Brendan Canty

Washington DC Filmmakers Christoph Green and Brendan Canty (Fugazi) embed themselves in a class of recovering addicts, former drug dealers, and felons, all going through the DC Central Kitchen Culinary Training Program. Three months of hardcore therapy every morning and Knife Skills every afternoon.

In 1972, officer Frank Serpico exposes the corruption which poisons the roots of the NYPD and becomes famous in 1973 when director Sidney Lumet tells his story in the classic film “Serpico,” starring Al Pacino.

Official Unwound footage doc directed by Justin Trosper, included in the What Was Wound box set by Numero.

Chronicle of Wilco's 2013 Solid Sound music festival, which takes place over three days at the Massachusetts Museum of Contemporary Art.

A genre-defying band forms in Austin, covers a notorious rap tune, creates its own acclaimed roots music, and becomes a touring institution while striving to find its place in the challenging landscape of the music industry.

Wilco Live: Ashes of American Flags is a live performance DVD by the American alternative rock band Wilco.

Wilco Live: Ashes of American Flags is a live performance DVD by the American alternative rock band Wilco.

Water on the Road is a film released on DVD and Blu-ray by American singer and Pearl Jam frontman Eddie Vedder. It documents Vedder's 2008 solo tour, during which he performed Pearl Jam songs, numerous covers, and solo works including songs from the Into the Wild Soundtrack. The film features mostly performances from two shows Vedder performed on August 16 and 17, 2008, at Warner Theatre in Washington, D.C. It was released on May 31, 2011.

Circle of Friends is a DVD by Bob Mould of a live concert recorded in 2005 at the 9:30 Club in Washington, D.C. The performance included songs from Mould's earlier bands Hüsker Dü and Sugar, as well as his solo work. This particular show was part of the Body of Song tour, Mould's first non-solo tour for over a decade and the first one in which Hüsker Dü material was played for the first time since the band broke up in 1988.

The Burn to Shine series is about time. Portraits of bands playing in doomed houses, and the ritual of demolition set to music. These films always had in them a giant underlined subtext of temporality. This newest release, the Atlanta edition, is different in one major way. It is now being released almost a full decade after being filmed. The implied time capsule of the earlier films becomes explicit in this one, allowing us to view well known bands like Mastadon, Deerhunter, The Black Lips, and the Coathangers, in their infancy. Like finding an undeveloped roll of baby pictures, Burn to Shine 6: Atlanta takes us to a place that we forgot even existed.

Sunken Treasure follows Wilco frontman Jeff Tweedy on his February 2006 solo acoustic tour. The footage was recorded over five nights and features songs from three of his current and former bands: Wilco, Uncle Tupelo, and Loose Fur, plus an unreleased track, "The Thanks I Get." The film is directed by documentarians Christoph Green and Brendan Canty, himself the former drummer of Fugazi.

The story of rock'n'roll singer Charles Valentine, who came from small-town Ohio and conquered New York. Charles' own narration is interspersed with interviews to people who know her — her friend Sarah, her brother Loren, her manager and more. Beauty, talent, charisma: Charles has it all, and it nets her a glamourous life. But is glamour enough for her? And what does glamour mean?

Documental que resume los diez años de Fugazi como banda, combinando tomas en Super 8, 16 mm o vídeo. Por «Instrument» se pasearán imágenes de directo (algunas excepcionales como las del concierto anti-apartheid, a favor de los sin techo, e incluso pequeños conciertos en penitenciarías o en una carpa de baloncesto –con un Picciotto cantando colgado de la cesta-), imágenes de decenas de seguidores de la banda, bromas varias, entrevistas desquiciadas para alumnos en prácticas, ensayos o un surtido de imágenes que reflejan lo anodino y absurdo de los tiempos muertos por los que se ve obligada a pasar cualquier banda de rock.