Sophie Guillemin

Follows the boundary-pushing Rubinstein as she selects Maurice Ravel to compose the music for her next ballet. Ravel ends up creating his greatest success ever: Boléro.

Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.

In France in 1942. Blanche and Virgile live in the free zone and use a boat to help a local network of resistance fighters and refugees. One day the couple propose to take in Sarah, a Jewish child who is impatiently awaiting her parents

Antoine, an international wine negotiator in his fifties, receives an unusual phone call from Moscow. No voice, just a breath. Shaken, he leaves everything behind, his job, his partner, to go immediately to Russia to look for the woman he loved passionately and who has mysteriously disappeared for four years.

Antoine, an international wine negotiator in his fifties, receives an unusual phone call from Moscow. No voice, just a breath. Shaken, he leaves everything behind, his job, his partner, to go immediately to Russia to look for the woman he loved passionately and who has mysteriously disappeared for four years.

Antoine, an international wine negotiator in his fifties, receives an unusual phone call from Moscow. No voice, just a breath. Shaken, he leaves everything behind, his job, his partner, to go immediately to Russia to look for the woman he loved passionately and who has mysteriously disappeared for four years.

When Anna disappears suddenly and without leaving a trace, the police feel it was probably deliberate. But her husband refuses to believe it. And rightly so, someone had tried to murder Anna. Saved by a local from the mountains, she wakes up in the Pyrenees, with no memory at all.

Lenz deixa a Inglaterra e volta a Paris em busca da Madeleine, que desapareceu em circunstâncias incertas. Ele conhece Helena, uma enfermeira que ainda sofre com a perda de seu filho. Começa assim uma história de amor febril em meio à tristeza, paixão, ciúmes e autodestruição.

Baseado no livro “La Tête en Friche”, de Marie-Sabine Roger. Quando criança, Germain (Gérard Depardieu) foi chamado de burro na escola por todos e em casa, com sua mãe solteira, não era diferente. A dificuldade de ler se perpetuou numa espécie de bloqueio intelectual. Já adulto, sua vida se resumia a viver de bicos, ainda ser alvo de brincadeira dos amigos e, principalmente, conviver com o eterno desamor da mãe. Contudo, quando Margueritte (Gisèle Casadesus) faz com que as páginas de um livro se abram novamente para ele, este reencontro com o universo das letras amplia seu horizonte e o único limite - agora - será somente a sua vontade.

Lyon, France in 1970s, Sibylle, Corinne, and Georgette are sisters who share everything, as they live with their Italian mother. Sibylle is the only blonde in the family, except for their father who abandoned them, and she feels isolated. She dreams of meeting her French father one day.

Célimène, a 35 year old writer is troubled by Anaïs, a 17 year old girl.

Charly wishes a bicycle with all his heart for Christmas. Therefore his disappointment is bigger, when his father presents him a self-built plane...

A young couple, Ines and Fred, have just moved into an apartment with a long corridor. After a few days, Ines hears strange noises and thinks she sees something. Trying to find out more, she gets scratched, but she doesn't know by whom or by what. Fred sees nothing and hears nothing. A tension arises between the two young people who do not understand each other. Is Ines going crazy or is it Fred who refuses to face reality?

Angélique (Audrey Tautou) é uma artista plástica que desenvolve uma paixão desmedida pelo médico Loïc (Samuel Le Bihan). A despeito de tudo o que seus amigos lhe dizem e de diversos acontecimentos que provam o contrário, Angélique persiste na idéia de que Loïc também a ama, transformando o que de início parecia ser um desencontro amoroso em uma perigosa obsessão.

A suburban pavilion, garden gnomes, a bloody scene. Break between Fred and Liza. As happiness never comes alone, Carole, emerges, announces to Liza that she is pregnant with Fred. Liza takes the kid in a wagon stolen from Fred.

Such an inconsequential event - the unfortunate purchase of a package of cling film - reveals the character and behavior of a small group of individuals caught up in the chaos of today's society. Though it creates arguments and inner questioning, this event - and its various consequences - also creates bonds.

Michel e Claire estão a passar umas férias difíceis. As suas três filhas pequenas e traquinas consomem-lhes a maior parte da energia, a casa de campo que estão a restaurar há cinco anos é uma mina de dores de cabeça, e os pais de Michel também não ajudam nada, passam o dia stressados... E agora, de repente, surge Harry. Um amigo a quem nada deterá para fazer Michel feliz.

One fine day, at about 10 am, in a suburban house, three men, in their thirties are waiting for a fourth buddy. When he arrives, they plan to hold up the local bank where Séverine, their accomplice, is waiting for them. This could well be the beginning of a thrilling crime story, but these tough men, sporting tattoos, are not what they appear. "On fait comme on dit" is a comedy, and these guys could be descendants of the Keystone Cops. They are dreamers not gangsters. So much is riding on this bank heist, the pressure is intense. This tension creates the most diverse and unexpected obstacles for them...

Martin é um entediado professor de filosofia. O livro que quer escrever não parece estar progredindo. Sua mulher o abandonou e ele está deprimido, especialmente pela felicidade explícita de sua ex. Um dia conhece Cecilia, uma jovem suspeita de ter provocado a morte de um famoso pintor. Martin tem uma louca atração sexual por ela, apesar de suas diferenças culturais e intelectuais. Ele se irrita, mas também se fascina com o jeito simples da moça. O desejo carnal é maior do que suas convicções pessoais, que aos poucos transforma o novo namoro em uma obsessão.