animal. EO, un burro gris de ojos melancólicos, se encuentra con personas buenas y malas en el camino de su vida, experimenta alegría y dolor, soporta la rueda de la fortuna al azar y convierte su suerte en desastre y su desesperación en dicha inesperada. Pero ni por un momento pierde su inocencia.
Director
El mundo es un lugar misterioso cuando se ve a través de los ojos de un animal. EO, un burro gris de ojos melancólicos, se encuentra con personas buenas y malas en el camino de su vida, experimenta alegría y dolor, soporta la rueda de la fortuna al azar y convierte su suerte en desastre y su desesperación en dicha inesperada. Pero ni por un momento pierde su inocencia.
Director
Part of HBO Europe's Polish at Home series. Jerzy Skolimowski was in Sicily when the pandemic hit, where he was supposed to shoot his next film, Baltazar. He and his wife, Ewa Piaskowska, decided to stay on the Italian island. This film follows their experience during the pandemic.
Editorial Staff
Middle age divorced man in Tokyo falls in love with Hostess club girl and his assistant.
Jerzy Kunze
Valeria, young secretary of a producer, lives with an eccentric mother and secretly writes for a successful screenwriter, Alessandro. One day, she receives an unusual present from a stranger: it’s the plot of a movie about the mysterious but really-happened theft of a famous Caravaggio’s painting.
Olgierd Szybenik "Chorwat"
An organised arts teacher has only one main problem in life, which is his father – a painter always going from one party to the next. When the father lives through his second heart attack and still refuses to change his lifestyle, Julius will have to find a way to influence his behaviour.
Producer
Narra la historia de varios personajes: un marido celoso, su esposa que es una sexy actriz, un director de Hollywood, un camello, una joven desorientada, un ex-convicto vendedor de perritos calientes, un estudiante problemático con una misteriosa misión, un limpiador de ventanas, un artista, un equipo de paramédicos y un grupo de monjas. Una muestra representativa de urbanitas contemporáneos cuyas vidas y amores se entrelazan. Viven en un mundo donde cualquier cosa puede suceder en cualquier momento. Una cadena inesperada de acontecimientos puede sellar muchos destinos en apenas 11 minutos.
Screenplay
Narra la historia de varios personajes: un marido celoso, su esposa que es una sexy actriz, un director de Hollywood, un camello, una joven desorientada, un ex-convicto vendedor de perritos calientes, un estudiante problemático con una misteriosa misión, un limpiador de ventanas, un artista, un equipo de paramédicos y un grupo de monjas. Una muestra representativa de urbanitas contemporáneos cuyas vidas y amores se entrelazan. Viven en un mundo donde cualquier cosa puede suceder en cualquier momento. Una cadena inesperada de acontecimientos puede sellar muchos destinos en apenas 11 minutos.
Director
Narra la historia de varios personajes: un marido celoso, su esposa que es una sexy actriz, un director de Hollywood, un camello, una joven desorientada, un ex-convicto vendedor de perritos calientes, un estudiante problemático con una misteriosa misión, un limpiador de ventanas, un artista, un equipo de paramédicos y un grupo de monjas. Una muestra representativa de urbanitas contemporáneos cuyas vidas y amores se entrelazan. Viven en un mundo donde cualquier cosa puede suceder en cualquier momento. Una cadena inesperada de acontecimientos puede sellar muchos destinos en apenas 11 minutos.
Thanks
Años 60, Polonia. Una joven ilusionada con la búsqueda de la fé y la religión, esta a punto de tomar sus votos y convertirse en monja, aquello que siempre ha deseado. Se ha preparado duramente durante largos años y convertida en una novicia modelo decide entregarse totalmente a su religión. Todo cambia en el momento en el que se entera de un secreto que atormentaba a toda su familia. Sus antepasados se vieron envueltos durante la ocupación nazi con terribles consecuencias, ante tales acontecimientos decide emprender una larga lucha para conocer la verdad.
Producer
Marek, a young writer, is trying to solve the mystery of the night his friend Arthur died. In the recesses of his memory, Marek finds fragments of past events: a party at the home of an eccentric publisher, his argument with Arthur, the exchange of blows, blood. Afraid that he has killed his friend, Marek suppresses his feelings of fear and guilt in his passionate meetings with a woman who has more to do with Arthur’s disappearance than it seems...
