Robert Sidaway

Cuando las adolescentes Rachel y Grace viajan dentro de un super arco iris a China, perturban el equilibrio de la naturaleza. Usando la conexión de Rachel con la energía del arco iris y con la ayuda de su nuevo amigo Xiao Cheng, deben competir contra el tiempo para salvar la Tierra.

Durante la II Guerra Mundial un escuadrón de hombres atacó y violó sin piedad a muchas mujeres de origen judío. Se les llamó “Joy Division”. El terror que sembraban entre la población era aún mayor que el que causaba la propia guerra. Thomas, que de adolescente había luchado contra el Ejército Rojo, logra huir hacia el Oeste junto a una joven aliada. Finalmente, los rusos lo capturan y desaparece sin dejar rastro.

Durante la II Guerra Mundial un escuadrón de hombres atacó y violó sin piedad a muchas mujeres de origen judío. Se les llamó “Joy Division”. El terror que sembraban entre la población era aún mayor que el que causaba la propia guerra. Thomas, que de adolescente había luchado contra el Ejército Rojo, logra huir hacia el Oeste junto a una joven aliada. Finalmente, los rusos lo capturan y desaparece sin dejar rastro.

España, Siglo XVI. Ruy de Mendoza es gobernador de un territorio español en el que una serie de escalofriantes crímenes tienen aterrada a la nobleza. Sin embargo, el resto de la población parece ignorar esos crímenes y actuar como si no hubieran ocurrido. Ruy no dudará en arriesgar su vida para descubrir a los criminales y esclarecer de dónde proviene tanto odio

Hammer Films remain on record as the most consistently successful and influential British film company in history. And while Hammer may be best-known for their notorious series of gory Dracula movies, bloody Frankenstein adventures and chilling, satanic epics, few films had a greater impact on the '60's than the unforgettable genre known as "Hammer Glamours." The "Hammer Glamour" epics delivered their own singular vision of history -- and especially pre-history -- with liberal doses of both flesh and fantasy. With special effects as eye-popping as the actresses, these films created puberty's essential bridge between the thrill of cool monsters and the sensation of gorgeous women. If you're a student of anthropology, this is a world you may not recognize. But if you're looking for a twisted vision of the past that only Hammer can provide, you've come to the right place. The Hammer Glamour legacy lives, and indeed the world has never been the same.

Hammer Films remain on record as the most consistently successful and influential British film company in history. And while Hammer may be best-known for their notorious series of gory Dracula movies, bloody Frankenstein adventures and chilling, satanic epics, few films had a greater impact on the '60's than the unforgettable genre known as "Hammer Glamours." The "Hammer Glamour" epics delivered their own singular vision of history -- and especially pre-history -- with liberal doses of both flesh and fantasy. With special effects as eye-popping as the actresses, these films created puberty's essential bridge between the thrill of cool monsters and the sensation of gorgeous women. If you're a student of anthropology, this is a world you may not recognize. But if you're looking for a twisted vision of the past that only Hammer can provide, you've come to the right place. The Hammer Glamour legacy lives, and indeed the world has never been the same.

The wicked women of Hammer included such cult stars and screen legends as Bette Davis, Ingrid Pitt, Joan Fontaine, Martine Beswick, Tallulah Bankhead, Lizabeth Scott and more. This is nothing more than assembled clips from various Hammer productions narrated by Oliver Reed. It aired on Channel 4 in the UK in 1994 before select episodes were released on VHS.

Through the years, Hammer's depiction of female vampires was consistently groundbreaking and always controversial, exploring the fine line between forbidden desire and the curse of the undead. This TV production contains only recycled clips with the only new addition being narration from Oliver Reed.

Explore Hammer's greatest legacy with clips from such classic films as The Horror of Dracula, Brides of Dracula, Dracula - Prince of Darkness, Legend of the Seven Golden Vampires, Scars of Dracula, Kiss of the Vampire and more.

Explore Hammer's greatest legacy with clips from such classic films as The Horror of Dracula, Brides of Dracula, Dracula - Prince of Darkness, Legend of the Seven Golden Vampires, Scars of Dracula, Kiss of the Vampire and more.

Explore Hammer's greatest legacy with clips from such classic films as The Horror of Dracula, Brides of Dracula, Dracula - Prince of Darkness, Legend of the Seven Golden Vampires, Scars of Dracula, Kiss of the Vampire and more.

The Doctor, Jamie and Zoe return to Earth and become embroiled in the schemes of Tobias Vaughn. They meet up with an old friend, Colonel (now Brigadier) Lethbridge-Stewart, and some old enemies, the Cybermen.

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]