Dieter Schaad

When his grandmother Ella becomes increasingly confused and his grandfather Sönke simply doesn't want to part with his pub, the Dorfkrug, 47-year-old Ingwer Feddersen sees the time has come to return to his home village Brinkebüll. The village tavern isn't what it used to be - but that's also true for the whole village. Ingwer wonders when exactly was the point in time when the village of Brinkebüll went downhill? Was it in the 1970s when the hedges disappeared after the land consolidation and then the birds too? When larger and larger farms were built so that smaller ones had to give way? Is it perhaps his fault because he left his grandfather alone with gastronomy to study in Kiel? Based on Dörte Hansen's 2018 novel of the same name.

Nine-year-old Max moves to Geroldseck Castle, together with his mother, who takes up a position as a geriatric nurse there. Apparently a shrewd thief is up to mischief here. His mother is suspected, she is threatened with dismissal. Therefore, together with the three residents of the old people's home at table no. 7, Max does everything possible to convict the real perpetrator.

또래 친구들처럼 평범한 삶을 살 수 없는 6명의 아이들. 친구들과 축구를 하거나 가족들과 시간을 보내는 대신 병원에서 아주 오랜 시간을 보내고 있다. 병원에 온 이유는 각자 다르지만 ‘평범한 삶을 살고 싶다’는 꿈을 공유하는 레드 브레이슬릿 멤버들의 이야기다.

A French teacher makes a startling discovery while on a trip to Buchenwald.

In the young Federal Republic of Germany, which in the late 1950s in politics and justice is still interspersed with only superficially purified Nazi cliques, leads the Hessian Attorney General Fritz Bauer a lonely fight against the coverup of Nazi crimes and the restorative policy of the government Adenauer - he is firmly convinced that only in this way can the young democracy be consolidated. Not only his attitude, but also his temperament make Bauer vulnerable, again and again resistance forms from politics, intelligence services and the judiciary against the lone fighter.

Victor is both thrilled and mystified when his family moves into his grand-uncles somber mansion filled with African masks, taxidermy crocodile mounts - and a dark secret: Four decades ago, his grand-cousin Cecilia, at the same age as he is now, lost her life in the mansions impressive staircase, and the circumstances of her death still remain obscure.

Silvia's career as an actress goes into decline after a few unfortunate statements recorded with a microphone hidden in his dressing room. On the other hand, we detected a serious disease to her daughter.

By 1941, Adolf Hitler had taken personal command of the German military apparatus. His initial successes made this seem like a good idea at the time, but by 1944, after an unparalleled series of military defeats that Hitler refused even to acknowledge, a group of high-ranking military and political figures in Germany decided to assassinate him and take over the government. Unfortunately for them, their assassination attempt failed, and the knives were out to find all the people involved in the attempt. The most wanted person in the coup was Carl Goerdeler (Dieter Schaad), a respected figure in German public life for many decades. Twenty years earlier, a girl by the name of Helene Schwärzel (Katherina Thalbach) met Goerdeler. After the coup attempt, during the nationwide manhunt, Helene recognized him and notified the authorities. In addition to receiving a huge reward, she became the focus of a nationwide propaganda campaign, and was widely resented for her "success."

A woman leaves his husband and starts living with a turkish man.

Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?