Giovanni III di Polonia
Storyline: In the summer of 1683, 300 000 Ottoman Empire's warriors begin the siege of Vienna. City's fall, will open way to conquer the Europe. The Sept 11 is the day of main battle between Polish cavalry under the King Jan III Sobieski and Turks.
Georgi Luchkov
Cuando un enemigo inesperado surge como una gran amenaza para la seguridad mundial, Nick Fury, director de la Agencia SHIELD, decide reclutar a un equipo para salvar al mundo de un desastre casi seguro.
Self
Short documentary about sequences removed from the film.
Krzysztof Komeda was a jazz pianist and film composer. With compositions like the lullaby for Rosemary's Baby (1968) by Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. This documentary follows the life story of the composer by the means of his melodic sounds. It is a reflection on his soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, about work and exodus of Polish artists in the 50s and 60s. A story about how film music is created and how it affects people. Directors who worked with Komeda and who are also friends talk about him: Roman Polanski, Jerzy Skolimowski, Henning Carlsen and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, recollect him.
Himself
A fascinating and absorbing documentary about the making of Jerzy Skolimowski's cult favourite, DEEP END, which was shot in 1970 as a US-German co-production on location in London and Munich. The film's two stars, Jane Asher and John Moulder-Brown, 23 and 17 years of age at the time respectively, meet for the first time in 40 years and discuss their on-screen and off-screen relationship in candid detail, while director/writer Skolimowski chronicles the production history from the writing of the script to the film's acclaimed first showing at the Venice Film Festival. Director of photography Charly Steinberger revisits some of the original locations and explains how he managed to shoot almost the entire film with a hand-held camera. Also on board are production designer Anthony Pratt, editor Barrie Vince, and actor Christopher Sandford, each of whom contributes his own version of how DEEP END was part of the sixties' "swinging London"; and at the same time tilted it on its head.
Producer
Un soldado afgano (Vincent Gallo) es hecho prisionero por las tropas norteamericanas, acusado de haber matado a tres soldados. Posteriormente es trasladado a un país del este de Europa, para ser interrogado. Pero durante el viaje consigue escapar, e inicia así una dramática carrera por su supervivencia en medio de la naturaleza. (FILMAFFINITY)
Screenplay
Un soldado afgano (Vincent Gallo) es hecho prisionero por las tropas norteamericanas, acusado de haber matado a tres soldados. Posteriormente es trasladado a un país del este de Europa, para ser interrogado. Pero durante el viaje consigue escapar, e inicia así una dramática carrera por su supervivencia en medio de la naturaleza. (FILMAFFINITY)
Director
Un soldado afgano (Vincent Gallo) es hecho prisionero por las tropas norteamericanas, acusado de haber matado a tres soldados. Posteriormente es trasladado a un país del este de Europa, para ser interrogado. Pero durante el viaje consigue escapar, e inicia así una dramática carrera por su supervivencia en medio de la naturaleza. (FILMAFFINITY)
Producer
A crematorium worker repeatedly breaks into a woman's house at night to help with housework.
Writer
A crematorium worker repeatedly breaks into a woman's house at night to help with housework.
Director
A crematorium worker repeatedly breaks into a woman's house at night to help with housework.
Stepan
El misterioso y atractivo Nikolai es el chófer de una importante familia mafiosa de Europa Oriental. Semyon, el jefe del clan, detrás de una sonrisa encantadora, esconde una naturaleza fría y cruel. La estabilidad familiar se tambalea por culpa de Kirill, su alocado hijo, que hace más caso a Nikolai que a su propio padre. La vida de Nikolai cambia de golpe cuando conoce a Anna, una comadrona que trabaja en un hospital de Londres. Anna, muy afectada por la muerte en el parto de una adolescente, decide buscar a la familia sirviéndose del diario que la chica dejó escrito en ruso. Lo malo es que sus indagaciones desencadenan la ira de los mafiosos.
