Luiz Paulino dos Santos

Luiz Paulino dos Santos

Nacimiento : 1932-03-19, Bahia, Brazil

Muerte : 2017-05-02

Historia

Luiz Paulino dos Santos (1932-2017) was a Brazilian screenwriter, producer, director of photography, filmmaker, and occasional actor. Born in the state of Bahia, Paulino dos Santos was already involved with local filmmaking by the late 1950s being the cinematographer for Glauber Rocha's 1959 short "O Pátio". In 1961, he got signed up with Rex Schindler's production company Rex Filmes to write and direct a feature-length film,"Barravento". Shortly after shooting had started, however, he left the project and was replaced by Glauber Rocha, who also rewrote parts of the script, with dos Santos being credited as co-screenwriter. In the same year, he was also in Nelson Pereira dos Santos' entourage to film "Vidas Secas", which was unsuccessful when production found out that a season of rain had made the film's dry location burst with trees, plants and flowers. When Pereira dos Santos decided to use the trip to write a quick script and shoot a Brazilian-style western, that would be titled "Mandacaru Vermelho", Paulino dos Santos became one of the film's improvised actors, along with a group of technicians that included director Nelson Pereira himself. From the 1960s on, Paulino dos Santos developed a body of work of his own both as a screenwriter and as a director, in a career that ended with his passing in 2017. He was nominated for Best Feature in 1976s Gramado Film Festival for "Crueldade Mortal", and his last film was "Índios Zoró: Antes, Agora e Depois?", released in 2016.

Perfil

Luiz Paulino dos Santos

Películas

Seu Paulino
Ele mesmo
Indios Zoró - Antes, Agora e Depois?
Director
30 years ago, director Luiz Paulino dos Santos made a poetical register of the Zoró indians. He comes back to show it to them and finds a whole different tribe.
Sinais de Cinza, A Peleja de Olney Contra o Dragão da Maldade
The Man Who Couldn't Sleep
Peregrino
On a same night, five people from a small country town have the same nightmare. Upon the arrival of a pilgrim, the village is taken off its mediocre routine and the characters are thrown on the vortex of an uncommon situation. Each one’s truth will come to light, releasing them of the wicked hypocrisies, fears and diseases, compelling them to take control of their fate and rewrite their life.
Ser Tão Cinzento
Ele mesmo
Estafeta - Luiz Paulino dos Santos
Ele mesmo
Ikátena
Director
Insônia
Writer
A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.
Insônia
Director
A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.
Deadly Cruelty
Producer
Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.
Deadly Cruelty
Screenplay
Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.
Deadly Cruelty
Director
Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.
Lisetta - Conto de Antonio de Alcântara Machado
Director
Mar Corrente
Story
Mar Corrente
Screenplay
Mar Corrente
Director
Dios y el Diablo en la tierra del Sol
Producer
Dios y el diablo en la tierra del sol (Deus e o diabo na terra do Sol), el segundo largometraje de Rocha, pertenece a este movimiento renovador del cine brasilero que influirá por años en otros autores latinoamericanos. Inspirado en la "Estética de la violencia", apela al signo que, según Rocha, caracteriza a su pueblo, el hambre, que a la vez es su originalidad, pues el hambre convoca a una violencia transformadora que se convierte en acto revolucionario, donde el colonizador llega a tomar conciencia de la existencia del colonizado.
The Turning Wind
Screenplay
In Bahia, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression, with tragic outcome.
Mandacaru Vermelho
Despite being promised to another man, a young orphaned woman falls in love with man working at the farm she lives in , and together they escape. According tradition in Northeast Brazil, her aunt goes after them, in order to kill them for revenge.
A Day on the Ramp
Editor
Um Dia na Rampa (1960), by Luiz Paulino dos Santos, focuses on a geographic space in the city of Salvador and tries to explain it from the social relations existing in it.
A Day on the Ramp
Screenplay
Um Dia na Rampa (1960), by Luiz Paulino dos Santos, focuses on a geographic space in the city of Salvador and tries to explain it from the social relations existing in it.
A Day on the Ramp
Director
Um Dia na Rampa (1960), by Luiz Paulino dos Santos, focuses on a geographic space in the city of Salvador and tries to explain it from the social relations existing in it.
Pátio
Director of Photography
A man and a woman are laying on a chess-like patio. Both are trying to reach each other in the best way they can. However, for some odd reason they don't get on their feet, they don't talk to each other, and the only sounds heard are voices coming from a radio and strange sounds that seem to indicate something's about to happen.
Pátio
Producer
A man and a woman are laying on a chess-like patio. Both are trying to reach each other in the best way they can. However, for some odd reason they don't get on their feet, they don't talk to each other, and the only sounds heard are voices coming from a radio and strange sounds that seem to indicate something's about to happen.