Camera Operator
"The Legendary 1979 No Nukes Concerts", una película de Bruce Springsteen y The E Street Band que presenta diez actuaciones nunca antes lanzadas de los conciertos benéficos MUSE del Madison Square Garden, y material completo de la lista completa de canciones de la banda, se lanzará en todo el mundo por primera vez. hora. Editado por el antiguo colaborador de Bruce, Thom Zimny, de la película original de 16 mm junto con el audio remezclado de Bob Clearmountain, "The Legendary 1979 No Nukes Concerts" representa las actuaciones de Bruce de la más alta calidad y mejor grabadas de una era explosiva, ascendente y rara vez filmada de E Street. Band. Una combinación de dos actuaciones capturadas durante los conciertos de varios días 'No Nukes', la película reúne la intensidad de un espectáculo de maratón en un crepitante tiempo de ejecución de 90 minutos.
Cinematography
Soul Power is a 2008 documentary film about the Zaire 74 music festival in Kinshasa which accompanied the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman in October 1974. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the film When We Were Kings.
Third Assistant Director
En un centro clandestino de investigación genética -con fines militares- de una poderosa multinacional se produce un brote vírico que contamina todo el edificio. Para contener la fuga el ordenador que controla el centro sella toda la instalación y, en un principio se cree que mueren todos los empleados, pero en realidad se han convertido en feroces zombis...
Director of Photography
Estados Unidos, 1974. La resaca del Watergate y la dimisión de Nixon, el activismo negro y, sobre todo, los míticos combates de boxeo -especialmente el de Muhammad Ali contra George Foreman en el Zaire- en los que Ali, un hombre negro llegaría a ser un símbolo para su raza, son el telón de fondo de este documental.
Director of Photography
Graham Marshall, un publicista que nunca ha conocido el fracaso, queda relegado a un segundo plano cuando su empresa se informatiza. Confundido y frenético, arroja a las vías del metro a un mendigo que le molesta. Como la policía considera el hecho como un suicidio, Graham se convence de que el único camino para conseguir el éxito es el crimen. .
Cinematography
A dance drama work which, through movement and very little spoken text, details the interaction of several people residing at or visiting a motel or motor inn named Mountain View. Choreographer Marta Renzi and independent film director John Sayles were invited to collaborate on writing and directing this half-hour for public television.
Director of Photography
Based on a true story about a woman who is institutionalized as mentally retarded for 30 years while struggling to reach the outside world through her writing.
Director of Photography
Sam Weiborn es el sheriff de un pequeño pueblo donde nunca pasa nada. Hasta que Brian Mars llega a la ciudad...
Second Unit Director of Photography
Sam y su hermano mayor Michael son los típicos jóvenes americanos con intereses normales. Pero nada más instalarse en la tranquila ciudad de Santa Carla, California, las cosas misteriosamente empiezan a cambiar. La personalidad de Michael se transforma. Y a su madre no le gustaría ver en lo que se está convirtiendo.
Cinematography
Documentary about the famed Hollywood director.
Director of Photography
Humanoid killer robots stalk a newspaperman, who has knowledge of their existence. One of the robots is made to look like his girl friend.
Director of Photography
Dos jóvenes amantes se enteran de que un pequeño grupo de extraterrestres con apariencia de niños están abandonados en la Tierra y están prisioneros en una instalación militar ultrasecreta. Luego, la pareja decide liberar a los náufragos extraterrestres y ayudarlos a reunirse con una nave de rescate enviada desde el planeta de origen alienígena.
Director of Photography
Lily Bart, a well-born, but penniless woman of the high society of New York City, who was raised and educated to become wife to a rich man. As an unmarried woman with gambling debts and an uncertain future, Lily is destroyed by the society who created her...
Director of Photography
A day-in-the-life documentary with Garry Marshall. Marshall was an executive producer for ABC and was responsible for such hit shows as Laverne and Shirley, Happy Days, and Mork and Mindy. This tape features several behind the scenes segments from these shows' productions. Marshall is also interviewed about the nature of television production and comedy.
Director of Photography
Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.
Cinematography
He was the 16-year-old Guru Maharaj Ji and, as the Millennium approached, he promised to levitate the Huston Astrodome. It was the early Seventies and anything was possible so thousands flocked to his gathering. Follow him from his mansion in New York to the limousines in Houston, listen to his followers and watch the spectacle unfold just as TVTV did in this Alfred I. du Pont award wining documentary.
Director of Photography
A homeless man and woman prepare for and enjoy a special Sunday dinner
Cinematography
Jeremy Jones está aprendiendo violonchelo en una escuela de artes en Nueva York. En la escuela ve a Susan Rollins ensayando para una audición de ballet, y se enamora a primera vista. Él es muy tímido para acercarse a ella, por lo que recibe ayuda de su experimentado amigo Ralph. La primera impresión de Susan no es muy grande, hasta que le oye tocar el violonchelo. (FILMAFFINITY)
Cinematography
This experimental film, a self-described mix of reality and fiction shot in Greenwich Village and a Vermont commune, captures past and present moments from the life of Mel Howard, the film’s co-writer & co-narrator. Scenes chronicling Howard’s doomed romance with Scandinavian girl friend Turid Aarsted are interwoven with scenes detailing Howard’s relationship with his parents and with a former girl friend, as well as his failed attempts at moviemaking. One sequence depicts Aarsted leaving the thirty-seven-year-old Howard for the film’s cameraman, Paul Goldsmith, and includes a sex scene between the new lovers. In off-screen commentary, producer Kenneth E. Schwartz expresses concern about the film’s content. He reveals that he raised $50,000 for the project, complains to the viewer that the film was not supposed to be a “diary of freaky people.” Eventually he and Howard come to terms about the film’s direction and allow the film’s story to unfold unobstructed.
Cinematography
Young New York City activists, led by street singer Freemont Zappata and his girl friend, Marian, hijack broadcasting equipment that enables them to interrupt network television. Delivering their own message on the air, the group promotes peace and ecological awareness while decrying war and consumerism. After one group member divulges their location to authorities, federal agents arrest Freemont, send him to trial and convict him. The group subsequently frees Freemont from a detention center, then continues their broadcasts, while Freemont rides his horse alone along a bridle path.
Director of Photography
A mosaic biopic on Lorraine Hansberry, based on the stage play combining her unpublished writings, letters, and diaries.
Camera Operator
Dr. Harvey Wallinger is one of Nixon's aides who rises through the ranks to become the "real" power behind the president.
Lighting Design
Swope—the only black man on the executive board of an advertising firm—is accidentally put in charge after the death of the chairman.