Producer
The Show Must Go On, a new documentary about efforts to bring the world tour of The Phantom of the Opera and the South Korean tour of Cats to their respective opening nights in the wake of COVID-19, is now in post-production. Shot in South Korea, the United States and the United Kingdom, the film features Andrew Lloyd Webber as well as the touring companies. The doc is directed by Emmy winner and Broadway producer Dori Berinstein and her daughter Sammi Cannold, who helmed Lloyd Webber's Evita at City Center in 2019.
Director
The Show Must Go On, a new documentary about efforts to bring the world tour of The Phantom of the Opera and the South Korean tour of Cats to their respective opening nights in the wake of COVID-19, is now in post-production. Shot in South Korea, the United States and the United Kingdom, the film features Andrew Lloyd Webber as well as the touring companies. The doc is directed by Emmy winner and Broadway producer Dori Berinstein and her daughter Sammi Cannold, who helmed Lloyd Webber's Evita at City Center in 2019.
Producer
В консервативном городке Эджуотер штата Индиана местной школьнице-лесбиянке не позволяют привести свою девушку на выпускной. Тем временем вышедшие в тираж звёзды Бродвея хотят помочь ей, но в первую очередь рассчитывают привлечь к себе внимание прессы.
Writer
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Director
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Writer
If Carol Channing didn't exist, no one could have made her up. One in a billion, Carol , at 89, remains an unstoppable, megawatt dynamo. Broadway diva extraordinaire is just the icing. Carol Channing hovered at the pinnacle of the entertainment world from the late-1950's through the 1960's and beyond, living life sensationally large. As Carol has observed, '...if you're lucky enough to have two hit shows, the world passes through your dressing room'. At 89, she remains irrepressible.
Director
If Carol Channing didn't exist, no one could have made her up. One in a billion, Carol , at 89, remains an unstoppable, megawatt dynamo. Broadway diva extraordinaire is just the icing. Carol Channing hovered at the pinnacle of the entertainment world from the late-1950's through the 1960's and beyond, living life sensationally large. As Carol has observed, '...if you're lucky enough to have two hit shows, the world passes through your dressing room'. At 89, she remains irrepressible.
Director
Chronicles the first-ever, senior citizen hip-hop dance team for the New Jersey Nets Basketball team, 12 women and man - all dance team newbies, from auditions through to center court stardom.
Writer
ShowBusiness: The Road to Broadway is an American documentary film, directed by Dori Berinstein, a Broadway Producer, Writer and Filmmaker. Berinstein filmed each principal musical on Broadway for her project during the 2003-2004 season, for about 600 hours of initial film footage. She focused the film on four musicals, through the difficulties of pre-production, their openings, attendant publicity around the shows, and their reviews, through the 2004 Tony Award competition. The four musicals documented for the film were: Wicked, Taboo, Caroline or Change, Avenue Q.
Director
ShowBusiness: The Road to Broadway is an American documentary film, directed by Dori Berinstein, a Broadway Producer, Writer and Filmmaker. Berinstein filmed each principal musical on Broadway for her project during the 2003-2004 season, for about 600 hours of initial film footage. She focused the film on four musicals, through the difficulties of pre-production, their openings, attendant publicity around the shows, and their reviews, through the 2004 Tony Award competition. The four musicals documented for the film were: Wicked, Taboo, Caroline or Change, Avenue Q.
Executive Producer
Она не видит, не слышит, не отвечает, она мертва… Но вытворяет такое, что никогда не смогла бы, будь жива! Однажды Энид приехала домой и застала свою сестру Джейн в постели со своим благоверным, который служит офицером полиции.
Так как по характеру Энид просто стерва, она, разбушевавшись, затеяла потасовку, схватила пистолет мужа и… получила от Джейн вазой по голове. От удара Энид упала замертво. Любовники оказались перед выбором: идти в полицию и признаваться в содеянном или же избавиться от трупа. Гарри и Джейн избрали второй вариант.
Executive Producer
Брайен, которого папа и мама все время винят во всех домашних неприятностях, в конце концов обнаруживает источник своих проблем, скрывающийся под его кроватью — это совершенно хипповый и крайне хвастливый монстр Морис.
Он вводит Брайена в подпольный мир хитрющих монстров, наводящих беспорядок у спящих, ничего не подозревающих детей.
Executive In Charge Of Production
Когда-то маленький Том стал виновником смерти матери и избивавшего их обоих садиста-отца и попал в психиатрическую лечебницу. Мальчик вырос, и врачи решили его освободить от наблюдения в клинике. Правда, у Тома ещё встречаются вспышки агрессии и безумия. Но это от недостатка доброй семейной атмосферы, тепла домашнего очага. А тем временем Джули вместе с мужем и двумя детьми переезжает в новый дом, о котором давно мечтала. Возможно, новый дом и имеет некоторые недостатки, у него есть своя доля скрипов и ночных шорохов, но нужно просто привыкнуть к нему. Однако, скоро мечта превращается в кошмар... кто-то скрывается в доме.
Production Executive
Michael is a young boy living in a typical 1950s suburbanite home... except for his bizarre and horrific nightmares, and continued unease around his parents. Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or the school's social worker.
