Paul Goldsmith

“The Legendary 1979 No Nukes Concerts,” a Bruce Springsteen and The E Street Band film featuring ten never-before released performances from the Madison Square Garden MUSE benefit concerts, and full footage of the band’s entire setlist, will be released worldwide for the first time. Edited by Bruce’s longtime collaborator Thom Zimny from the original 16mm film alongside remixed audio from Bob Clearmountain, “The Legendary 1979 No Nukes Concerts” represent the highest quality and best recorded Bruce performances from an explosive, ascendant and rarely-filmed era of the E Street Band.A composite of two performances captured during the multi-day ‘No Nukes’ concerts, the film packs the intensity of a marathon show into a crackling 90 minute run-time.

“Zaire’74” 음악 축제는 미국 최정상의 R&B 음악가들인 제임스 브라운, 마이티 JBs, 빌 위더스, 비비 킹, 더 스피너스 등이 참여한 공연이었다. 축제는 1974년, ‘럼블 인 더 정글(Rumble in the Jungle)’로 잘 알려진 무하마드 알리와 조지 포먼의 권투 경기와 함께 자이르의 킨샤사에서 열렸다. 이들의 여정과 공연을 촬영하기 위해 고용된 다큐멘터리 팀은 공연과 무대 뒤는 물론 킨샤사의 거리 모습까지 함께 담아냈다. 알리와 포먼의 권투 경기에 포커스를 맞춘 촬영 분량은 1996년 아카데미상을 수상한 다큐멘터리 영화 로 만들어졌고, 는 새롭게 편집된 미공개 영상들을 통해 아프리카와 미국의 음악이 융화되는 현장으로 관객들을 안내하는 타임캡슐이 되어줄 것이다.

21세기 초 엄브렐러 제약회사(the Umbrellr Corporrtion)는 미국의 가장 큰 대기업으로 발전한다. 엄브렐러는 모든 가정 뿐만 아니라 정치 경제에도 막대한 영향력을 행사한다. 또한 컴퓨터 의약 보건 분야에서 세계를 이끌어가는 공기업으로 거듭나고 고용인들에게 알려지지 않은 막대한 자금은 무기기술(Military Technology), 유전실험(Genetic Experimentation), 생체병기(Viral Weaponry) 등으로 개발되어진다.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Madison Avenue executive Graham Marshall has paid his dues. A talented and devoted worker, he has suffered through mounting bills and a nagging wife with one thing to look forward to: a well-deserved promotion. But when the promotion is given to a loud-mouthed yuppie associate, Graham unleashes his rage on an overly aggressive panhandler, who he accidently kills by pushing him into the path of an oncoming subway train. He re-thinks his problems with an entirely new solution. First, he arranges an "accident" for his annoying wife. Then he creates another "mishap" for his boss. It seems like the world is once more Graham's oyster…but a missing cigarette lighter and a prying police detective may change all that.

A dance drama work which, through movement and very little spoken text, details the interaction of several people residing at or visiting a motel or motor inn named Mountain View. Choreographer Marta Renzi and independent film director John Sayles were invited to collaborate on writing and directing this half-hour for public television.

Based on a true story about a woman who is institutionalized as mentally retarded for 30 years while struggling to reach the outside world through her writing.

After a psychopath murders a man who was on his way to a job as a deputy sheriff in a small California town, he assumes the deputy's identity and arrives in town to start his new 'job'. What he doesn't know is that the recently appointed sheriff and his mistress are plotting to murder her evil husband—and blame it on the new deputy.

