Teresa Villaverde

In Rio de Janeiro, people from the Mangueira neighbourhood follow the television broadcast on a big screen as the juries vote on each samba school. In 2019, Mangueira took to the Sambadrome a strong, bold samba of resistance to what’s taking place in Brazil right now. The film witnesses the tension while waiting for the final score, and the great joy of people from every generation when Mangueira wins and becomes champion of the 2019 Carnival.

In Rio de Janeiro, people from the Mangueira neighbourhood follow the television broadcast on a big screen as the juries vote on each samba school. In 2019, Mangueira took to the Sambadrome a strong, bold samba of resistance to what’s taking place in Brazil right now. The film witnesses the tension while waiting for the final score, and the great joy of people from every generation when Mangueira wins and becomes champion of the 2019 Carnival.

In Rio de Janeiro, people from the Mangueira neighbourhood follow the television broadcast on a big screen as the juries vote on each samba school. In 2019, Mangueira took to the Sambadrome a strong, bold samba of resistance to what’s taking place in Brazil right now. The film witnesses the tension while waiting for the final score, and the great joy of people from every generation when Mangueira wins and becomes champion of the 2019 Carnival.

Several images follow one another to the work of António Pinho Vargas, Six Portraits of Pain, played in full.

Several images follow one another to the work of António Pinho Vargas, Six Portraits of Pain, played in full.

Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.

A whole summer long, Portuguese filmmaker Teresa Villaverde stayed with Italian cult director Tonino De Bernardi, who was working on projects including a film version of Sophocles’ Electra starring only local villagers. She sits at the table with the family in their garden, on the back seat of the car on the way home in the evening or listens to the stories told by the woman De Bernardi buys cheese and eggs from.

A whole summer long, Portuguese filmmaker Teresa Villaverde stayed with Italian cult director Tonino De Bernardi, who was working on projects including a film version of Sophocles’ Electra starring only local villagers. She sits at the table with the family in their garden, on the back seat of the car on the way home in the evening or listens to the stories told by the woman De Bernardi buys cheese and eggs from.

A whole summer long, Portuguese filmmaker Teresa Villaverde stayed with Italian cult director Tonino De Bernardi, who was working on projects including a film version of Sophocles’ Electra starring only local villagers. She sits at the table with the family in their garden, on the back seat of the car on the way home in the evening or listens to the stories told by the woman De Bernardi buys cheese and eggs from.

A whole summer long, Portuguese filmmaker Teresa Villaverde stayed with Italian cult director Tonino De Bernardi, who was working on projects including a film version of Sophocles’ Electra starring only local villagers. She sits at the table with the family in their garden, on the back seat of the car on the way home in the evening or listens to the stories told by the woman De Bernardi buys cheese and eggs from.

A whole summer long, Portuguese filmmaker Teresa Villaverde stayed with Italian cult director Tonino De Bernardi, who was working on projects including a film version of Sophocles’ Electra starring only local villagers. She sits at the table with the family in their garden, on the back seat of the car on the way home in the evening or listens to the stories told by the woman De Bernardi buys cheese and eggs from.

A whole summer long, Portuguese filmmaker Teresa Villaverde stayed with Italian cult director Tonino De Bernardi, who was working on projects including a film version of Sophocles’ Electra starring only local villagers. She sits at the table with the family in their garden, on the back seat of the car on the way home in the evening or listens to the stories told by the woman De Bernardi buys cheese and eggs from.

Struggling against the crisis in Portugal, a mother doubles up jobs to pay the bills since her husband is unemployed. Their teenage daughter tries to keep living everyday life even if the money is running short, which makes everything uneasy. Escaping from their common reality, they slowly become strangers to one another, as the tension grows in silence and in guilt.

Struggling against the crisis in Portugal, a mother doubles up jobs to pay the bills since her husband is unemployed. Their teenage daughter tries to keep living everyday life even if the money is running short, which makes everything uneasy. Escaping from their common reality, they slowly become strangers to one another, as the tension grows in silence and in guilt.

Struggling against the crisis in Portugal, a mother doubles up jobs to pay the bills since her husband is unemployed. Their teenage daughter tries to keep living everyday life even if the money is running short, which makes everything uneasy. Escaping from their common reality, they slowly become strangers to one another, as the tension grows in silence and in guilt.

On December 1, 2015, in front of the restaurant Le Petit Cambodje, officials from the Paris City Council collect the flowers paying tribute to the victims of the November 13 attack.

Lo curioso de esta película es el hecho de que hasta trece cineastas van a aportar su pequeño granito de arena con la intención de mostrar varias perspectivas acerca de Sarajevo, exhibiendo con ello una serie de lecciones sobre los aspectos más ilusionantes pero también más crueles de dicho territorio en el viejo continente. La trama arranca en el desarrollo de la Primera Guerra Mundial, siguiendo a continuación con muchos de los sucesos ocurridos en uno de los puntos más destacados en lo que se refiere a la evolución histórica de Europa en el siglo XX.