professor
La vida de Reinaldo Arenas es mostrada desde su infancia en un ambiente rural y su temprana participación en la Revolución, hasta la persecución que más tarde experimentaría como escritor y homosexual en la Cuba de Castro; desde su salida de Cuba en el éxodo de Mariel Harbor en 1980, hasta su exilio y muerte en los Estados Unidos. Es el retrato de un hombre cuyo afán de libertad - artística, política, sexual - desafió la pobreza, la censura, la persecución, el exilio y la muerte. (FILMAFFINITY)
Hayes
The war between Iraq and Kuwait is just about to begin. While all foreigners are leaving Iraq, Pawel, a young Polish engineer is captured by the Iraqi Secret Service. His father, a retired secret service operative goes to Iraq to attempt to rescue him not knowing that he is secretly being used as bait. Now, two Polish secret agents have been assigned by the CIA to attempt a rescue mission. The stakes are high, but are they high enough to risk the life of one of the best officers?
Minister
A sus 22 años, Richard (David Tennant) ha heredado el negocio de pompas fúnebres que su padre tiene en Bradford y está a punto de casarse con Joy (Saskia Reeves), la hija de un rico hombre de negocios. Pero en la vida de Richard falta algo. Él aspira a ser escritor y le gusta el cine y todo lo relacionado con Hollywood. Su vida dará un giro cuando, durante un funeral conozca a Barbara (Vinessa Shaw), una actriz de Los Angeles. Para Richard, es auténtico amor a primera vista. Animado por el espíritu de su héroe, Johnny Depp, Richard sigue a Barbara hasta su casa y se planta ante la puerta, vestido con su traje de lana inglés. Pero las cosas no son tan fáciles como él cree, ya que tiene que luchar contra un rival decidido y muy seguro de sí mismo.
Dr. Zeigler
Parodia de los filmes de ciencia ficción de los años 50. Unos platillos volantes procedentes de Marte sobrevuelan todas las capitales del mundo. La población, aterrada, espera conocer sus intenciones. Al presidente de los Estados Unidos, su asesor científico le asegura que serán absolutamente pacíficas. Sin embargo, sus asesores militares le aconsejan que aniquile a los marcianos antes de que sea demasiado tarde.
Producer
Matthew comes to a seaside town to see a performance of his play, although even his brother Marc, who plays the role of Napoleon, does not know that Metthew is its author. Also in life Marc plays "Napoleon", becoming the leader of a group of local youth.
Producer
A young writer in 1939 Warsaw faces the conflict of acting his age or relapsing into childhood during the brink of World War II. Based on the famous novel Ferdydurke by Witold Gombrowicz.
Screenplay
A young writer in 1939 Warsaw faces the conflict of acting his age or relapsing into childhood during the brink of World War II. Based on the famous novel Ferdydurke by Witold Gombrowicz.
dyrektor szkoły
A young writer in 1939 Warsaw faces the conflict of acting his age or relapsing into childhood during the brink of World War II. Based on the famous novel Ferdydurke by Witold Gombrowicz.
Director
A young writer in 1939 Warsaw faces the conflict of acting his age or relapsing into childhood during the brink of World War II. Based on the famous novel Ferdydurke by Witold Gombrowicz.
André S. Labarthe invites Jerzy Skolimowski to the editing table, to analyze his film Walkower shot by shot. Episode of the TV program "Cinéma, cinémas".
Wiktor Wiktorowicz
En 1840, un joven aristócrata ruso, Dimitri Sanin, regresa a casa después de una larga gira por Europa. En Alemania, se enamora de una bella pastelera, Gemma Rosselli, que pronto empieza a compartir sus sentimientos. Deciden casarse y, para financiar la boda, Dimitri vuelve a Rusia para vender su patrimonio familiar. Por desgracia, es presa de una seductora, la princesa María Nikolaevna, que finge estar dispuesta a comprar sus tierras para acercarse a él. Ahora Dimitri está en un aprieto: ¿debe elegir a la pura Gema o a la malvada pero irresistible María?
