Miles Dougal

A campy pulp-noir following two estranged twin brothers, a cosplaying femme fatale, and a sexually-charged phone caller linked to a mischievous set of pookas.

Against the backdrop of an alt-rock music festival, dozens of struggling thirty-somethings deal with a wide variety of social and philosophical issues in their respective lives.

El investigador privado Abel Walker (Ackerman) junto con su camarógrafo, Jim (Foy), están a la caza de una mujer desaparecida. A medida que desentrañan el misterio de su desaparición, quedan atrapados en un juego enfermo y violento que terminará en asesinato.

Es la noche de Halloween, y dos "bad apples" deciden jugar algunos trucos malvados en una casa en un callejón suburbano que no celebra Halloween. Aterrorizan a una joven pareja en su casa y estos trucos se vuelven cada vez más siniestros a medida que avanza la noche, y finalmente terminan en un Halloween que el vecindario entero nunca olvidará.

Retrospective documentary on the making of the low-budget horror slasher film Psycho Cop Returns (1993).

While the rest of America slept, DIY filmmaker/musician Giuseppe Andrews has made over 30 experimental features. Set in some demented alternate universe (i.e. Ventura, California), they are populated by real-life alcoholics and drug addicts, trash-talking senior citizens and trailer park residents dressed in cow outfits and costume-shop wigs. Director Adam Rifkin creates a wildly surreal, outrageously funny and strangely touching portrait of a truly Outsider Artist inhabiting a world few of us even know exists.

Mona Screamalot, along with her crazy family, prepares you for six short horror films from deep within her trashy treasure chest. This anthology features party killers, giant killer babies, an angry murderous child, a bacterial infection like no other, a murderous cross dresser,a killer in the woods, and Satan. Oh yeah, don't forget the buckets of blood.

Película de terror y comedia que cuenta con cuatro historias que suceden al atardecer. Cada segmento es un homenaje a un género y un estilo diferente: - 'Wadzilla': Parodia de las películas de monstruos de 1950. - 'I Was a Teenage Werebear': Musical y a su vez parodia de 'Rebel Without a Cause', 'Grease' y 'Crepúsculo'. - 'The Diary of Anne Frankenstein': Rodada en blanco y negro se centra nada menos que en Hitler y cómo trata de crear una máquina asesina perfecta para ganar la guerra. - 'Zom B Movie': La última historia es una parodia de las películas de zombies de los años 70 y 80.

Después de que el Sheriff decidiese no cubrir más a los maniacos de sus terribles crímenes, los fuerza a ponerse en carretera en lo que llama 'Pleasant Valley Traveling Road Show,' donde éstos podrán atrevesar todo el país en busca de nuevas víctimas.

The country is at war over a natural resource. The strange cosmic force known as "Schoof" is slowly making the human race insane. The news has ceased to make sense. "Schoof" has affected each member of Tracy's family, leaving her unaffected. That's what she thinks as a scientist, a test subject and a group choral will be the galaxy's only hope.

The country is at war over a natural resource. The strange cosmic force known as "Schoof" is slowly making the human race insane. The news has ceased to make sense. "Schoof" has affected each member of Tracy's family, leaving her unaffected. That's what she thinks as a scientist, a test subject and a group choral will be the galaxy's only hope.

For film historian Greg Connor, things haven’t been going well. He’s had mental problems ever since the day he ruined his chance at being a DVD commentator. During the featurette for a favorite noir classic, he committed an unspeakable, unnatural act. Now his shrink is suggesting he take a small vacation to get away from it all. Running out of gas, Connor comes across a fallen crossing guard, a psychotic with a pick axe, a young lady named Distosia, who is studying to be part of a cult, one of his favorite soap stars, and a young man he once photographed in the nude. All of this leads to a kind of psychotic breakdown where Connor’s sexual dysfunction manifests itself in more and more bizarre ways. Eventually, there’s nothing left to do but dance and sing. Besides, life’s not too bad when you think about it.

When a lucky cow wins an all expense paid weekend at a local hotel, it can’t believe its good fortune. It gets to relax, unwind, and avoid a trip to the slaughterhouse - at least for a few days. Of course, it couldn’t imagine the menagerie of madmen it would run into. Down the hall is a pair of drug addled dimwits who are desperate for something to eat. The cow becomes their main focus. Meanwhile, two different spree killers are wrecking havoc. One murders at the command of some erroneous bath linen. The other listens to a voice inside his shoe, the instructions resulting in even more dead bodies. All the while, our contented animal tries to accommodate everyone’s needs, which typically revolve around a room service meal of meat and potatoes.

When we first meet the characters from Golden Embers, they are people in transition. One is a bride to be, hoping her ex-addict brother can stay sober long enough to walk her down the aisle. The sibling is a sexually obsessed dope fiend, desperate for any kind of psychosexual release - and lots of wacky white powder. Locked up in a hotel room, freebasing his sordid memories and many erotic needs, he slowly comes unglued. Soon, we are witnessing rampant mood swings, murderous hallucinations, and the world's most misguided nuptials, complete with dancing.

The narrative driving Holiday Weekend is centered on people and how they relate to each other. A young couple quibbles over an impulsive decision to steal a coffee machine, while the victimized pair sans Sanka plays an unusual game of affection and abuse. A young man with werewolf-ism moves in with a fledgling songwriter, while elsewhere, an injured individual with Tourettes seeks council from a high priced lawyer. All the while, some elderly homosexual lovers reunite, dancing to celebrate the rekindling of their long dormant love. Giving us his spin on spirituality and the afterlife, Holiday Weekend is like several small sketches that add up to one incredible portrait.

