Joachim Kemmer

Four aging animals, a dog, a cat, a donkey and a rooster escape from their former homes because they weren't as productive and useful for their owners as they used to be. To avoid death, they all move out on a musical journey to Bremen to find a better life.

Una montaña en el fin del mundo es el escenario de un pueblo cuyos habitantes siguen adorando los dioses de siglos atrás y viven de la cosecha. Durante la boda de Verona, una manada de lobos se introduce al pueblo y convierten la ceremonia en un baño de sangre. Verona es rescatada por Goran, un niño de diez años quien debe desposar a la hija de Verona cuando esta haya nacido, según los patrones de sus costumbres. Diez años más tarde, un circo ambulante llega al pueblo y con éste una renovación a la vida del lugar por parte de las mujeres circenses; no obstante, con este cambio también arriba la civilización y todos sus males.

Lawyer Fröhlich has specialised in divorce cases and has become a star in this field. Along the way, he also divorced his own marriage. But his daughter and former wife are an integral part of his life, as is his marriage-mad father.

An encounter with a blind man ends unexpectedly for Susan Howard. The supposedly helpless man stuns and kidnaps her. The case is handed over by the Home Secretary to Sir John, the head of Scotland Yard. He entrusts Chief Inspector Higgins and Superintendent Lane with the investigation. Their investigations quickly lead Higgins and Lane on the trail of murder, white slavery and blackmail.

Lady Osborne's gardener becomes the victim of a burglar when he catches him in the Lady's house. Soon more mysterious murders occur and Inspectors Higgins and Lane suspect a connection between the victims and the Lady's long-dead husband.

Whenever a criminal is killed in London, a black Jaguar is nearby, with a white cat always sitting in the passenger seat. Inspector Higgins and Inspector Lane find a joker card on all the victims. Their investigation leads them to a diamond smuggling ring.

Tres amigos cumplen el deseo del cuarto, agonizante, y le llevan a Heidelberg, donde se conocieron 45 años antes, con el fin de que vea a su antigua novia por última vez. Sin embargo, los habitantes de la ciudad no hablan de ella, debido a un secreto que se remonta a la Segunda Guerra Mundial.

Jojo was counting on his inheritance from a rich uncle to pay off his gambling debts, but the old man played a dirty trick on him, giving him custody of an oversized dog, and leaving the real cash in the hands of one of his neices. His comfortable fantasy of future solvency has been sorely tried; to restore it, he begins to try wooing his cousin Kathrin (the woman with the loot). However, as things progress, he finds himself actually falling for her, which is perhaps the only really decent thing that he's done in his adult life. When he and a gambling buddy take Kathrin on a jaunt to the south of France, things get pretty dicey when a corrupt cop comes onto the scene. In this romantic thriller, only one will survive.

A comedy directed by Franz Josef Gottlieb.

Dos ladrones mantienen como rehén a los empleados de un banco y demandan 3 millones de marcos alemanes como rescate. Lo que la policía no se dan cuenta es que una mente maestra criminal observa desde fuera del banco, anticipando cada movimiento.

Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"

Meier, a paperhanger in East Berlin, inherits from his father in West Berlin. With this money he wants to fulfil himself the dream of his life: a journey around the world. He buys a forged West German passport and pretends to go on a trip to Bulgaria while he really is off to see the free world. When he wants to return to East Berlin he finds himself in an unbelievable predicament and his double life begins. He can't keep away from his East German friends. As with all the best comedies, the action builds up to an eventual crisis. It's a light comedy, which won several national Film Academy Awards. The film is very political, with lots of political jokes/innuendos which only Germans will understand. One is left feeling what a total obscenity that stupid Wall was, dividing one people for 30 years (1-2 Generations) simply by the coincidence on where you just happen to be in the early morning on the 13th August 1961.

In the conclusion of Axel Corti's trilogy (following God Does Not Believe In Us Anymore and Santa Fe) Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception. This acclaimed, brilliant work is one of the great films of all time.

Tommi Fischer, a newly divorced copywriter is looking for a replacement mother for his son. When he falls for the emancipated costume designer Evelyn he soon finds himself in the undesired role of a stay-at-home dad.

A brothel owner is questioned in the disappearance of the daughter of a wealthy man after she is still not returned, or told of her possible whereabouts, after the $5,000,000 ransom was paid.

Massage parlors are spread all over the world. Masseuses advertise even in "serious" newspapers in order to loose up every muscle. This movie reports about the experiences in the massage parlours of Rome, Bangkok, Paris, Copenhagen, Vienna, Zurich, Stockholm, Berlin, Nice and Munich. There is more truth in it than you would believe.

An American actress inherits a castle in Transylvania. What she doesn't know is that her ancestor, the Baroness Catali, was in actuality a vampire countess, and emerges from her tomb to ravage the nearby village and Catholic seminary.

Kurt Hoffmann's remake of his own 1953 movie based on the play by Curt Goetz.