Himself
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.
Story
Harry tiene un club de jazz en Helsinki, aunque esto no es más que una tapadera: en realidad Harry es un veterano agente de la CIA. Además, mantiene una relación amorosa secreta con Natasha, una agente del KGB que tenía la misión de espiarle. Esta delicada situación se rompe con la aparición de una cinta de vídeo con códigos secretos de Estados Unidos. Una cinta por la que están siendo asesinadas muchas personas. A pesar de ello, Natasha se quiere apoderar de ella, porque puede ser su pasaporte para dejar Rusia.
Director
In 1992, Olivier Messiaen's epic opera "Saint François d'Assise" was brought to the Salzburg Festival in a staging by Peter Sellars. The distinct visual appearance that Sellars lent to the opera, where video monitors with powerful images are used as a sort of high-tech metaphor for a cathedral's stained glass, drew critical acclaim and is still talked about as a watershed moment in opera to this day. This film here is a 75-minute documentary on the 1992 staging. Jean-Pierre Gorin filmed Sellars, baritone José van Dam (St. Francis) soprano Dawn Upshaw (The Angel), and the LA Philharmonic and conductor Esa-Pekka Salonen as they rehearsed for the big day. There are interviews with these artists, though Sellars gets most of the screen time. The documentary is very much about Sellars' vision for Messiaen's theatrical drama. Very little is said about Messiaen's music.
Director
Jean-Pierre Gorin examines the lives and cultural background of Samoan street gangs in Long Beach, California.
Himself
Jean-Pierre Gorin interacts with a club of model railroad train enthusiasts and his mentor, artist/writer Manny Farber.
Editor
Jean-Pierre Gorin interacts with a club of model railroad train enthusiasts and his mentor, artist/writer Manny Farber.
Writer
Jean-Pierre Gorin interacts with a club of model railroad train enthusiasts and his mentor, artist/writer Manny Farber.
Director
Jean-Pierre Gorin interacts with a club of model railroad train enthusiasts and his mentor, artist/writer Manny Farber.
Narrator (voice)
Documentary by Jean-Pierre Gorin about twin girls who spontaneously developed their own unique language as children.
Producer
Documentary by Jean-Pierre Gorin about twin girls who spontaneously developed their own unique language as children.
Writer
Documentary by Jean-Pierre Gorin about twin girls who spontaneously developed their own unique language as children.
Director
Documentary by Jean-Pierre Gorin about twin girls who spontaneously developed their own unique language as children.
Director
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
Narrator (voice) (uncredited)
The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.
Writer
The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.
Director
The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.
Director
Francia después del mayo del '68. Un matrimonio en crisis, en una sociedad en crisis, se queda atrapado en una fábrica debido a la huelga de los trabajadores. Godard disecciona la estructura de la sociedad, del cine, el amor y la revolución. ¿Puede el amor sobrevivir a la revolución?
Screenplay
Francia después del mayo del '68. Un matrimonio en crisis, en una sociedad en crisis, se queda atrapado en una fábrica debido a la huelga de los trabajadores. Godard disecciona la estructura de la sociedad, del cine, el amor y la revolución. ¿Puede el amor sobrevivir a la revolución?
Editor
The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.
Writer
The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.
Director
The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.
Editor
Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
Director of Photography
Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
Writer
Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
Karl Rosa (uncredited)
Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
Director
Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
Editor
Realizada por encargo de un mecenas, esta película constituyó un manifiesto fundacional del Grupo Dziga Vertov. Las estructuras, los clichés y los estereotipos del western tradicional, sirven de coartada para una reflexión sobre la lucha de clases y la des mitificacion del cine burgués
Director
Realizada por encargo de un mecenas, esta película constituyó un manifiesto fundacional del Grupo Dziga Vertov. Las estructuras, los clichés y los estereotipos del western tradicional, sirven de coartada para una reflexión sobre la lucha de clases y la des mitificacion del cine burgués
Himself
Spring 1970: Godard and Gorin, on the road, visiting colleges, speaking with Andrew Sarris, and explaining, through illustrated notebooks, their newest Dziga Vertov Group project, a film on Palestine.
Director
A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
