Producer
The Show Must Go On, a new documentary about efforts to bring the world tour of The Phantom of the Opera and the South Korean tour of Cats to their respective opening nights in the wake of COVID-19, is now in post-production. Shot in South Korea, the United States and the United Kingdom, the film features Andrew Lloyd Webber as well as the touring companies. The doc is directed by Emmy winner and Broadway producer Dori Berinstein and her daughter Sammi Cannold, who helmed Lloyd Webber's Evita at City Center in 2019.
Director
The Show Must Go On, a new documentary about efforts to bring the world tour of The Phantom of the Opera and the South Korean tour of Cats to their respective opening nights in the wake of COVID-19, is now in post-production. Shot in South Korea, the United States and the United Kingdom, the film features Andrew Lloyd Webber as well as the touring companies. The doc is directed by Emmy winner and Broadway producer Dori Berinstein and her daughter Sammi Cannold, who helmed Lloyd Webber's Evita at City Center in 2019.
Producer
Un grupo de estrellas de teatro hilarantemente obsesionadas con sí mismas se adentra en un pequeño pueblo conservador de Indiana en apoyo de una chica de secundaria que quiere llevar a su novia al baile de graduación.
Writer
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Director
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Writer
If Carol Channing didn't exist, no one could have made her up. One in a billion, Carol , at 89, remains an unstoppable, megawatt dynamo. Broadway diva extraordinaire is just the icing. Carol Channing hovered at the pinnacle of the entertainment world from the late-1950's through the 1960's and beyond, living life sensationally large. As Carol has observed, '...if you're lucky enough to have two hit shows, the world passes through your dressing room'. At 89, she remains irrepressible.
Director
If Carol Channing didn't exist, no one could have made her up. One in a billion, Carol , at 89, remains an unstoppable, megawatt dynamo. Broadway diva extraordinaire is just the icing. Carol Channing hovered at the pinnacle of the entertainment world from the late-1950's through the 1960's and beyond, living life sensationally large. As Carol has observed, '...if you're lucky enough to have two hit shows, the world passes through your dressing room'. At 89, she remains irrepressible.
Director
Chronicles the first-ever, senior citizen hip-hop dance team for the New Jersey Nets Basketball team, 12 women and man - all dance team newbies, from auditions through to center court stardom.
Writer
ShowBusiness: The Road to Broadway is an American documentary film, directed by Dori Berinstein, a Broadway Producer, Writer and Filmmaker. Berinstein filmed each principal musical on Broadway for her project during the 2003-2004 season, for about 600 hours of initial film footage. She focused the film on four musicals, through the difficulties of pre-production, their openings, attendant publicity around the shows, and their reviews, through the 2004 Tony Award competition. The four musicals documented for the film were: Wicked, Taboo, Caroline or Change, Avenue Q.
Director
ShowBusiness: The Road to Broadway is an American documentary film, directed by Dori Berinstein, a Broadway Producer, Writer and Filmmaker. Berinstein filmed each principal musical on Broadway for her project during the 2003-2004 season, for about 600 hours of initial film footage. She focused the film on four musicals, through the difficulties of pre-production, their openings, attendant publicity around the shows, and their reviews, through the 2004 Tony Award competition. The four musicals documented for the film were: Wicked, Taboo, Caroline or Change, Avenue Q.
Executive Producer
Enid, la indomable esposa del jefe de la policía local, tras encontrar en la cama a su marido con su hermana, es accidentalmente asesinada por ellos. Mientras Harry entretiene a sus compañeros, June intenta esconder el cadáver. Pero los problemas no tardan en aparecer: una banda de atracadores, una policía cotilla y un borracho hacen que el delito sea muy difícil de ocultar.
Executive Producer
Brian se ve transportado a un extraño mundo, situado debajo de su cama, en el que vive increíbles aventuras de la mano de un monstruo llamado Maurice.
Executive In Charge Of Production
Tras sufrir abusos físicos y psíquicos en su niñez y haber quemado vivo a sus padres, Tom Sykes es internado en un centro psiquiátrico durante 18 años. Los psiquiatras deciden darle el alta al ver que está (teóricamente) rehabilitado, y Tom encuentra un escondite en una enorme casa recién construída. Es entonces cuando Julie, su marido y sus dos hijos compran la casa y se van a vivir a ella. Pronto empiezan los problemas...
Production Executive
Nick y Lilly, alegres padres de Michael, mantienen las apariencias tratando de subir un peldaño en la escala social. Son, o parecen, la típica familia americana de clase media. Pero muy pronto el pequeño Michael empieza a advertir que la familia patina sobre una quebradiza superficie de la realidad. Sus padres le mienten, ocultando un oscuro y sucio secreto relacionado con sospechosos manjares que papá trae a casa y mamá guarda en el frigorífico.