겉보기엔 화려한 도시 싼타칼라엔 밤에 출몰하여 무서운 살인을 저지르는 흡혈귀 무리가 있다. 그러나 시민들은 어느날 갑자기 사라지는 그들의 가족들이 피에 굶주린 밤의 존재들의 희생물이 되는 것인줄은 꿈에도 모르고 거리에 '실종벽보'만을 붙이며 슬픈 눈빛으로 나날을 보낸다. 마을에 이사오는 루시(다이안 위스트 분)와 그녀의 두 아들 마이클(제이슨 패트릭 분)과 샘(코리 헤임 분). 엄마 루시가 위자료 한푼 못받고 이혼을 한 탓에 그들은 집도 절도 없이 할아버지 댁에 얹혀살기 위해 싼타칼라에 온 것이다. 그리고 오래지 않아 큰 아들 마이클이 흡혈귀 무리의 유혹을 받아 그들의 피를 마시고 밤의 살인귀로 변해가기 시작한다. 그동안 동생 샘은 만화가게에서 흡혈귀 사냥꾼들의 교육을 받아 뱀파이어에 대한 상식을 얻게 된다. 마이클과 마찬가지로 반쪽짜리 흡혈귀이면서 한편으로 마이클을 사랑하게 되는 소녀 스타(제이미 거츠 분)가 다행히 마이클을 돕기 때문에, 그리고 본래의 마이클이 가지고 있는 건전한 정신과 도덕성 때문에 그는 여러번 살인 유혹을 받는데...

Documentary about the famed Hollywood director.

Humanoid killer robots stalk a newspaperman, who has knowledge of their existence. One of the robots is made to look like his girl friend.

Two young lovers learn that a small group of child-like space aliens are marooned on Earth and are being held prisoner at a top secret military facility. The couple then decide to liberate the extraterrestrial castaways and help them make a rendezvous with a rescue ship sent from the alien home planet.

Lily Bart, a well-born, but penniless woman of the high society of New York City, who was raised and educated to become wife to a rich man. As an unmarried woman with gambling debts and an uncertain future, Lily is destroyed by the society who created her...

A day-in-the-life documentary with Garry Marshall. Marshall was an executive producer for ABC and was responsible for such hit shows as Laverne and Shirley, Happy Days, and Mork and Mindy. This tape features several behind the scenes segments from these shows' productions. Marshall is also interviewed about the nature of television production and comedy.

Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.

He was the 16-year-old Guru Maharaj Ji and, as the Millennium approached, he promised to levitate the Huston Astrodome. It was the early Seventies and anything was possible so thousands flocked to his gathering. Follow him from his mansion in New York to the limousines in Houston, listen to his followers and watch the spectacle unfold just as TVTV did in this Alfred I. du Pont award wining documentary.

A homeless man and woman prepare for and enjoy a special Sunday dinner

Jeremy is learning cello at an arts school in New York. At school he spots Susan, who practices for a ballet audition, and he falls in love.

This experimental film, a self-described mix of reality and fiction shot in Greenwich Village and a Vermont commune, captures past and present moments from the life of Mel Howard, the film’s co-writer & co-narrator. Scenes chronicling Howard’s doomed romance with Scandinavian girl friend Turid Aarsted are interwoven with scenes detailing Howard’s relationship with his parents and with a former girl friend, as well as his failed attempts at moviemaking. One sequence depicts Aarsted leaving the thirty-seven-year-old Howard for the film’s cameraman, Paul Goldsmith, and includes a sex scene between the new lovers. In off-screen commentary, producer Kenneth E. Schwartz expresses concern about the film’s content. He reveals that he raised $50,000 for the project, complains to the viewer that the film was not supposed to be a “diary of freaky people.” Eventually he and Howard come to terms about the film’s direction and allow the film’s story to unfold unobstructed.

Young New York City activists, led by street singer Freemont Zappata and his girl friend, Marian, hijack broadcasting equipment that enables them to interrupt network television. Delivering their own message on the air, the group promotes peace and ecological awareness while decrying war and consumerism. After one group member divulges their location to authorities, federal agents arrest Freemont, send him to trial and convict him. The group subsequently frees Freemont from a detention center, then continues their broadcasts, while Freemont rides his horse alone along a bridle path.

A mosaic biopic on Lorraine Hansberry, based on the stage play combining her unpublished writings, letters, and diaries.

우디 앨런의 단편 코미디. 리처드 닉슨 행정부를 풍자한다.

광고 회사 경영진의 유일한 흑인인 Swope는 회장이 사망한 후 실수로 책임자가 되는데...