Erling Thurmann-Andersen

Nacimiento : 1945-06-12, Oslo, Norway

Muerte : 2002-11-03

Películas

Prozac Nation
Director of Photography
Durante el primer curso en la prestigiosa universidad de Harward, una joven (Christina Ricci) tiene que enfrentarse a una profunda depresión.
Shut the Door
Cinematography
A young man lives in a flat with his mother. One day she falls ill suddenly only to pass away the following day. The young man is left alone in the flat. However a door that can't be shut properly means he must cope with unwanted intrusions.
Cellophane
Director of Photography
Marianne visits her dying father in the hospital who tells of a box of old letters that she must promise to destroy. Marianne chooses to do the opposite, and reads them instead. There she finds shocking accusations against her father, who allegedly murdered a young woman 25 years ago.
Insomnia
Director of Photography
Una joven aparece asesinada en un pueblo noruego, cerca del Círculo Polar Ártico. Un experimentado inspector sueco, Jonas Engström, se traslada a la zona para resolver el crimen, acompañado de su amable compañero Erik.
Bryllupsfotografen
Cinematography
Kalle and the Angels
Director of Photography
Kalle and his dad is having a long planned summer holiday at his grandparents in the countryside, where has made a hang-glider as planned. But when the father falls down with it, and dies, only an angel keeps Kalle on his feet.
La cabeza sobre el agua
Cinematography
Una joven pareja recién casada, disfruta de sus vacaciones en una isla de la costa noruega. Con elllos está un viejo amigo del marido, y un día en que ambos se van a pescar llega de repente el antiguo amante de la reciente esposa, la cual se ha quedado sola en casa... (FILMAFFINITY)
El terrorista democrático
Director of Photography
Un agente secreto sueco se infiltra en un grupo terrorista alemán.
Joker
Cinematography
Nicke loves practical jokes. When his best friend Pelle is getting married, Nicke is hosting the bachelor party. It will start with the kidnapping of Pelle. Everything goes wrong when Pelle is kidnapped for real by a terrorist group.
Náufragos
Director of Photography
Las aventuras de un chico que naufraga en los mares del sur del Pacífico y que llega a una isla desierta, donde deberá rescatar a sus compañeros de travesía y luchar contra unos piratas que están a la búsqueda de un tesoro.
Istanbul
Director of Photography
A New York Times correspondent based in Sweden travels to Istanbul with his daughter on a secret mission.
Pathfinder, el guía del desfiladero
Director of Photography
Basada en una leyenda lapona del siglo XII, narra la historia de un joven que lucha para tratar salvar a su gente de una tribu invasora. Obtuvo buenas críticas, además de ser una de las pocas películas noruegas de la década de los ochenta que tuvo éxito en el resto de Europa.
Wives - Ten Years After
Cinematography
Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.
Havlandet
Director of Photography
This is a tale that has an epic scope in scenery "the northern snow-covered lands of coastal Norway" and is dramatized by moments of tumultuous stormy weather. But the focus is on Heikki (Stein Bjorn) a young man who is inspired by the northern lights to take a horse-drawn sled and make his way to the sea, hoping to come back with abundant fish. He is overtaken by a snowstorm and is forced to find shelter in a small, isolated cabin that is home to a half-crazy widow, her baby, and a blind man. Driven to arson by her internal demons, the woman destroys the cabin. She and the blind man perish, but Heikki manages to save the baby. He is now faced with an even greater challenge as he holds the infant and looks in the direction of the coastline.
Way North, Five Norwegian Artists
Director of Photography
In this documentary, the author Roald Dahl presents the five monumental Norwegian artists Frans Widerberg, Arne Nordheim, Stein Mehren, Cecilie Løveid and Sverre Fehn.
Paper Bird
Director of Photography
The young Oslo lawyer Helen sees a man fall from a balcony, and realizes afterwards it's her father. Suicide or murder?
Svarta fåglar
Cinematography
A meeting between the Swedish/French Simone and the Norwegian Stein at a book convention in Frankfurt turns into something more. They keep contact by phone and cassettes, but it seems they don't dare to take the relationship any further.
The Witch Hunt
Director of Photography
Having gone through many personal struggles, Eli (Lil Terselius) returns to her native village and begins to work on the farm of Ingeborg Eriksdotter (Anita Bjork), eventually tending a plot that once belonged to her family. But Eli has been gone a long time, and the opaque villagers see her as an outsider—she is suspicious from the start. The year is 1625, and stories of witches conjuring up evil are a part of the daily culture. Eli unwittingly makes matters worse for herself when she is able to cure the sick with herbs, and when she begins an affair with Aslak (Bjoern Skagestad) a farmhand—clearly she must have cast a spell on him. This all adds up to a witch hunt with a ready-made "witch." Eli, in the end, is officially accused of witchcraft by a devious bailiff, while Ingeborg makes every attempt to save her, and Aslak himself does not survive the stress—hardly a good omen for the outcome of the trial.
Heritage
Director of Photography
Gathered at a funeral for a successful business man, the testament is to be read. They will all inherit, with a big IF; if the family company is to be joint run by all the heirs.
Games of Love and Loneliness
Cinematography
This co-production between Norway and Sweden is the first film that Anja Breien has made since Wives. She has adapted a novel by Hjalmar Soderberg. who also wrote 'Gertrud' from which Carl Dreyer's last film was made, and Doctor Glas' (made into a film by Mai Zetterhng) Games of Love and Loneliness, concerns the manners and mores of Scandinavian society between the years 1897 and 1912. A young journalist, Arvid, falls in love with a girl but won't commit himself to marrying her. She marries an older and richer man and he's pushed into marrying the girl he's been sleeping with. He meets his first love again, and she leaves her husband to have an affair with him, but he still cannot bring himself to leave his wife. Although Anja Breien has changed the character of the girl to make her less of a femme fatale and more of an emancipated woman, the film's central concern is the young man who cannot make up his mind what to do with his life.
Oss
Director of Photography
Faneflukt
Director of Photography
The young kitchen maid Liv and the German officer Franz meet in the military camp where Liv works. They develop a friendship and decides to flee to Sweden.
Mors Hus
Cinematography
Petter (Svein Sturla Hungnes) abandona sus estudios universitarios, rompe con su novia y regresa a casa de su madre (Bente Børsum) que vive sola. Siempre ha habido una buena relación entre Petter y su madre y, a ella, no le importa que regrese a casa, pero cuando Petter se presenta con una nueva chica su madre reacciona de manera negativa debido a los sentimientos que esta siente hacia su propio hijo.
Den siste Fleksnes
Director of Photography
Den siste Fleksnes (English: The last Fleksnes) is a 1974 Norwegian comedy film directed by Bo Hermansson, starring Rolv Wesenlund and Aud Schønemann. The film is based on the television sitcom Fleksnes Fataliteter.Marve Fleksnes (Wesenlund) lives a comfortable life with his mother (Schønemann), but misses a woman in his life. He is afraid he might become the last Fleksnes. His mother enrols him in a charm school, where he excels. At the same time, a young lady moves into the apartment across the hall.
Stadier
Cinematography
Stadier is about letting yourself go.
Filmavis
Cinematography
The reason for the film is the continuous stream of reminders that we get more and more often about cruelty practiced in all parts of the world. The film reveals a society completely confused in its deepest value choices.