Brendan Canty

Uma jornalista novata tem que sacrificar sua entrevista de emprego para levar o avô ao hospital, em seu carro com o aparelho de som quebrado. E vive o dia mais esquisito de sua vida.

Washington DC Filmmakers Christoph Green and Brendan Canty (Fugazi) embed themselves in a class of recovering addicts, former drug dealers, and felons, all going through the DC Central Kitchen Culinary Training Program. Three months of hardcore therapy every morning and Knife Skills every afternoon.

In 1972, officer Frank Serpico exposes the corruption which poisons the roots of the NYPD and becomes famous in 1973 when director Sidney Lumet tells his story in the classic film “Serpico,” starring Al Pacino.

Official Unwound footage doc directed by Justin Trosper, included in the What Was Wound box set by Numero.

Chronicle of Wilco's 2013 Solid Sound music festival, which takes place over three days at the Massachusetts Museum of Contemporary Art.

A genre-defying band forms in Austin, covers a notorious rap tune, creates its own acclaimed roots music, and becomes a touring institution while striving to find its place in the challenging landscape of the music industry.

Wilco Live: Ashes of American Flags is a live performance DVD by the American alternative rock band Wilco.

Wilco Live: Ashes of American Flags is a live performance DVD by the American alternative rock band Wilco.

DVD ao vivo do líder do Pearl Jam. Water on the Road é o registro de dois shows solo que Eddie Vedder fez em agosto de 2008 no Warner Theatre - Washington. Dirigido por Brendan Canty, baterista do Fugazi, o DVD é lançado simultaneamente ao segundo álbum solo de Vedder, Ukelele Songs. Water On The Road inclui uma performance ao vivo da inédita "You're True" do álbum Ukulele Songs, uma mistura de músicas do catálogo do Pearl Jam, covers e músicas de "Into The Wild" - primeiro álbum solo de Eddie Vedder.

Circle of Friends is a DVD by Bob Mould of a live concert recorded in 2005 at the 9:30 Club in Washington, D.C. The performance included songs from Mould's earlier bands Hüsker Dü and Sugar, as well as his solo work. This particular show was part of the Body of Song tour, Mould's first non-solo tour for over a decade and the first one in which Hüsker Dü material was played for the first time since the band broke up in 1988.

The Burn to Shine series is about time. Portraits of bands playing in doomed houses, and the ritual of demolition set to music. These films always had in them a giant underlined subtext of temporality. This newest release, the Atlanta edition, is different in one major way. It is now being released almost a full decade after being filmed. The implied time capsule of the earlier films becomes explicit in this one, allowing us to view well known bands like Mastadon, Deerhunter, The Black Lips, and the Coathangers, in their infancy. Like finding an undeveloped roll of baby pictures, Burn to Shine 6: Atlanta takes us to a place that we forgot even existed.

Sunken Treasure follows Wilco frontman Jeff Tweedy on his February 2006 solo acoustic tour. The footage was recorded over five nights and features songs from three of his current and former bands: Wilco, Uncle Tupelo, and Loose Fur, plus an unreleased track, "The Thanks I Get." The film is directed by documentarians Christoph Green and Brendan Canty, himself the former drummer of Fugazi.

The story of rock'n'roll singer Charles Valentine, who came from small-town Ohio and conquered New York. Charles' own narration is interspersed with interviews to people who know her — her friend Sarah, her brother Loren, her manager and more. Beauty, talent, charisma: Charles has it all, and it nets her a glamourous life. But is glamour enough for her? And what does glamour mean?

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.