Louise Mieritz

Hanna, una mujer ambiciosa, quiere tener otro hijo antes de que sea demasiado tarde, pero su novio rompe inesperadamente con ella y su mundo se derrumba. Hanna empieza a darse cuenta de que puede estar persiguiendo las cosas equivocadas en la vida.

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.

Ditte and Louise are two middle-aged actresses who realize that the only thing the industry has left to offer them are roles like mothers or as elderly prostitutes. That is why Ditte makes a radical decision: She dresses up like a man.

Ditte and Louise are two middle-aged actresses who realize that the only thing the industry has left to offer them are roles like mothers or as elderly prostitutes. That is why Ditte makes a radical decision: She dresses up like a man.

Max has finished school and is becoming an adult. He is on his way to find a life outside his mother's overprotective wings. When he meets Kaya, she gives him the final push to become independent and finally to move out. He moves over to his father but ends up as a lodger at the neighbour Steen Kold. Max would like to go to the Roskilde Festival with Kaya and gets help with the tickets from Steen Kold who is also coming along. Mom is afraid of what will happen to Max, so she decides to follow him and Steen Kold. This leads to many poignant and incredibly embarrassing episodes deeply rooted in her great love for her son, but also in her desire to still be in the centre of his attention.

An amusing coming of age tale from Lotte Svendsen's Max-universe. Now 14, Max is about to decide on an internship and is finding it difficult to choose. He settles, against his mother's wishes, for a bank internship. But mother Agnethe, still quite embarrassing, takes action and enrols Max in a free spirited camp for the sake of his soul's salvation. Meanwhile his lovelife is hanging by a thread; Esther seems less and less interested in him even though he is making an effort to win her over. The Max universe is based on a perpetual idea that children are afraid to appear embarrassed as they evolve into maturity. Likewise, it seems that their parents also become embarrassed when they make attempts to protect their children or express their love for them.

Max is hitting puberty, and foxy Ofelia from class has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year's Eve. Watching her little boy grow up, his mother Agnete doesn't know what leg to stand on. Trying to give Max the best Christmas possible, she makes a mess of things, as usual. With his friends, Hassan and Ester, Max eventually tamps down the chaos and throws a super New Year's Eve bash. Everyone is there, and Ester seizes the moment to hook up with Max ahead of Ofelia.

A satirical drama revealing the consequences of the Danish government's "New Copenhagen Criteria", a new policy aiming at securing the nation's survival. Citizens who fail to meet the criteria - those who have received more from society than what they have contributed - are eliminated.

Un hombre desea vender su empresa. El problema es que, cuando la fundó, se inventó un presidente ficticio, tras el cual poder ocultarse cuando tuviera que tomar medidas impopulares. Cuando los posibles compradores insisten en negociar cara a cara con el presidente, el propietario se ve obligado a contratar a un actor fracasado para que interprete ese papel. De repente, el actor se da cuenta de que no es más que un títere envuelto en una trama que quizá ponga a prueba su catadura moral.

Anne has started a wedding planning biz with happily flaming designer Lars and grumpy accountant Jesper. Hoping to make a big public splash, they land upcoming event that will marry TV chat hosts Anders and Signe. Instant attraction between Anne and Anders is complicated even further by her planned nuptials with boring b.f. Simon.

A primera vista, Henrik (Troels Lyby), Nina (Sofie Grabol) y su hija Stine (Kirstine Rosenkrands Mikkelsen) parecen una familia perfecta. Henrik es profesor de natación y Nina trabaja como secretaria. Si esta familia tiene un problema es debido a su hija de catorce años. Stine está en una fase difícil y parece distanciarse cada vez más de sus padres. Un día Stine sorprende a todos cuando cuenta algo que pone fin definitivamente a la vida familiar: acusa a su padre de haber cometido un crimen atroz. Las autoridades en seguida recomiendan a Stine que abandone la casa de sus padres. Henrik es detenido y encarcelado mientras se desarrolla la investigación. La tensión psicológica es enorme y mientras los amigos de la familia les dan la espalda, Nina detiene la relación con su marido, hasta que por fin Henrik es absuelto. Pasan meses hasta que Henrik y Nina quieren ver a su hija de nuevo y hablar de lo sucedido.

Christine - a picture restorer - is terminally ill. While lying in her sick bed she delves into memories of her life and imagines the reunion with her late husband in the afterworld.

A snapshot of the state of the Danish nation: in one of the stories, a woman enters a pole-sitting contest in a desperate bid to reinvent herself. Another is about Erik, whose wife has been lobbying a Better Homes and Gardens type magazine to do a spread on their perfect home. When the editors finally relent, she makes Erik sip his red wine in the laundry room lest he stain their cream-colored couches. Svend, the last remaining Marxist in Copenhagen, is the impassioned organizer of a political mass meeting where no one shows up. Finally, Jens, a pizza and porno connoisseur, connives his way to some booty by convincing Gry the model that he lives with his mentally challenged brother. Over the course of a week, their paths cross and nothing, and nobody, is ever quite the same again.

Comedy stage show portraying the legendary Danish multi-millionaire Simon Spies who lived quite an unusual life in the 70's and 80's, filled with sex, ladies, booze, drugs, business, and airplanes. A man who constantly played around with the medias.

Katrina y Jonás están a punto de casarse. Katrina va a visitar a su hermana Mette, que ha estado internada en un hospital psiquiátrico, pero no le dice nada sobre los preparativos de la boda. Thomsen, el ex-novio de su hermana, que ha pasado dos años en Kenia y es responsable de la infelicidad de Mette, aparece de repente en la casa de la futura pareja. La visita termina en una loca fiesta. Al día siguiente, Katrina descubre por casualidad un hecho que afectará el futuro de Thomsen, pero, sin embargo, decide callarse. Y así continúan varias aventuras previas a la boda en las que harán aparición las drogas, la locura y el sida. (FILMAFFINITY)

Cuatro personas planean robar un banco durante la celebración de Nochevieja esperando que nadie se de cuenta de su fechoría. Ese es el punto de partida que tomaron en 1999 cuatro directores daneses bajo el Movimiento Dogma con Thomas Vinterberg y Lars von Trier a la cabeza. La historia del robo se creó en una televisión interactiva en la que los espectadores podían editar su propia película zapeando en los 7 canales en los que se emitía la historia. Este fue el resultado de tan extraño experimento.

Un grupo de amigos se reune con la intención de liberarse de las ataduras morales que la sociedad imprime sobre los individuos. Para ello, se hacen pasar por retardados mentales. El grupo se dedica a enfrentar a la sociedad con sus idioteces.

Café Hector is the new in-place for the chic, high-flying, articulate jet-set, where steaming cups of cappuccino accompany their trendy chit-chat. Uffe is definitely not "in." He can't get a cappuccino, but he is given permission, just this once, to use the toilet. But Uffe is prepared for the situation. He can't take any more humiliation and he is armed!