Robert Sidaway

When teenagers Rachel and Grace travel inside a super-powered rainbow to China, they disturb nature's balance. Using Rachel's connection to the energy of the rainbow and with help from their new friend Xiao Cheng, they must race against time to save the Earth.

제 2차 세계대전 독일, 가족을 잃은 소년 토마스는 소련과 싸우는 전선에 배치된다. 격렬한 시가전이 끝나자 살아남은 사람은 오직 토마스 뿐. 그에게 손을 내민 사람은 영국인이면서 나치 친위대에 소속된 스톤 중사였다. 친위대와 함께 소련에 무모한 게릴라 공격을 가하던 토마스, 그러나 그를 기다리고 있는 건 패전과 소련군이 조국을 유린하는 모습이었다. 토마스는 주변의 현실에 헛돈다. '이게 전쟁의 결과'란 말인가? 그런 토마스 앞에 소련의 탱크가 멈춰 선다. 곧바로 군사학교로 연행된 토마스는 KGB 첩보원으로 영국에 잠입하라는 명령을 받는다. 목숨을 위해 스파이가 될 것인가, 진심을 위해 저항할 것인가! 토마스는 의외의 결단을 내리는데...

제 2차 세계대전 독일, 가족을 잃은 소년 토마스는 소련과 싸우는 전선에 배치된다. 격렬한 시가전이 끝나자 살아남은 사람은 오직 토마스 뿐. 그에게 손을 내민 사람은 영국인이면서 나치 친위대에 소속된 스톤 중사였다. 친위대와 함께 소련에 무모한 게릴라 공격을 가하던 토마스, 그러나 그를 기다리고 있는 건 패전과 소련군이 조국을 유린하는 모습이었다. 토마스는 주변의 현실에 헛돈다. '이게 전쟁의 결과'란 말인가? 그런 토마스 앞에 소련의 탱크가 멈춰 선다. 곧바로 군사학교로 연행된 토마스는 KGB 첩보원으로 영국에 잠입하라는 명령을 받는다. 목숨을 위해 스파이가 될 것인가, 진심을 위해 저항할 것인가! 토마스는 의외의 결단을 내리는데...

At the height of the Spanish Inquisition, high-ranking noblemen begin dropping like flies, with alarming frequency and unexplained violence. But can local 16th-century sheriff Ruy de Mendoza (Christopher Lambert) discern who's responsible when no one wants to cooperate? After all, before Mendoza can even identify the bodies, the crime scenes are mysteriously cleared -- and the villagers pretend the murders never happened.

Hammer Films remain on record as the most consistently successful and influential British film company in history. And while Hammer may be best-known for their notorious series of gory Dracula movies, bloody Frankenstein adventures and chilling, satanic epics, few films had a greater impact on the '60's than the unforgettable genre known as "Hammer Glamours." The "Hammer Glamour" epics delivered their own singular vision of history -- and especially pre-history -- with liberal doses of both flesh and fantasy. With special effects as eye-popping as the actresses, these films created puberty's essential bridge between the thrill of cool monsters and the sensation of gorgeous women. If you're a student of anthropology, this is a world you may not recognize. But if you're looking for a twisted vision of the past that only Hammer can provide, you've come to the right place. The Hammer Glamour legacy lives, and indeed the world has never been the same.

Hammer Films remain on record as the most consistently successful and influential British film company in history. And while Hammer may be best-known for their notorious series of gory Dracula movies, bloody Frankenstein adventures and chilling, satanic epics, few films had a greater impact on the '60's than the unforgettable genre known as "Hammer Glamours." The "Hammer Glamour" epics delivered their own singular vision of history -- and especially pre-history -- with liberal doses of both flesh and fantasy. With special effects as eye-popping as the actresses, these films created puberty's essential bridge between the thrill of cool monsters and the sensation of gorgeous women. If you're a student of anthropology, this is a world you may not recognize. But if you're looking for a twisted vision of the past that only Hammer can provide, you've come to the right place. The Hammer Glamour legacy lives, and indeed the world has never been the same.

The wicked women of Hammer included such cult stars and screen legends as Bette Davis, Ingrid Pitt, Joan Fontaine, Martine Beswick, Tallulah Bankhead, Lizabeth Scott and more. This is nothing more than assembled clips from various Hammer productions narrated by Oliver Reed. It aired on Channel 4 in the UK in 1994 before select episodes were released on VHS.

Through the years, Hammer's depiction of female vampires was consistently groundbreaking and always controversial, exploring the fine line between forbidden desire and the curse of the undead. This TV production contains only recycled clips with the only new addition being narration from Oliver Reed.

Explore Hammer's greatest legacy with clips from such classic films as The Horror of Dracula, Brides of Dracula, Dracula - Prince of Darkness, Legend of the Seven Golden Vampires, Scars of Dracula, Kiss of the Vampire and more.

Explore Hammer's greatest legacy with clips from such classic films as The Horror of Dracula, Brides of Dracula, Dracula - Prince of Darkness, Legend of the Seven Golden Vampires, Scars of Dracula, Kiss of the Vampire and more.

Explore Hammer's greatest legacy with clips from such classic films as The Horror of Dracula, Brides of Dracula, Dracula - Prince of Darkness, Legend of the Seven Golden Vampires, Scars of Dracula, Kiss of the Vampire and more.

The Doctor, Jamie and Zoe return to Earth and become embroiled in the schemes of Tobias Vaughn. They meet up with an old friend, Colonel (now Brigadier) Lethbridge-Stewart, and some old enemies, the Cybermen.

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]