Screenplay
En 1840, un joven aristócrata ruso, Dimitri Sanin, regresa a casa después de una larga gira por Europa. En Alemania, se enamora de una bella pastelera, Gemma Rosselli, que pronto empieza a compartir sus sentimientos. Deciden casarse y, para financiar la boda, Dimitri vuelve a Rusia para vender su patrimonio familiar. Por desgracia, es presa de una seductora, la princesa María Nikolaevna, que finge estar dispuesta a comprar sus tierras para acercarse a él. Ahora Dimitri está en un aprieto: ¿debe elegir a la pura Gema o a la malvada pero irresistible María?
Director
En 1840, un joven aristócrata ruso, Dimitri Sanin, regresa a casa después de una larga gira por Europa. En Alemania, se enamora de una bella pastelera, Gemma Rosselli, que pronto empieza a compartir sus sentimientos. Deciden casarse y, para financiar la boda, Dimitri vuelve a Rusia para vender su patrimonio familiar. Por desgracia, es presa de una seductora, la princesa María Nikolaevna, que finge estar dispuesta a comprar sus tierras para acercarse a él. Ahora Dimitri está en un aprieto: ¿debe elegir a la pura Gema o a la malvada pero irresistible María?
Doc
En Chicago, un joven niño huérfano se hace amigo de un chico delincuente. Los dos se embarcarán en una aventura que involucrará a la mafia, a la polícía y a un mercedes robado con un cadáver en el interior...
Director
Durante su período de vigilancia, la tripulación de un buque-faro rescata a tres hombres que navegan a la deriva en una motora averiada. Son tres extraños personajes: un asesino paranoico, acompañado por dos serviles hermanos. En el interior del buque empieza a correrse el temor de que el trío que acaban de rescatar huyen de la justicia. A partir de ese momento, la tensión y el terror hacen su aparación.
Colonel Chaiko
Cuando el avión donde viaja Nikolai "Kolya" Rodchenko debe realizar un aterrizaje de emergencia en suelo soviético, el mundialmente famoso bailarín tiene razones para sentirse inquieto: unos años antes, cuando era la gran estrella del ballet ruso y un icono de la propaganda comunista, Kolya desertó y se instaló en los Estados Unidos. Ahora, contra su voluntad, vuelve a un país cuyo gobierno le considera un traidor.
Writer
Estamos en Nueva Zelanda alrededor de 1900. Una huérfana se casa con un hombre rico y bastante mayor que ella, poco a poco va descubriendo su avaricia y sus perversas costumbres, entre ellas, espiarla.
Producer
Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.
Screenplay
Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.
Director
Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.
Boss (uncredited)
Inglaterra, diciembre de 1981. Cuatro obreros polacos llegan a Inglaterra con un visado turístico de un mes para realizar un trabajo de dos meses de duración. El jefe del grupo, el único que habla inglés, se entera por la televisión del establecimiento del estado de excepción en Polonia, pero decide no contárselo a sus compañeros.
Producer
Inglaterra, diciembre de 1981. Cuatro obreros polacos llegan a Inglaterra con un visado turístico de un mes para realizar un trabajo de dos meses de duración. El jefe del grupo, el único que habla inglés, se entera por la televisión del establecimiento del estado de excepción en Polonia, pero decide no contárselo a sus compañeros.
Screenplay
Inglaterra, diciembre de 1981. Cuatro obreros polacos llegan a Inglaterra con un visado turístico de un mes para realizar un trabajo de dos meses de duración. El jefe del grupo, el único que habla inglés, se entera por la televisión del establecimiento del estado de excepción en Polonia, pero decide no contárselo a sus compañeros.
Director
Inglaterra, diciembre de 1981. Cuatro obreros polacos llegan a Inglaterra con un visado turístico de un mes para realizar un trabajo de dos meses de duración. El jefe del grupo, el único que habla inglés, se entera por la televisión del establecimiento del estado de excepción en Polonia, pero decide no contárselo a sus compañeros.
Hoffmann
Georg Laschen leaves his family in West Germany to go work as a war correspondent in Beirut during the fights between Christians and Palestinians.
Producer
The reunion of a group of former medical students results in a flood of bitter memories.
Screenplay
The reunion of a group of former medical students results in a flood of bitter memories.
Art Direction
The reunion of a group of former medical students results in a flood of bitter memories.
Andrzej "Zastawa" Leszczyc
The reunion of a group of former medical students results in a flood of bitter memories.
