Sylvie Fennec

Sylvie Fennec

Nascimento : 1946-05-19, Paris, France

Perfil

Sylvie Fennec

Filmes

Sale temps pour un voyou
The story of three characters, a little marginal, whose existence will tip over into the dramatic, during a day like many others .....
The Music Teacher
Estelle Fischer
Aging opera singer Joachim Dallayrac retires from the stage and retreats to the countryside to school two young singers, Sophie and Jean. Although the rigorous training takes its toll on both teacher and students, there is plenty of time for relationships to develop between the three. Based on their teacher's reputation, Sophie and Jean are invited to participate in a singing contest staged by Prince Scotti. Scotti's protege is set up to get revenge for Scotti's defeat at the hands of Dallayrac in a similar competition many years ago. The young students overcome Scotti's trickery to win the competition. Written by Kevin Kraynak
No Harm Intended
Geneviève
When Catherine is caught with her illicit lover by her father-in-law Paul, the concerned father leaves to tell his son Thomas about the incident. Paul is injured in an auto accident and returns home in a wheelchair unable to speak. Catherine's guilt weighs heavily on her as she hopes to never let Thomas know she was unfaithful. She panics and seeks a way to eliminate Paul in this psychological thriller.
Adeus, Emmanuelle
Clara
Na derradeira aparição de Sylvia Kristel no papel principal, Emmanuelle leva uma vida liberal e alegre nas ilhas Seychelles com o seu marido, até a chegada de um jovem cineasta, cheio de idéias para o seu novo filme. É quando o ciúme se interpõe na relação. Emmanuelle agora procura emoções ainda mais fortes.
À la guerre comme à la guerre
Claire
Quem é Beta?
Beta
The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive
Le Bal du comte d'Orgel
Countess Mahé d'Orgel
Nobles try desperately to cling to the crumbling aristocracy in the days following World War I. The Count (Jean-Claude Brialy) and his Countess Mahe (Sylvia Fennec) delight in throwing lavish costume balls. The couple develops a friendship with a young boy who delights in the parties thrown by the noble couple. Love soon blooms between the Countess and the boy as she searches for something more than a string of endless parties and social affairs. The masquerades are an attempt to freeze time and hold on to the nostalgia of a bygone era. For fear of losing her, the Count allows the Countess to continue her love affair.
Moon and Midnight
Hélène
A woman marries into a family of insane psychopaths in this bizarre French horror film with strong sadomasochistic overtones.
The Specialists
Sheba
Bret Dixon returns to his hometown when his brother is killed by a lynch mob.
Adélaïde
Adelaide
A mother and her daughter both have a relationship with the same man.
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