Lo curioso de esta película es el hecho de que hasta trece cineastas van a aportar su pequeño granito de arena con la intención de mostrar varias perspectivas acerca de Sarajevo, exhibiendo con ello una serie de lecciones sobre los aspectos más ilusionantes pero también más crueles de dicho territorio en el viejo continente. La trama arranca en el desarrollo de la Primera Guerra Mundial, siguiendo a continuación con muchos de los sucesos ocurridos en uno de los puntos más destacados en lo que se refiere a la evolución histórica de Europa en el siglo XX.

Villaverde’s answer to the “Venice 70: Future Reloaded” challenge.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Vera is a singer in her thirties; she is back in Lisbon for the final performance of her concert tour. The heat and beauty of Lisbon makes one want to be happy. Pablo, the companion she selected from among the many who answered her questionnaire, helps her through the sleepless nights. He has no family, but wishes he had. Vera concerns herself with the mysteries surrounding Pablo's life. Vera is not afraid of the night; she is not afraid of anything.

Vera is a singer in her thirties; she is back in Lisbon for the final performance of her concert tour. The heat and beauty of Lisbon makes one want to be happy. Pablo, the companion she selected from among the many who answered her questionnaire, helps her through the sleepless nights. He has no family, but wishes he had. Vera concerns herself with the mysteries surrounding Pablo's life. Vera is not afraid of the night; she is not afraid of anything.

Vera is a singer in her thirties; she is back in Lisbon for the final performance of her concert tour. The heat and beauty of Lisbon makes one want to be happy. Pablo, the companion she selected from among the many who answered her questionnaire, helps her through the sleepless nights. He has no family, but wishes he had. Vera concerns herself with the mysteries surrounding Pablo's life. Vera is not afraid of the night; she is not afraid of anything.

The darkness of night, a barely lit place, motorbikes flirting with danger: a group of teenagers at a crossroads playing chicken with unaware passing cars. Jota (Eduardo Frazão) stands out from this group, unclassifiable; his destiny has no straight lines save those on the asphalt. Jota lives in permanent conflict with everything and everybody in his small town. No room for stillness. And then comes Margarida (Ana Moreira). Jota has no inside, Margarida has no outside. In spite of, or because of, that, they meet. What can they do? They can just ride, they can get away with it even if its all messed up. Love is to be lived.

Sonia, a girl from St Petersburg, decides to seek a better life in western Europe. She first gets a job at a car dealer in Germany. But she is suddenly kidnapped and sold into sexual slavery. She will be dragged from country to country and resistance will only bring her misery and humiliation.

Sonia, a girl from St Petersburg, decides to seek a better life in western Europe. She first gets a job at a car dealer in Germany. But she is suddenly kidnapped and sold into sexual slavery. She will be dragged from country to country and resistance will only bring her misery and humiliation.

Veinticinco cineastas, uno por cada estado de la Unión Europea, realizaron una película sobre sus respectivos países. Todas tenían el mismo presupuesto, debían estar ambientadas en el presente o en un futuro inmediato y durar cinco minutos. No había otras limitaciones, de modo que los autores tenían plena libertad para expresarse. Entre los directores figuran tanto nombres consagrados como voces nuevas dentro del panorama cinematográfico. Cada corto tiene su propia identidad, por lo que es posible establecer comparaciones fascinantes; pero, además, juntos ofrecen una imagen global de la Comunidad Europea a través de la fusión de esas distintas visiones conceptuales y creativas.

Portrait of Pedro Cabrita Reis, one of the most important artists of the young generation in Portugal as seen by one of the most famous woman director of her generation! Pedro Cabrita Reis has an important body that fills the screen with power. He creates spaces of huge dimensions where poetry rises. The documentary culminates with his participation in the last Venice Bienal with two gigantic light structures.

Ana lives in a little village by the sea, with her husband and daughter. He decides to leave for a few days. That seems to be the ideal solution, because Ana needs to finish a work she has been doing for a long time. But her concentration seems threatened when she starts doing her daily walks by the village and the beach: she saves a stranger from death in the sea, meets young Alexandre and Emilia, and her friend Vera turns up in her house. And then, everything changes…

Ana lives in a little village by the sea, with her husband and daughter. He decides to leave for a few days. That seems to be the ideal solution, because Ana needs to finish a work she has been doing for a long time. But her concentration seems threatened when she starts doing her daily walks by the village and the beach: she saves a stranger from death in the sea, meets young Alexandre and Emilia, and her friend Vera turns up in her house. And then, everything changes…

Three homeless teenage rejects struggle to survive together. Of them, Andreia is pregnant, while Pedro and Ricardo hustle, steal and are exploited by a pornographer.

Three homeless teenage rejects struggle to survive together. Of them, Andreia is pregnant, while Pedro and Ricardo hustle, steal and are exploited by a pornographer.

The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.

This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.

This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.

This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.

This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.

The story of a child who faces the emptiness that surrounds the figure of his parents, disappeared in Africa.

The story of a child who faces the emptiness that surrounds the figure of his parents, disappeared in Africa.

Maria is a sweet child. She hasn’t father and doesn’t like her mother. She has a boyfriend, A bandit who would like to change his class.

Laura Rossellini, a widow from Rome, vacations on the Algarve coast one hot summer. One day while sunbathing, she finds a wounded man named Robert drifting in the surf on a rubber raft. She takes him home, and, after he is revived, learns his story. As they talk, their mutual attraction grows, until a group of armed men suddenly arrive looking for Robert.