Director
The reunion of a group of former medical students results in a flood of bitter memories.
Screenplay
Durante el tradicional partido de criquet que juegan todos los años los enfermos mentales de un sanatorio contra los habitantes de Lampton, Charles Crossley le cuenta a Robert que tiene un poder sobrenatural, aprendido durante los 18 años que pasó con los aborígenes australianos: el poder de matar con un grito...
Director
Durante el tradicional partido de criquet que juegan todos los años los enfermos mentales de un sanatorio contra los habitantes de Lampton, Charles Crossley le cuenta a Robert que tiene un poder sobrenatural, aprendido durante los 18 años que pasó con los aborígenes australianos: el poder de matar con un grito...
Producer
The main character has quit school, makes a living by taking pictures. He seduces a nurse who treated his head wound which he earned in a fight. They witness a hit-and-run driver killing a little girl on a sled. He builds up an elaborate trap by putting a doll dressed as a child down the hill in the path of a car. The man hits it and thinking that he hit a child - runs. Marek takes pictures of him and tries to blackmail him to use his car for a week. He wants to use the car to win back the nurse, who could not cope with his humors...
Screenplay
The main character has quit school, makes a living by taking pictures. He seduces a nurse who treated his head wound which he earned in a fight. They witness a hit-and-run driver killing a little girl on a sled. He builds up an elaborate trap by putting a doll dressed as a child down the hill in the path of a car. The man hits it and thinking that he hit a child - runs. Marek takes pictures of him and tries to blackmail him to use his car for a week. He wants to use the car to win back the nurse, who could not cope with his humors...
[obsada aktorska]
The main character has quit school, makes a living by taking pictures. He seduces a nurse who treated his head wound which he earned in a fight. They witness a hit-and-run driver killing a little girl on a sled. He builds up an elaborate trap by putting a doll dressed as a child down the hill in the path of a car. The man hits it and thinking that he hit a child - runs. Marek takes pictures of him and tries to blackmail him to use his car for a week. He wants to use the car to win back the nurse, who could not cope with his humors...
Based on a novel by Vladimir Nabokov, this English-language satirical drama details the experiences of Frank (John Moulder Brown), a young orphan who finds himself deep in the romantic clutches of his uncle's sensual wife. After Frank's parents die, he goes to live with his aunt Martha (Gina Lollabrigida) and uncle Charles (David Niven). Sexy Martha entices Frank into her embrace then wants him to kill her husband so that they can live off of his money. Frank wouldn't mind so much, but he really likes his uncle.
Director
Based on a novel by Vladimir Nabokov, this English-language satirical drama details the experiences of Frank (John Moulder Brown), a young orphan who finds himself deep in the romantic clutches of his uncle's sensual wife. After Frank's parents die, he goes to live with his aunt Martha (Gina Lollabrigida) and uncle Charles (David Niven). Sexy Martha entices Frank into her embrace then wants him to kill her husband so that they can live off of his money. Frank wouldn't mind so much, but he really likes his uncle.
Tube Passenger With Newspaper (uncredited)
Londres, Inglaterra. Mike, un chico de quince años, consigue trabajo en una casa de baños, donde conoce a Susan, una atractiva joven que trabaja allí como encargada.
Screenplay
Londres, Inglaterra. Mike, un chico de quince años, consigue trabajo en una casa de baños, donde conoce a Susan, una atractiva joven que trabaja allí como encargada.
Director
Londres, Inglaterra. Mike, un chico de quince años, consigue trabajo en una casa de baños, donde conoce a Susan, una atractiva joven que trabaja allí como encargada.
Screenplay
Gerard es un brigadier de los húsares del ejército de Napoleón. Ante todo es fiel a su emperador, todo lo que dice y hace para él le parece sublime y es favorecido por tener con él un trato personal. El ejército es el mejor maestro donde se forjan las mejores aptitudes y los mejores amigos. Todo comienza cuando Napoleón envía a Gerard a una misión de mensajero, donde se cruza en su camino la condesa de Morales, el bandido renegado Millefleurs y un oficial británico.
