Erling Thurmann-Andersen

엘리자베스 워첼(크리스티나 리치)은 글쓰기에 재능을 가진 소녀로 갓 고등학교를 졸업하고 언론 장학금을 받고 하버드에 입학을 한다. 엘리자베스는 하버드의 입학으로 자신에게 인생을 걸고 사는 거만하고 불쾌한 엄마와 부모의 이혼과 외로움으로 얼룩진 불행했던 어린 시절을 떨쳐버릴 수 있기를 바란다. 그러나 엘리자베스는 학기 시작부터 수업을 따라가지 못하고 친구와의 관계도 원만히 해나가지 못하면서 결국은 깊은 우울증에 빠지는데... 현실에서 벗어나기 위해 자살을 생각하던 엘리자베스는 결국 정신과 의사를 찾아 신경안정제의 일종인 프로잭을 처방받지만 그녀의 생활은 더욱더 혼돈으로 빠져든다.

A young man lives in a flat with his mother. One day she falls ill suddenly only to pass away the following day. The young man is left alone in the flat. However a door that can't be shut properly means he must cope with unwanted intrusions.

Marianne visits her dying father in the hospital who tells of a box of old letters that she must promise to destroy. Marianne chooses to do the opposite, and reads them instead. There she finds shocking accusations against her father, who allegedly murdered a young woman 25 years ago.

24시간 내내 낮이 지속되는 백야의 주기에 살인 사건의 해결을 위해 파견된 수사관은 아주 특이한 난관에 봉착한다. 엉뚱한 실수로 자신의 파트너를 죽이게 되고... 은폐하려 하면서...

Kalle and his dad is having a long planned summer holiday at his grandparents in the countryside, where has made a hang-glider as planned. But when the father falls down with it, and dies, only an angel keeps Kalle on his feet.

Einar and Bjørn leaves Lene on the island for a fishing trip. Then her former lover, Gaute, drops by unexpectedly. Drunk, he sleeps in the double bed. Lene sleeps on the couch and wakes up when the men come back. She tries to wake Gaute, but then discovers that he's dead.

The West German security police, Verfassungsschutz, need help to infiltrate a group connected to the Rote Arme Fraktion. The Swedish James Bond, Carl Hamilton, goes to Hamburg, pretending to be a Swedish officer, thrown out of the country after having been exposed as an East German spy. He gets in contact with the terrorists and joins them. Together they are planning to strike against the CIA headquarters in Stockholm.

Nicke loves practical jokes. When his best friend Pelle is getting married, Nicke is hosting the bachelor party. It will start with the kidnapping of Pelle. Everything goes wrong when Pelle is kidnapped for real by a terrorist group.

노르웨이의 어린 소년 하콘(스티안 스메스타드 분)은 선원이었던 아버지가 다리를 다쳐 돌아오면서 빚을 갚지 못해 농장을 뺏길 지경이 되자 선원이 되어 로라호에 승선한다. 하콘은 친절한 젠스(트론드 P. 스텀 조문츠 분)와 인자한 선장 등 여러 선원들의 도움으로 뱃사람의 생활에 익숙해진다. 배가 런던에 도착하자 이전에 숨겨놓은 보물을 찾기위해 해군 중위로 분장한 해적 매릭(가브리엘 바이린 분)과 그의 일당이 배에 승선한다. 하콘은 매릭이 실어놓은 무기를 발견하고 선장에게 이를 알리려 하지만, 말하기 전에 선장은 매릭 일당에 의해 살해되고 만다. 시드니에서의 정박은 취소되고 매릭이 가짜 해군인줄 아무도 모르는 가운데 매릭의 나머지 일당들도 배에 오른다. 또한 메리라는 소녀가 고아원에 가기 싫어 캘커타 삼촌을 만나려고 배에 몰래 타고 하콘은 그녀를 숨겨주고 돌봐준다. 그러나 매릭에게 이 사실을 들키고 마는데....

A New York Times correspondent based in Sweden travels to Istanbul with his daughter on a secret mission.

Around the year 1000 AD warlike people, the so-called "tjuder", roam in northern Scandinavia. As they brutally kill a family in a remote area, including the parents and their little daughter, the family's teenage son, Aigin, observes the slaughter. He manages to flee from these killers and reaches a camp with other Lapps whose inhabitants are worried if he has been able to hide his track. Afraid of the murderous people, they decide to flee to the coast. The boy stays alone to avenge his family's murder. Unfortunately, they get him before he can do anything and force him to lead them to the other Lapps. He guides them but has a plan to destroy the barbarous people before reaching the camp.

Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.

This is a tale that has an epic scope in scenery "the northern snow-covered lands of coastal Norway" and is dramatized by moments of tumultuous stormy weather. But the focus is on Heikki (Stein Bjorn) a young man who is inspired by the northern lights to take a horse-drawn sled and make his way to the sea, hoping to come back with abundant fish. He is overtaken by a snowstorm and is forced to find shelter in a small, isolated cabin that is home to a half-crazy widow, her baby, and a blind man. Driven to arson by her internal demons, the woman destroys the cabin. She and the blind man perish, but Heikki manages to save the baby. He is now faced with an even greater challenge as he holds the infant and looks in the direction of the coastline.

In this documentary, the author Roald Dahl presents the five monumental Norwegian artists Frans Widerberg, Arne Nordheim, Stein Mehren, Cecilie Løveid and Sverre Fehn.

The young Oslo lawyer Helen sees a man fall from a balcony, and realizes afterwards it's her father. Suicide or murder?

A meeting between the Swedish/French Simone and the Norwegian Stein at a book convention in Frankfurt turns into something more. They keep contact by phone and cassettes, but it seems they don't dare to take the relationship any further.

Having gone through many personal struggles, Eli (Lil Terselius) returns to her native village and begins to work on the farm of Ingeborg Eriksdotter (Anita Bjork), eventually tending a plot that once belonged to her family. But Eli has been gone a long time, and the opaque villagers see her as an outsider—she is suspicious from the start. The year is 1625, and stories of witches conjuring up evil are a part of the daily culture. Eli unwittingly makes matters worse for herself when she is able to cure the sick with herbs, and when she begins an affair with Aslak (Bjoern Skagestad) a farmhand—clearly she must have cast a spell on him. This all adds up to a witch hunt with a ready-made "witch." Eli, in the end, is officially accused of witchcraft by a devious bailiff, while Ingeborg makes every attempt to save her, and Aslak himself does not survive the stress—hardly a good omen for the outcome of the trial.

Gathered at a funeral for a successful business man, the testament is to be read. They will all inherit, with a big IF; if the family company is to be joint run by all the heirs.

This co-production between Norway and Sweden is the first film that Anja Breien has made since Wives. She has adapted a novel by Hjalmar Soderberg. who also wrote 'Gertrud' from which Carl Dreyer's last film was made, and Doctor Glas' (made into a film by Mai Zetterhng) Games of Love and Loneliness, concerns the manners and mores of Scandinavian society between the years 1897 and 1912. A young journalist, Arvid, falls in love with a girl but won't commit himself to marrying her. She marries an older and richer man and he's pushed into marrying the girl he's been sleeping with. He meets his first love again, and she leaves her husband to have an affair with him, but he still cannot bring himself to leave his wife. Although Anja Breien has changed the character of the girl to make her less of a femme fatale and more of an emancipated woman, the film's central concern is the young man who cannot make up his mind what to do with his life.

The young kitchen maid Liv and the German officer Franz meet in the military camp where Liv works. They develop a friendship and decides to flee to Sweden.

A young man returns home from college during a holiday break to visit his widowed mother. Along the way he meets an attractive woman and they hit it off so well during his return trip that she accepts an invitation from him to stay at his Mother's house during his stay. But his Mother is not pleased with this surprise as she has rather strong feelings for her own son and desires to keep him all for herself.

Den siste Fleksnes (English: The last Fleksnes) is a 1974 Norwegian comedy film directed by Bo Hermansson, starring Rolv Wesenlund and Aud Schønemann. The film is based on the television sitcom Fleksnes Fataliteter.Marve Fleksnes (Wesenlund) lives a comfortable life with his mother (Schønemann), but misses a woman in his life. He is afraid he might become the last Fleksnes. His mother enrols him in a charm school, where he excels. At the same time, a young lady moves into the apartment across the hall.

Stadier is about letting yourself go.

The reason for the film is the continuous stream of reminders that we get more and more often about cruelty practiced in all parts of the world. The film reveals a society completely confused in its deepest value choices.