Dieter Schaad

When his grandmother Ella becomes increasingly confused and his grandfather Sönke simply doesn't want to part with his pub, the Dorfkrug, 47-year-old Ingwer Feddersen sees the time has come to return to his home village Brinkebüll. The village tavern isn't what it used to be - but that's also true for the whole village. Ingwer wonders when exactly was the point in time when the village of Brinkebüll went downhill? Was it in the 1970s when the hedges disappeared after the land consolidation and then the birds too? When larger and larger farms were built so that smaller ones had to give way? Is it perhaps his fault because he left his grandfather alone with gastronomy to study in Kiel? Based on Dörte Hansen's 2018 novel of the same name.

Un verdadero castillo como tu nuevo hogar. ¿Te imaginas algo más genial? Castle Geroldseck es un hogar de ancianos lleno de abuelas y abuelos arrugados. Pero para que su madre, una enfermera geriátrica madre soltera, también pueda trabajar en turnos de noche, Max ahora vive en Raven Tower. Como el único niño entre todos estos viejos... Max pronto encontrará amigos entre los ancianos residentes de la casa: la actriz Vera, el entrenador de fútbol Horst y el investigador Kilian, juntos mejor conocidos como Wild Bunch. Max también nota que algo extraño está pasando en las viejas paredes.

En esta precuela de la serie de televisión, se cuenta el destino individual de los miembros de las posteriores "Pulseras rojas" y cómo se unieron.

A French teacher makes a startling discovery while on a trip to Buchenwald.

In the young Federal Republic of Germany, which in the late 1950s in politics and justice is still interspersed with only superficially purified Nazi cliques, leads the Hessian Attorney General Fritz Bauer a lonely fight against the coverup of Nazi crimes and the restorative policy of the government Adenauer - he is firmly convinced that only in this way can the young democracy be consolidated. Not only his attitude, but also his temperament make Bauer vulnerable, again and again resistance forms from politics, intelligence services and the judiciary against the lone fighter.

Un crimen de la era nazi es el fondo de la adaptación del éxito de ventas de Cornelia "Nele" Neuhaus.

Víctor y sus padres se mudan a una vieja mansión donde descubre la foto de una niña, Cecilia, la hija de su tío, que murió por causas desconocidas. Ante este misterio, decide investigar qué pasó.

La carrera de Silvia como actriz entra en declive tras unas desafortunadas declaraciones grabadas con un micrófono escondido en su camerino. Por otro lado, le detectan una grave enfermedad a su hija.

By 1941, Adolf Hitler had taken personal command of the German military apparatus. His initial successes made this seem like a good idea at the time, but by 1944, after an unparalleled series of military defeats that Hitler refused even to acknowledge, a group of high-ranking military and political figures in Germany decided to assassinate him and take over the government. Unfortunately for them, their assassination attempt failed, and the knives were out to find all the people involved in the attempt. The most wanted person in the coup was Carl Goerdeler (Dieter Schaad), a respected figure in German public life for many decades. Twenty years earlier, a girl by the name of Helene Schwärzel (Katherina Thalbach) met Goerdeler. After the coup attempt, during the nationwide manhunt, Helene recognized him and notified the authorities. In addition to receiving a huge reward, she became the focus of a nationwide propaganda campaign, and was widely resented for her "success."

A woman leaves his husband and starts living with a turkish man.

Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?