Sophie Guillemin

Follows the boundary-pushing Rubinstein as she selects Maurice Ravel to compose the music for her next ballet. Ravel ends up creating his greatest success ever: Boléro.

Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.

In France in 1942. Blanche and Virgile live in the free zone and use a boat to help a local network of resistance fighters and refugees. One day the couple propose to take in Sarah, a Jewish child who is impatiently awaiting her parents

Antoine, an international wine negotiator in his fifties, receives an unusual phone call from Moscow. No voice, just a breath. Shaken, he leaves everything behind, his job, his partner, to go immediately to Russia to look for the woman he loved passionately and who has mysteriously disappeared for four years.

Antoine, an international wine negotiator in his fifties, receives an unusual phone call from Moscow. No voice, just a breath. Shaken, he leaves everything behind, his job, his partner, to go immediately to Russia to look for the woman he loved passionately and who has mysteriously disappeared for four years.

Antoine, an international wine negotiator in his fifties, receives an unusual phone call from Moscow. No voice, just a breath. Shaken, he leaves everything behind, his job, his partner, to go immediately to Russia to look for the woman he loved passionately and who has mysteriously disappeared for four years.

When Anna disappears suddenly and without leaving a trace, the police feel it was probably deliberate. But her husband refuses to believe it. And rightly so, someone had tried to murder Anna. Saved by a local from the mountains, she wakes up in the Pyrenees, with no memory at all.

Luna es ingresada en un hospital con moratones. Los padres declaran que se trata de un angioedema hereditario, pero el médico que atiende a la niña se niega a realizarle las pruebas.

Lens regresa a París para encontrar a su único y verdadero amor, Madeleine. Allí conoce a Helen, una enfermera que perdió a su hijo pequeño y le resulta muy difícil recuperarse de esta tragedia. Una historia de amor comienza en medio de una pasión dolorosa, de celos y autodestrucción.

Basada en la novela homónima de Marie-Sabine Roger. Germain Chazes (Gérard Depardieu) es un hombre maduro y obeso que vive en una caravana, en el jardín de su madre, y su vida transcurre entre el café y el parque público. Los demás lo consideran un imbécil feliz, hasta que Margueritte (Gisèle Casadesus), una anciana muy culta, le descubre el universo de los libros y las palabras. Desde entonces, su relación con los demás y consigo mismo cambiará sensiblemente. (FILMAFFINITY)

Lyon, France in 1970s, Sibylle, Corinne, and Georgette are sisters who share everything, as they live with their Italian mother. Sibylle is the only blonde in the family, except for their father who abandoned them, and she feels isolated. She dreams of meeting her French father one day.

Célimène, a 35 year old writer is troubled by Anaïs, a 17 year old girl.

Charly wishes a bicycle with all his heart for Christmas. Therefore his disappointment is bigger, when his father presents him a self-built plane...

A young couple, Ines and Fred, have just moved into an apartment with a long corridor. After a few days, Ines hears strange noises and thinks she sees something. Trying to find out more, she gets scratched, but she doesn't know by whom or by what. Fred sees nothing and hears nothing. A tension arises between the two young people who do not understand each other. Is Ines going crazy or is it Fred who refuses to face reality?

Angélique es una joven enamorada perdidamente de un cardiólogo casado a punto de ser padre, pero su amor es tan intenso que está dispuesta a llegar a la locura... o a hacer cualquier locura con tal de conquistar al hombre de sus sueños.

A suburban pavilion, garden gnomes, a bloody scene. Break between Fred and Liza. As happiness never comes alone, Carole, emerges, announces to Liza that she is pregnant with Fred. Liza takes the kid in a wagon stolen from Fred.

Such an inconsequential event - the unfortunate purchase of a package of cling film - reveals the character and behavior of a small group of individuals caught up in the chaos of today's society. Though it creates arguments and inner questioning, this event - and its various consequences - also creates bonds.

Las vacaciones de Michel y Claire prometen ser duras. Sus tres hijas pequeñas, alborotadas por el intenso calor, acaparan gran parte de su energía. Además, su casa de verano está en obras desde hace cinco años y es una fuente permanente de problemas. En estas circunstancias, no es de extrañar que la pareja tenga los nervios de punta. Sin previo aviso llega, como caído del cielo, Harry, un amigo dispuesto a todo con tal de lograr la felicidad de Michel.

One fine day, at about 10 am, in a suburban house, three men, in their thirties are waiting for a fourth buddy. When he arrives, they plan to hold up the local bank where Séverine, their accomplice, is waiting for them. This could well be the beginning of a thrilling crime story, but these tough men, sporting tattoos, are not what they appear. "On fait comme on dit" is a comedy, and these guys could be descendants of the Keystone Cops. They are dreamers not gangsters. So much is riding on this bank heist, the pressure is intense. This tension creates the most diverse and unexpected obstacles for them...

Martín, un profesor universitario de filosofía, sufre una profunda depresión profesional y sentimental. En esa situación, conoce en extrañas circunstancias a Cecilia, una joven y misteriosa modelo, con la que entabla una apasionada relación. Su antigua pareja se convierte en su confidente y en espectadora privilegiada de una pasión que va destruyendo todas las creencias de Martín. La enigmática Cecilia lo conduce a una situación de deseos obsesivos, incontrolables y de imprevisibles consecuencias.