Director
Gerard es un brigadier de los húsares del ejército de Napoleón. Ante todo es fiel a su emperador, todo lo que dice y hace para él le parece sublime y es favorecido por tener con él un trato personal. El ejército es el mejor maestro donde se forjan las mejores aptitudes y los mejores amigos. Todo comienza cuando Napoleón envía a Gerard a una misión de mensajero, donde se cruza en su camino la condesa de Morales, el bandido renegado Millefleurs y un oficial británico.
Screenplay
"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."
Director
"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."
Writer
Marc da una vuelta en un Porsche prestado e intenta conseguir un coche para participar en una carrera belga. De momento, trabaja como esteticista. Pero conoce a Michelle, quien ayudará a Marc a encontrar un coche... (FILMAFFINITY)
Director
Marc da una vuelta en un Porsche prestado e intenta conseguir un coche para participar en una carrera belga. De momento, trabaja como esteticista. Pero conoce a Michelle, quien ayudará a Marc a encontrar un coche... (FILMAFFINITY)
waiter-konferansjer
En la Polonia de los años sesenta, un estudiante de medicina recién graduado sigue los movimientos de una misteriosa mujer, conductora de tranvía, por las calles de una Varsovia comunista conformando un imaginario repleto de una exquisitez insospechada. Sueños y realidad se mezclan con grandes dosis de realismo mágico. (FILMAFFINITY)
Writer
En la Polonia de los años sesenta, un estudiante de medicina recién graduado sigue los movimientos de una misteriosa mujer, conductora de tranvía, por las calles de una Varsovia comunista conformando un imaginario repleto de una exquisitez insospechada. Sueños y realidad se mezclan con grandes dosis de realismo mágico. (FILMAFFINITY)
Director
En la Polonia de los años sesenta, un estudiante de medicina recién graduado sigue los movimientos de una misteriosa mujer, conductora de tranvía, por las calles de una Varsovia comunista conformando un imaginario repleto de una exquisitez insospechada. Sueños y realidad se mezclan con grandes dosis de realismo mágico. (FILMAFFINITY)
Leopold
Art Direction
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
Editor
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
Writer
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
Andrzej Leszczyc
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
Director
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
Screenplay
Engineer Ijon Tichy is called in to help with a malfunctioning electronic brain.
Editor
Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.
Andrzej Leszczyc
Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.
Writer
Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.
Director
Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.
Producer
Screenplay
Director
Dialogue
En el transcurso de un día a bordo de un yate de vela se establecerá un extraño triángulo entre tres personas, una pareja y un hombre, de diferentes estratos sociales, convirtiéndose la mujer en el centro de una lucha de poder entre los dos hombres.
Screenplay
En el transcurso de un día a bordo de un yate de vela se establecerá un extraño triángulo entre tres personas, una pareja y un hombre, de diferentes estratos sociales, convirtiéndose la mujer en el centro de una lucha de poder entre los dos hombres.
Director
Student film by Skolimowski abot a street ironically called Beautiful.
Writer
A short crime film set in a fairground.
Director
A short crime film set in a fairground.
Screenplay
School study, variation on the theme of art, by Jerzy Skolimowski.
Director
School study, variation on the theme of art, by Jerzy Skolimowski.
Writer
A girl wipes the mirror and suddenly notices the reflection of a man who then speaks to her. The girl backs away, afraid.
Director
A girl wipes the mirror and suddenly notices the reflection of a man who then speaks to her. The girl backs away, afraid.
Screenplay
A young doctor is tired of being sought by women. One night he meets a young girl who all but forces herself into his room where they talk of morals and love. But he loses her when he goes out to see some friends and then rushes madly around the city after her.
Boxer (uncredited)
A young doctor is tired of being sought by women. One night he meets a young girl who all but forces herself into his room where they talk of morals and love. But he loses her when he goes out to see some friends and then rushes madly around the city after her.
Writer
Hamlet suspects his uncle has murdered his father to claim the throne of Denmark and the hand of Hamlet's mother, but the prince cannot decide whether or not he should take vengeance.
Writer
A knife thrower practices on a target girl.
Director
A knife thrower practices on a target girl.
Director
Hamlet suspects his uncle has murdered his father to claim the throne of Denmark and the hand of Hamlet's mother, but the prince cannot decide whether or not he should take vengeance.
