Sylvie Fennec

Sylvie Fennec

Nacimiento : 1946-05-19, Paris, France

Perfil

Sylvie Fennec

Películas

Sale temps pour un voyou
The story of three characters, a little marginal, whose existence will tip over into the dramatic, during a day like many others .....
El maestro de musica
Estelle Fischer
Joachim Dallayrac, un famoso barítono ya mayor, está en el ocaso de su carrera y decide retirarse. Además está gravemente enfermo. Antes de su alejamiento da clases a dos jóvenes talentos, Sophie y Jean.
No Harm Intended
Geneviève
When Catherine is caught with her illicit lover by her father-in-law Paul, the concerned father leaves to tell his son Thomas about the incident. Paul is injured in an auto accident and returns home in a wheelchair unable to speak. Catherine's guilt weighs heavily on her as she hopes to never let Thomas know she was unfaithful. She panics and seeks a way to eliminate Paul in this psychological thriller.
Emmanuelle 3: Adiós Emmanuelle
Clara
Emmanuelle y su marido arquitecto continúan con su estilo de vida amoral en las Seychelles. Pero cuando un romance causal entre ella y un director de cine comienzan, su marido muestra signos muy tradicionales de los celos.
À la guerre comme à la guerre
Claire
Who Is Beta?
Beta
The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive
Le Bal du comte d'Orgel
Countess Mahé d'Orgel
Nobles try desperately to cling to the crumbling aristocracy in the days following World War I. The Count (Jean-Claude Brialy) and his Countess Mahe (Sylvia Fennec) delight in throwing lavish costume balls. The couple develops a friendship with a young boy who delights in the parties thrown by the noble couple. Love soon blooms between the Countess and the boy as she searches for something more than a string of endless parties and social affairs. The masquerades are an attempt to freeze time and hold on to the nostalgia of a bygone era. For fear of losing her, the Count allows the Countess to continue her love affair.
Moon and Midnight
Hélène
A woman marries into a family of insane psychopaths in this bizarre French horror film with strong sadomasochistic overtones.
El especialista
Sheba
Bret Dixon ha regresado a Blackstone para investigar los motivos del linchamiento de su hermano. Bret es un experto pistolero, por lo que todo el pueblo está aterrorizado. Sin embargo, pronto descubrirá que su hermano fue linchado por robar el dinero de sus conciudadanos en lugar de llevarlo al banco de Dallas, que era a lo que se había comprometido.
Adélaïde
Adelaide
A mother and her daughter both have a relationship with the same man.
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