From Critically-Acclaimed Underground Filmmaker Giuseppe Andrews (Trailer Town, Touch Me in the Morning) comes Period Piece, his most ambitious film experiment yet! Featuring talking tater tots, fornicating teddy bears, a smoking dead pig and the most disturbing visage of God ever put on screen, Period Piece threads together multiple plotlines following a unique assortment of tragicomic characters living along the Ventura Highway. There’s the retired police officer (Walt Dongo), broken and homeless after the untimely death of his son during a birthday camping trip. The elderly homebound father (Tyree), hopelessly doomed to pantomime the sexual conquests of his glory days with an imaginary prostitute named Serenity. The French Midget writing his epic screenplay about a half-man/half-stuffed animal chauffeur. This truly independent masterpiece takes Andrews one-of-a-kind aesthetic to a new level of surreal hilarity, creating a portrait of love and death you’ll never forget.

“After a fall at a local bar, an elderly alcoholic asks his adult grandsons for one last favor. Seems several years ago he took five hookers to a remote hotel suite known as the Pony Room and spent the entire evening satisfying their every need. Now, nearing death and continuously soused to the gills, he wants Ed and Burt to take him back there for a weekend of reminiscing. The road trip will be difficult, especially with Grandpa’s lack of control (bowel or otherwise), but what waits there is even more disconcerting – a cursed can of chicken noodle soup.” (review excerpt by Bill Gibron)

“After a fall at a local bar, an elderly alcoholic asks his adult grandsons for one last favor. Seems several years ago he took five hookers to a remote hotel suite known as the Pony Room and spent the entire evening satisfying their every need. Now, nearing death and continuously soused to the gills, he wants Ed and Burt to take him back there for a weekend of reminiscing. The road trip will be difficult, especially with Grandpa’s lack of control (bowel or otherwise), but what waits there is even more disconcerting – a cursed can of chicken noodle soup.” (review excerpt by Bill Gibron)

Latuga is a desperate woman living a desperate life. Divorced from fancy suit store owner Classe, she is forced to live in a small studio apartment and care for the couple’s ex-heroin addict son Puzo. The boy, obsessed with a toy barbeque pit, is always on the verge of some horrific act.

On his 62nd birthday, confirmed lazybones Herbopolus grabs his nest egg and buys himself a new trailer, a fine 5th Wheel. Now all he has to do is sit back and wait for the Social Security checks to start rolling in. In the meantime, his insane brother Bananas Foster escapes from the Catalina Mental Institution and, looking for a place to hole up, gets Herbopolus to let him stay in his swanky new digs. So does their dad, a sex change octogenarian who's lesbian lover has kicked him out of the house. When the government fails to come through, they resort to collecting and recycling aluminum cans to make ends meet.

Plop - named after the sound he made upon his birth - is a notorious infant caregiver wanted by the police. Apparently, unwitting parents (including a particularly proud gay couple) have hired the semi-retarded redneck nanny under the pretense that he takes good care of his toddler charges. Instead, Plop beats and humiliates the children, taking out his own sad mental issues out on them. Thanks to an ex-girlfriend. However, the cops are hot on his trail. It won’t be long before the long arm of the law, or a mangled baby with a can of soup, ends Plop’s cruel crime spree once and for all.

Plop - named after the sound he made upon his birth - is a notorious infant caregiver wanted by the police. Apparently, unwitting parents (including a particularly proud gay couple) have hired the semi-retarded redneck nanny under the pretense that he takes good care of his toddler charges. Instead, Plop beats and humiliates the children, taking out his own sad mental issues out on them. Thanks to an ex-girlfriend. However, the cops are hot on his trail. It won’t be long before the long arm of the law, or a mangled baby with a can of soup, ends Plop’s cruel crime spree once and for all.

Two elderly criminals spend their final night in Los Angeles, California at the Golden Eagle Hotel prior to their departure to Las Vegas, Nevada, to lead a life without crime. Unfortunately, on the hottest night of the summer, these two ex-criminals seemingly get caught in the malice of prostitutes, pimps, drunken bums, fighting monkeys, and young runaways.

Cuando estás en el instituto nada puede fastidiar tus planes, especialmente si se trata del concierto de Kiss. Pero para llevar a cabo su sueño, Lex, Trip, Hawk y Jan tendrán que hacer de todo: robar un coche, huir del colegio, rescatar a uno de ellos del internado y enfrentarse a madres histéricas y paranoicas.

Jack Hammond (Charlie Sheen), convicto del robo a un banco que no había cometido, logra escapar. Sin embargo, cuando hace una parada en una tienda, Jack es sorprendido por dos policías. Sin ningún otro recurso, el desventurado fugitivo toma como rehén a Natalie Voss (Kristy Swanson) amenazándola con la única arma que tiene a mano: una barrita de dulce Butterfingers. Después Jack se apodera del BMW rojo de Natalie, y comienza una persecución de 90 minutos a 90 millas por hora por las autovías del sur de California. Jack y Natalie no sólo se han visto catapultados hacia una persecución a gran velocidad, sino que también son el centro del frenesí de todos los medios de comunicación. (FILMAFFINITY)

Policía psicópata decide matar a todo el que cree que ha violado la ley.

A woman director is hired to finish the season of "Bikini Squad", a popular TV series about California beach lifeguards. A more than obvious lack of talent and basic intelligence among the crew make her contemplate leaving the set.