Sister Dan
From the director of Back to 1942, Feng Xiaogang, comes PERSONAL TAILOR, one of the most unique films you'll see in this upcoming holiday season. Imagine a team that will sacrifice themselves for your dream at any cost -- but only if that dream makes you a better person. And only if that dream lasts a single day... What would your dream be? Where would you go? What would you do? And after that single day, what would happen to you?
The Woman
Zhao es un humilde trabajador que emprende un viaje a través de China para devolver el cadáver de un amigo a su familia, y así cumplir una promesa que le había hecho.
Yee
Corre el año 859 a.C. y la dinastía Tang, una vez floreciente, ha entrado en decadencia. El malestar se extiende por todo el país, y el corrupto gobierno tiene que enfrentarse en todas partes con ejércitos rebeldes. El más poderoso es el de la "Casa de las Dagas Voladoras", que se está haciendo cada vez más fuerte gracias a un nuevo y misterioso líder. Dos capitanes, Leo y Jin, reciben la orden de capturarlo y para ello elaboran un minucioso plan. El capitán Jin finge ser un guerrero solitario llamado Viento y saca de prisión a la revolucionaria ciega Mei, que lo llevará hasta el cuartel general de la Casa de las Dagas Voladoras, pero durante el viaje, Jin y Mei se enamoran profundamente.
宋美美
凤莲
Modern-day urban problems like unemployment and teenage depression come under the microscope. Husband and wife lose their jobs, and their daughter is under considerable stress studying for her college exams. Meanwhile, grandmother is having an unexpected romantic liaison. Will the family be able to pull together to solve their problems?
After laying bare backward village mentalities in Bloody Morning, Li Shaohong turns her attention to China’s urban middle class. Cao is a photographer, married to an opera singer and with an infant son, caught in the usual professional morass of political compromise. His life starts to fall apart when he learns that his ex-wife also bore him a son some months after their divorce – and when the boy turns up looking for his father. Nothing wildly dramatic, just believable people in believable situations. If the ending seems a touch forced, this is nevertheless a sign that ‘Fifth Generation’ cinema is changing and coming to terms with up-to-date realities.
Yingzhi
Erzhi has problems managing the Bijimei Hotel.
韩月容
A young woman in the 1920s has a hard life and learns sympathy for her own mother's situation.
